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Today we are joined by critic, dance scholar, and former chief dance critic to the New York Times, Alastair Macaulay. We talk with Alastair about the incredible legacy of George Balanchine's 'Serenade'. Originally choreographed in 1934 for students at the School Of American Ballet, 'Serenade' has gone on to become one of the most beloved works of the 20th century. Alastair takes us through the history of the ballet, including the myths surrounding its creation, the many changes it has gone through over the years, and why we should really all be pronouncing it 'Seren-AYDE'.
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Website: conversationsondancepod.com
Instagram: @conversationsondance
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Hosted on Acast. See acast.com/privacy for more information.
By Michael Sean Breeden & Rebecca King Ferraro4.9
265265 ratings
Today we are joined by critic, dance scholar, and former chief dance critic to the New York Times, Alastair Macaulay. We talk with Alastair about the incredible legacy of George Balanchine's 'Serenade'. Originally choreographed in 1934 for students at the School Of American Ballet, 'Serenade' has gone on to become one of the most beloved works of the 20th century. Alastair takes us through the history of the ballet, including the myths surrounding its creation, the many changes it has gone through over the years, and why we should really all be pronouncing it 'Seren-AYDE'.
THIS EPISODE'S SPONSORS:
LINKS:
LINKS:
Website: conversationsondancepod.com
Instagram: @conversationsondance
COD Merch
Listen to COD on YouTube
Join our email list
Sponsorship information
Hosted on Acast. See acast.com/privacy for more information.

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