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Susan Dewsnap uses resists to paint seemingly endless curves that move and undulate around her forms. In our interview we talk about digesting visual influences, her exploration of line weight in painting, and the ceramic scene around Maine, where she is a faculty member at Bates College. We also discuss the upcoming exhibition of the E. John Bullard Collection at the Bates Museum of Art, which opens October 24th. www.susandewsnap.com.
Today’s episode is brought to you by the following sponsors:
Monkey Stuff www.monkeystuff.com
The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com
Cornell Studio Supply www.cornellstudiosupply.com
By Ben Carter4.8
263263 ratings
Susan Dewsnap uses resists to paint seemingly endless curves that move and undulate around her forms. In our interview we talk about digesting visual influences, her exploration of line weight in painting, and the ceramic scene around Maine, where she is a faculty member at Bates College. We also discuss the upcoming exhibition of the E. John Bullard Collection at the Bates Museum of Art, which opens October 24th. www.susandewsnap.com.
Today’s episode is brought to you by the following sponsors:
Monkey Stuff www.monkeystuff.com
The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com
Cornell Studio Supply www.cornellstudiosupply.com

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