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Aysha Peltz stretches and darts porcelain into volumetric forms, which she then enhances with glazes that pool and break off high points. In today's interview we talk about pushing porcelain to its limits, learning to self-edit, and the symbiotic relationship between her studio practice and teaching at Bennington College, VT. We also discuss her role in cocurating The Old Church Pottery Show, happening December 5th-7th, in Demarest, NJ. www.ayshapeltz.com
I'm happy to be serving as juror for the 16th Annual Workhouse Clay International Exhibition. The exhibition highlights functional and sculptural ceramic artwork being created throughout the US and abroad. To be considered submit your entry by January 11th.
Today's episode is brought to you by the following sponsors:
Monkey Stuff www.monkeystuff.com
The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com
Cornell Studio Supply www.cornellstudiosupply.com
By Ben Carter4.8
263263 ratings
Aysha Peltz stretches and darts porcelain into volumetric forms, which she then enhances with glazes that pool and break off high points. In today's interview we talk about pushing porcelain to its limits, learning to self-edit, and the symbiotic relationship between her studio practice and teaching at Bennington College, VT. We also discuss her role in cocurating The Old Church Pottery Show, happening December 5th-7th, in Demarest, NJ. www.ayshapeltz.com
I'm happy to be serving as juror for the 16th Annual Workhouse Clay International Exhibition. The exhibition highlights functional and sculptural ceramic artwork being created throughout the US and abroad. To be considered submit your entry by January 11th.
Today's episode is brought to you by the following sponsors:
Monkey Stuff www.monkeystuff.com
The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com
Cornell Studio Supply www.cornellstudiosupply.com

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