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Is talk about popular music stuck between the poles of “rockism” and “poptimism”?
How did Donna Summer and Giorgio Moroder invent "electronic dance music"?
Why is "future music" good? What are its pitfalls?
How did Daft Punk run out of futurity?
Why is Auto-Tune actually not the worst invention?
How are genres like trap technically exciting but thematically glum?
Is there any way of bringing the future back?
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Is talk about popular music stuck between the poles of “rockism” and “poptimism”?
How did Donna Summer and Giorgio Moroder invent "electronic dance music"?
Why is "future music" good? What are its pitfalls?
How did Daft Punk run out of futurity?
Why is Auto-Tune actually not the worst invention?
How are genres like trap technically exciting but thematically glum?
Is there any way of bringing the future back?
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