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With a new Benoit Blanc out for you to devour, we decided it was a great time to talk about the great Rian Johnson. In 2012, Johnson delivered his genre hybrid Looper, set in a dystopic future where, through the magic of time travel, a hitman (Joseph Gordon-Levitt) faces off against his older self (Bruce Willis) to stop a mysterious force who’s hunting them. With mind-bending leaps and a stellar supporting turn from Emily Blunt, Looper cemented Johnson’s reputation and led to his hiring for The Last Jedi.
This week, we talk about Johnson’s confident grasp of twisty material and the layered world he creates with Looper. We also talk about Gordon-Levitt’s Willis-riffing turn, Willis’ late career in the years after this film, and Kazu Hiro’s makeup to make JGL look like BW.
Topics also include 2012 TIFF Galas, the 2012 Original Screenplay race, and the blunderbuss.
By Joe and Chris4.8
11481,148 ratings
With a new Benoit Blanc out for you to devour, we decided it was a great time to talk about the great Rian Johnson. In 2012, Johnson delivered his genre hybrid Looper, set in a dystopic future where, through the magic of time travel, a hitman (Joseph Gordon-Levitt) faces off against his older self (Bruce Willis) to stop a mysterious force who’s hunting them. With mind-bending leaps and a stellar supporting turn from Emily Blunt, Looper cemented Johnson’s reputation and led to his hiring for The Last Jedi.
This week, we talk about Johnson’s confident grasp of twisty material and the layered world he creates with Looper. We also talk about Gordon-Levitt’s Willis-riffing turn, Willis’ late career in the years after this film, and Kazu Hiro’s makeup to make JGL look like BW.
Topics also include 2012 TIFF Galas, the 2012 Original Screenplay race, and the blunderbuss.

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