Award-winning (Campaign Faces to Watch 30 under 30/D&AD/Cannes Lion/BFI Official Selection/Campaign Future Female Leaders) multi-disciplined video editor, art director, photographer, motion designer, musician, social activist (Woman Up, Pride of Arabia) & public speaker (Glug, Adweek, The Dots).

Rebecca Rumble started her career 12 years ago by co-founding Format.LDN, a motion design studio that was commissioned by BAFTA & MTV. She left the studio to pursue an opportunity that engaged her biggest passion, music and was appointed by Zane Lowe as Editor for his Sooner Music platform.

With her constant desire for emerging culture Rebecca was attracted to Vice. Leading their motion design arm contributing work during Vice's record years of success. This includes designing titles for Snoop Dogg's Reincarnated (SXSW/TIFF Official Selection/Netflix) & Fantastic Man.

Rebecca moved to New York after spending the past 5 years building out content studio at R/GA London. As Creative Director her role encompassed storytelling through video, motion problem solving for UX & Ai whilst exploring content trends for social. She's was apart of R/GA's hit work, from Oprah, to Instagram’s Hero to Google’s Year In Search to Beats Music.

She has recently taken up a new adventure moving into tech, where she heads up Squarespace's content studio. A role that's routed in editorial content for the entrepreneurs, whilst also looking to the future of content creation, working on products that utilize machine learning to create systematic storytelling at scale.

Outside of work she has collaborated on numerous films which include "Incomplete" (2017 Official Selection at BFI's LGBT film festival) & "Hardest Word" (awarded gold 2017 Cannes Young Director Awards). Whilst working on films for Nowness, Arts Council, Business of Fashion, Christian Dior & Channels 4's Random Acts.

She also played keyboard in the band DWA, who supported Skream remixed The XX & was featured on The Guardian, Dazed & Confused & BBCs Steve Lamacq show.

Awards & Honors

Squarespace is Ad Age 2020 A-List In-House Agency Of The Year

Digital Innovation Agency of the Decade: R/GA London

Facebook Awards - Instagrams Project Hero

Dubai Lynx Awards - Beko's Tomorrow's Home

IPG Inclusion Award -Woman Up, Inclusion Award for Talent Initiatives

Young Directors Award - The Hardest Word - Gold

Campaign - Industry leaders of tomorrow

One Show - The Adventures of Little Brush Big Brush - Bronze

BFI Official Selection, LGBT Film Festival - Incomplete

Facebook Awards -The Adventures of Little Brush Big Brush

Ogilvy Awards Gold -Turkcell Healthmetre

Webby - Turkcell Healthmetre

BIMA -Turkcell Healthmetre

Cannes Lion -Beats 1 Run, Silver

D&AD Pencil - Beats Music

A-List Hollywood Awards - Beats Music, Gold

Art Director's Club - Beats Music

Eurobest - Beats Music, Grand Prix

Cannes Lion - Beats Music, Silver

Cannes Lion - Beats Music, Silver

Cannes Lions - Google Outside, Bronze

Clio Awards - Beats Music, Silver

SXSW - Reincarnated, Audience Award

Instagram: @rebeccarumble

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

Mark Summers trained as a performer before moving into casting over 20 years ago. He knows the business inside and out and has been fortunate enough to work with some of the world’s most creative individuals, from Marc Forster to David LaChappelle and Madonna to Metallica. Mark has over 14,000 credits to his name.

His Director’s list includes:

David Lachappelle, Joe Pykta, Alek Keshishian, Tony Kaye, Ace Norton , Sam Bayer, Jon Favreau, Paul Hunter, Scott Hicks, Anthony Hoffman, Michael Haussman, Matthew Rolston, Jesse Dylan, Sophie Muller, The Hughes Brothers, John Hillcoat, Jake Nava, Little X, Tim Pope, Jonathan Glazier, Wim Wenders, Tim Godsall, Anthony Manghella, Marc Caro, Ringan Ledwidge, Allen Coulter, Richard Curtis, Albert Watson Jim Sheridan, Joseph Khan, Jonas Renck, Jonas Akerland, Rankin, Chris Cunningham, Rupert Sanders, , Jason Reitman, Martin Campbell, Jesse Peretz, Kenny Ortega, Hughes brothers, Nima Nourizadeh, Marc Forster, David Sims,Jean Pierre Jeunet ,Cynthia Wade & Alex Gibney

Mark’s dedication and skill has earned him love and respect from Directors, Producers, Choreographers and Performers as well as numerous awards too. Mark has been nominated and won, the British Advertising Craft Award for Best Casting Director.

Mark regularly passes on his knowledge and skills through his master classes and was also made a mentor and patron of the Royal Academy of Dance Community Outreach Programme, Step Into Dance. In 2010, Mark was honoured by Sir Paul McCartney at the world famous Liverpool Institute of Performing Arts (LIPA) and made a ‘Friend of LIPA’, one of the highest honours ever bestowed by the University. He is a regular media commentator on casting with regular columns in papers including The Stage and Campaign.

He has also hosted and appeared on many TV shows, including:

Move Like Michael Jackson BBC (UK)

Move Like Michael Jackson SBS6 (Benelux)

Britain’s Missing Top Model BBC

Bump and Grind Trouble TV

Make Me a Super Model UK (FIVE)

Pops Greatest Dance Crazes ( BBC3)

The Boss is Coming to Dinner C5

The Model Agent Ireland ( RTE)

Bust a Move UK (MTV Networks)

Bigger Than ….. (SKY)

Did you know…?

Mark Summers was the UK Casting Director on Michael Jackson’s ‘THIS IS IT’ tour.

Mark holds both American and British nationality

Mark is also a founding member of the CDA.

Instagram: @marksummerscasting_mgt

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

Prior to graduation, Bowman toured with the hit musical Fame in China, and performed as Rizzo in Grease in Turkey. She was also a performer with the Young Columbians. Shortly following that, Bowman returned to the states as Lady of the Lake in the Spamalot national tour. Very shortly after the Spamalot tour and her move to New York City, Bowman was offered an ensemble role in Wicked, understudying Elphaba. Bowman left Wicked to take part in originating a new musical Kinky Boots in 2013, but Bowman left Kinky Boots shortly after its Broadway premiere to join the Evita national tour as Eva Peron in 2013. Almost immediately following the conclusion of the Evita tour in October 2014, Bowman was offered the starring role of Elphaba in Wicked, beginning December 16, 2014, replacing Christine Dwyer in the role. However, in late February, it was announced that due to an injury Bowman sustained, Christine Dwyer was brought back for a limited four-week engagement as Elphaba. Jennifer DiNoia was also brought back for a limited time, until Bowman returned to the show in early April. On August 18, 2015, it was announced that Bowman will be departing Wicked (musical) in mid-September, with Rachel Tucker replacing her. From April 30 – May 8, 2016, Bowman reprised her role as Eva Perón in the Vancouver Opera's production of Evita, replacing the previously announced Jenn Colella. As part of the celebrations for the 45th anniversary of the Columbia Center for Theatrical Arts, Bowman was a narrator in a production of Joseph and the Amazing Technicolor Dreamcoat at Toby's Dinner Theatre.

It was announced on May 7, 2019 that Bowman will play Elsa in the national tour of Frozen.

Instagram: @carolinebowman5

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

Victoria is a writer and dramaturg living in London with a speciality in book and lyrics for Musical Theatre. She is known as the ‘musical whisperer’ among her dramaturgy clients, which includes independent writers and producers across the UK and Europe as well as commercial Broadway-bound pieces. From 2014-2019 she was the Executive Director of Mercury Musical Developments, where she co-founded and co-produced the UK’s main industry showcase of new musical theatre: BEAM 2016 & 2018. She helped facilitate and run the National Theatre’s new Musical Theatre Group, and designed and led a Graduate Musical Theatre Writing Course at the Royal Central School of Speech and Drama. Upcoming credits include a new audio commission by Big Finish and a London workshop of medieval musical ‘Head of the Table’ with Drama-desk nominated composer Paul Castles.

She gained an MFA in Musical Theatre Writing at the Tisch School of the Arts, New York University, an MA in Creative Writing at Dartmouth College, New Hampshire and also trained at the Royal Court Young Writers Programme.

www.vsaxton.com

Instagram: @gussysax

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

A creative filmmaker, imaginative storyteller and self proclaimed king-of-the-dancefloor.

Truly multi - talented, Tom’s skills span directing, writing and curating a monthly comedy sketch show Mr Thing http://tomclarkson.virb.com/mr-thing .

Tom’s commercial directing credits include campaigns for Sainsbury’s, Tesco, Captain Morgan, O2, Audi, Volvic and Kellogg’s. He’s helmed noted promos for Jack Garratt and Seafret.

Tom still doesn’t understand the phrase ‘don’t work with children or animals’ and regularly works with both in protest.

His love of dogs - is expressed on his Instagram Hello Mr Bones.

https://www.instagram.com/hellomrbones/

Instagram: @mrtomclarkson

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

Mitchell's early Broadway credits were as a dancer in The Will Rogers Follies and revivals of Brigadoon and On Your Toes. He is openly gay.

Mitchell's first professional credit as a choreographer was for the 1990 Alley Theatre world premiere of the musical Jekyll & Hyde. Mitchell's first Broadway production as sole choreographer was the 1999 revival of You're a Good Man, Charlie Brown, which he followed with The Full Monty.

Mitchell created and for many years directed the annual Broadway Bares benefit for Broadway Cares/Equity Fights AIDS. In addition to the theatre, he has choreographed for films such as Camp, In & Out and Drop Dead Gorgeous. He garnered an Emmy Award nomination for his work on The Drew Carey Show.

In 2003 Mitchell was named one of Dance Magazine's "25 to Watch". He directed and choreographed Legally Blonde: The Musical, which opened in April 2007, and served as a mentor on Bravo's reality competition Step It Up and Dance in 2008.

Mitchell created, directed, and choreographed a stage show for Las Vegas, Peepshow, which opened at Planet Hollywood Resort and Casino in 2009. He was involved in workshops for the stage musical version of the film Catch Me If You Can.

In 2013, Mitchell directed and choreographed the Broadway musical Kinky Boots. He won the Tony Award for Best Choreography and was nominated for the Tony Award for Best Direction of a Musical. He is the director of the new musical On Your Feet!, about the lives of Gloria and Emilio Estefan. The musical premiered in Chicago in June 2015 and opened on Broadway at the Marquis Theatre on November 5, 2015.

He is the director and choreographer of the new musical Half Time, based on the film Gotta Dance, which began performances on December 13, 2015 at Chicago’s Bank of America Theatre, and ran through January 17, 2016. The musical has the book by Chad Beguelin and Bob Martin, music by Matthew Sklar and lyrics by Nell Benjamin, with additional music by Marvin Hamlisch. The musical opened at the Paper Mill Playhouse (Millburn, New Jersey) on May 31, 2018.

Instagram: @jammyprod

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

Jon Bausor is a multi award winning set and costume designer working in mixed stage genres including Theatre, Dance, Opera and large scale performance. He designed the opening ceremony of the Paralympic Games in London in 2012 and has made work for many national and international theatres and opera houses including the National Theatres of UK, Scotland, and Wales, Finnish and Norwegian Opera houses, Glyndebourne Opera, the Imperial Theatre, Tokyo, the ShiberHur theatre of Palestine as well as numerous Broadway and West End theatre and musical productions including Bat Out of Hell, and the Grinning Man which received a UK theatre award for Best Design. As an associate artist of the Royal Shakespeare Company he has designed numerous productions including Hamlet, King Lear, The Winter’s Tale and the entire 2012 season. Jon originally trained as a cellist, and singer, studying at the Royal Academy of Music and Oxford University before training on the Motley Theatre Design Course. He is proud to serve on the committee for the Linbury Prize for Stage Design.

www.jonbausor.com

Instagram: @crookslikeus

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

Aria Entertainment was founded in 2012 by Katy Lipson. In 2017, Katy was awarded the Best Producer award by the Off-West End Awards and is a recipient of a Stage One Bursary and Start Up Award. She took part in the first ever UK/US Producer Exchange in 2019 and was nominated for International Producer Of The Year in 2020 by the League Of Professional Women in New York. She made “The Stage 100” a list of the most influential people working in British Theatre in 2018, 2019 and 2020 for her work as producing artistic director of the Hope Mill Theatre.

Katy produced the UK Premiere Tour of The Addams Family in 2017 and the 50th Anniversary touring production of HAIR in 2019 which also ran at the London Vaults in 2017 and which she originally co-produced with Hope Mill Theatre in 2016, where she was the Producing Artistic Director for all in-house musicals from 2016 – 2019. HAIR (The Vaults) won the award for Best Off-West End Production at the 2018 WhatsOnStage Awards. She transferred a production of Pippin, to Southwark Playhouse, which was nominated for a record number of Off West End Awards and her production of Spring Awakening won the award for Best Regional show at the 2019 WOS awards. In 2012, the bicentenary year of Charles Dickens’ birth, she produced a revival of The Mystery of Edwin Drood at the Arts Theatre, West End. This was followed by a transfer to the same venue in 2017 of new musical The Toxic Avenger following runs at The Edinburgh Festival’s Pleasance Theatre and the Southwark Playhouse.

Katy set up the From Page to Stage festival to support new musicals at all difference stages of development. In 6 years FPTS has given platform to over 100 new musicals. Many have gone on to have full productions and be licensed worldwide. Aria runs a full-time literary department for new musicals.

Instagram: @ariaents

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright

Bio: Actor, Director of Movement, Theatre Director, Movement Consultant.

Toby Sedgwick worked with Danny Boyle on the London 2012 Olympics as Director of Movement and Choreographer for the Green and Pleasant Land and the Industrial Revolution. He won the 2008 Olivier Award as Director of Movement and Horse Choreographer for War Horse and played Ted Narracottin the original production. He trained at the Jacques Lecoq School in Paris, where he founded The Moving Picture Mime Show, which established itself as one of the innovators of physical theatre throughout the world.

Toby’s work as Director of Movement has been seen worldwide: A Dog’s Heart for De Nederlandse Opera, La Scala, Lyon Opera and English National Opera, Tintin (Barbican Theatre), The 39 Steps (West End, Broadway, Japan, Russia, Korea, Australia and Europe), War Horse productions in New York, Toronto, Berlin, a UK and a North American Tour. He created the movement for Danny Boyle’s Frankenstein at the National Theatre in 2012. Toby has worked with many other major companies including the Royal Shakespeare Company, The Young Vic, Chichester Festival Theatre, Bristol Old Vic and the Manchester Royal Exchange where he worked with Pete Postlethwaite on The Tempest. He was director of movement for A Christmas Carol starring Jim Broadbent in the West End and Il Barbiere di Siviglia at Glyndebourne in 2016 - also an adaptation of Ingmar Bergman's film Fanny & Alexander, at The Old Vic Theatre London in 2018.

As an actor he has frequently co-devised work with Theatre de Complicite, (most recently appearing in The Master and Margarita), played Harpo Marx in Animal Crackers, appeared in The Play What I Wrote for a UK tour, Vacuums a film by Stomp, and Laissez Passer for Bertrand Tavernier.

As a Director he worked with Ockham’s Razor on The Mill at the Royal Opera House and The Three Musketeers for Mime Theatre Project. He co-directed Macbed at the National Theatre with Ken Campbell and The Hudsucker Proxy with Simon Dormandy at the Nuffield Southampton and Liverpool Playhouse in 2015.

Alongside his specialist teaching of both clown and mask work, Toby’s enormous experience is much valued by actors interpreting character through movement. Recently Tom Burke in Comoran Strike, Daniel Radcliffe and Guillaume Delauney in Victor Frankenstein and a clown workshop with Michelle Williams. Movement direction on other films include: 28 Days Later and Sunshine for Danny Boyle, Nanny McPhee and The Big Bang for Susannah White and Victor Frankenstein for Paul McGuigan.

Toby was director of movement and choreography on Stan and Ollie, a feature film starring Steve Coogan and John C. Reilly - directed by Jon S. Baird. He also played the role of 'Theatre Manager'. The world premiere was on the closing night gala of the BFI London Film Festival and it was released in the U.K. and Ireland on January 11th 2019.

As Director of Movement and Horse Choreography for War Horse in October 2019 Toby choreographed a new fight sequence for the horse puppets, Joey and Topthorn, for the French television production Le Grand Echiquierin Paris.

At the end of 2019 Toby appeared in The Last Planet directed by Terrence Malick and in January 2020 taught physical theatre and co-directed Peter and the Starcatcher for three months at The University of California (Davis).

Toby is currently compiling details for his forthcoming one man show Bernard Knowes and is creating short films on Instagram directed by Clare Park to order to test run his character and offer some humour in these difficult times.

https://www.tobysedgwick.net

——————————————————————————— Host: Jamie Neale @jamienealejn Discussing with Toby his rituals of reflection and understanding his own habitual patterns both in personal and work life. We ask questions about how to come more aware of ones self and also the world around him. How do we become 360 with yourself? —- you can also find us on @360_yourself

Theatre Credits Include: Sherrie in ROCK OF AGES (UK Tour), Heather Chandler in HEATHERS (West End/ Other Palace), MYTH (The Other Palace), Elphaba in Wicked (UK and International Tour), The Great American Trailer Park Musical (Waterloo East Theatre), War of the Worlds (Dominion Theatre), Legally Blonde (Kilworth House), Jesus Christ Superstar (UK Tour), FAME (UK Tour), The Theory of Relativity (Drayton Arms Theatre), Miracle on 34th Street (UK Tour), Tina Turner Arena Experience (Holland), Bare the Rock Opera (Greenwich Theatre), RENT (The Tabard Theatre), Follies (Yvonne Arnaud), 3 Composers 3 Countries (The Landor)

Film credits: Livia/ Anne Marie in TWO WOLVES (Lupine Film Ltd, Andy Fickman)

Twitter: @JodieSamSteele

Instagram: @JodieSamSteele

Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves?

Host Instagram: @jamienealejn

Podcast Instagram: @360_yourself

Music from Electric Fruit

Produced by Tom Dalby

Composed by Toby Wright