The new JURASSIC WORLD DOMINION is in constant, open communication with 1993’s JURASSIC PARK, from its nostalgic casting to its egregious callbacks. But there’s more going on in Colin Trevorrow’s second sequel to JURASSIC WORLD — perhaps too much, thanks in part to the layers of new mythology that the 2015 film added to the original JURASSIC PARK formula. Is this merging of the two JURASSIC eras to be derided or commended for its ambition in stretching beyond the “dinosaurs on an island” conceit? We argue it out in our discussion of DOMINION, before placing it side-by-side with its source material to consider how the franchise has evolved, and not, in its anthropomorphizing of dinosaurs, its thematic interest in parenthood and reproduction, and its attitudes toward science, heroism, and corporate evil. Plus, the return of Your Next Picture Show, with a recommendation from Keith of Phil Tippett’s MAD GOD.

Please share your comments, thoughts, and questions about JURASSIC PARK, JURASSIC WORLD DOMINION , or anything else in the world of film, by sending an email to [email protected]. We may respond to it on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes and more. 

Show Notes

Works cited: 

• “The ‘Jurassic World’ Movies Were Only About Chris Pratt Holding Out His Arms” by Miles Klee (melmagazine.com)

• “Star Wars effects legend Phil Tippett explains his 30-year nightmare project Mad God” by Tasha Robinson (polygon.com)

Outro music: George Clinton & the Goombas, ‘Walk the Dinosaur’

Next Pairing: Baz Luhrmann’s MOULIN ROUGE and ELVIS

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