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We welcome back Oscar-nominated My Year of Dicks filmmaker Pamela Ribon this week for [gasp] our very first documentary episode! In 1988, Errol Morris made a documentary hit out of The Thin Blue Line. Detailing police corruption and bias that led to the wrongful conviction of Robert W. Wood for a police shooting, the film became a non-fiction landmark for unpacking the the case’s inconsistencies and ultimately led to Wood’s vindication.
This episode, we talk about how the documentary branch overhauled their nominating process in the wake of snubs for films like this and Hoop Dreams. We also discuss the stigma of non-fiction reenactments, how the film would influence later true crime doc style, and Pam’s work on her upcoming documentary, One Act.
Topics also include Morris’ Gates of Heaven, Werner Herzog eating his shoe, and what the hell a malt is.
By Joe and Chris4.8
11481,148 ratings
We welcome back Oscar-nominated My Year of Dicks filmmaker Pamela Ribon this week for [gasp] our very first documentary episode! In 1988, Errol Morris made a documentary hit out of The Thin Blue Line. Detailing police corruption and bias that led to the wrongful conviction of Robert W. Wood for a police shooting, the film became a non-fiction landmark for unpacking the the case’s inconsistencies and ultimately led to Wood’s vindication.
This episode, we talk about how the documentary branch overhauled their nominating process in the wake of snubs for films like this and Hoop Dreams. We also discuss the stigma of non-fiction reenactments, how the film would influence later true crime doc style, and Pam’s work on her upcoming documentary, One Act.
Topics also include Morris’ Gates of Heaven, Werner Herzog eating his shoe, and what the hell a malt is.

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