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Six episodes ago, Jason made Phil mad by suggesting that “Chariots of Fire” and “Amadeus” might not be worthy of their Academy Awards for Best Picture. This episode is Phil’s revenge, as we watch two acclaimed early-80s films and see how well they hold up. They’re both period pieces, but one is set to the electronic sounds of Vangelis and the other to the classical masterpieces of Mozart. Running in slow motion has never looked better, and there’s never been more braying laughter in a film!
"Chariots of Fire" and "Amadeus"
Jason Snell with Monty Ashley, Philip Michaels and David J. Loehr
Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.
By Jason Snell4.8
621621 ratings
Six episodes ago, Jason made Phil mad by suggesting that “Chariots of Fire” and “Amadeus” might not be worthy of their Academy Awards for Best Picture. This episode is Phil’s revenge, as we watch two acclaimed early-80s films and see how well they hold up. They’re both period pieces, but one is set to the electronic sounds of Vangelis and the other to the classical masterpieces of Mozart. Running in slow motion has never looked better, and there’s never been more braying laughter in a film!
"Chariots of Fire" and "Amadeus"
Jason Snell with Monty Ashley, Philip Michaels and David J. Loehr
Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

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