Bette Davis brings the melodrama, right here in the imperial phase of her Warner Brothers career. She’s rich, she’s spoiled. Oopsie. She has a health crisis! Will she become a better person? Will she find love? Will she out-act Humphrey Bogart, George Brent (yeah she will) and Geraldine Fitzgerald? Will your host have a take almost none of the reviews she’s read have? Let’s find out together.

Dark Victory

Shelly Brisbin with Annette Wierstra, Nathan Alderman and Micheline Maynard

Get in touch with the show at [email protected] or on the socials at liontowershield. Hey hey, we are on Bluesky, @liontowershield.theincomparable.com.

The Movie: review/commentary on a single classic film

The Self-Referential LTS

Next time, we’ll watch

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The first film Fritz Lang made in the US after he fled the Nazis, Fury is the story of a man who is lynched by the residents of a small town. The film is not a groundbreaking 1950s independent production, but an MGM star vehicle from 1936, featuring one of the studio’s then newest stars, Spencer Tracy. It’s not even Fritz Lang’s best film, but you’ll see some groundbreaking technique here.

Fury

Shelly Brisbin with Nathan Alderman, Randy Dotinga and Micheline Maynard

Get in touch with the show at [email protected] or on the socials at liontowershield. On Bluesky, the current favorite, @liontowershield.theincomparable.com.

The Movie: review/commentary on a single classic film

The Self-Referential LTS

Next time, we’ll watch

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If you meet up with Lawrence Tierney in a dark alley - or in a kitchen, for that matter - chances are the encounter won’t end well. Tierney is truly the bad boy of film noir, and no film shows it better than “Born to Kill.” Claire Trevor is great, as always, but I do question her taste in men. I imagine a few eyebrows raising at what the filmmaker gets away with here, including the brazen attitude of our leading man. And oh hey, Elisha Cook Jr. Is here, too, bringing all the gay subtext.

Born to Kill

Shelly Brisbin with Randy Dotinga, Nathan Alderman and Micheline Maynard

The Movie: review/commentary on a single classic film

The Self-Referential LTS

Next time, we’ll watch

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Greatest musical of all time, you say? Plenty of people would agree. Stanley Donen and Gene Kelly co-direct Kelly, Donald O’Connor and Debbie Reynolds through a delightful Comden and Gteen score, not to mention dance numbers that have achieved legendary status. For anyone who admires clever, energetic film choreography, it’s a joy to watch. For a fan of classic film, there’s an homage to the transition between silent and talking movie. That happened barely 20 years before this film was made, which is kind of bonkers to think about.

The episode title is a callback. It’s what we do!

Singin' in the Rain

Shelly Brisbin with Nathan Alderman, David Almeida, David J. Loehr and Micheline Maynard

Get in touch with the show at [email protected] or on the socials at liontowershield. Hey hey, we are on Bluesky, @liontowershield.theincomparable.com.

The Movie: review/commentary on a single classic film

The Self-Referential LTS

Next time, we’ll watch

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

This film was a passion project for George Cukor and Katharine Hepburn. RKO let them do it, but the studio was sorry, when the movie confused audiences in 1935, and made no money. It has attained a bit of a cult following since. Hepburn and her father, Miracle on 34th Street’s Edmund Gwynn are fleeing trouble, and Sylvia dons a male disguise to help her dad. They meet con man Cary Grant, and hilarity and awkward moments of gender identity ensue.

Sylvia Scarlett

Shelly Brisbin with Nathan Alderman, Randy Dotinga and Micheline Maynard

Get in touch with the show at [email protected] or on the socials at liontowershield. Hey hey, we are on Bluesky, @liontowershield.theincomparable.com.

The Movie: review/commentary on a single classic film

The Self-Referential LTS

Next time, we’ll watch

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.

Let the show’s 5th year begin!

LTS regular Micki Maynard turned me onto this one. Paul Newman and Sidney Pottier star as jazz musicians in Paris. Their love interests are Joanne Woodward and Dihann Caroll, repectively. Louis Armstrong plays a character called Wild Man Moore. If my synopsis seems superficial, that’s because I haven’t actually seen this one. But I love the cast, and I love the idea that Sidney and Diahann are doing something more interesting than playing that one Black person in the movie. So come discover this one along with me.

Paris Blues

Shelly Brisbin with Micheline Maynard and Nathan Alderman

Get in touch with the show at [email protected] or on the socials at liontowershield. Hey hey, we are on Bluesky @liontowershield.theincomparable.com.

The Movie: review/commentary on a single classic film

Next time, we’ll watch

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The Holiday Show

Shelly Brisbin with Randy Dotinga, Micheline Maynard, David J. Loehr and Nathan Alderman

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We return surprisingly often to the Hitchcock well, but his 1940s films are so interesting. Here is a gothic romantic mystery, with poor Joan Fontaine just trying to get her bearings in an old, dark house. Why are her new husband, Laurence Olivier, and his housekeeper, Judith Anderson, so mean to Joan, and what’s become of the cupid in the morning room? Join us and find out.

Rebecca

Shelly Brisbin with Annette Wierstra, Micheline Maynard and Randy Dotinga

Get in touch with the show at [email protected] or on the socials.

The Movie: review/commentary on a single classic film

The Self-Referential LTS

Next time, we present

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A new film tells the story of Humphrey Bogart through the lens of the women who were most important in his life - his mother and his four wives. Shelly talks with Bogey’s son, Stephen Humphrey Bogart, about the new film.

Shelly Brisbin

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AUDIO FIXED: Join us for peak 1950s MGM musical. If that doesn’t interest you, I can’t help. Fred Astaire and Cyd Charisse dance their hearts out, Oscar Levant levants, and Vincente Minnelli does his usual excellent job as director. We take issue with the plot and at least one of the main characters, but it’s entertaining. And I like the triplets number.

The Band Wagon

Shelly Brisbin with David Almeida, Micheline Maynard, Randy Dotinga and David J. Loehr

Get in touch with the show at [email protected] or on the socials, @liontowershield.

The Movie: review/commentary on a single classic film

The Self-Referential LTS

Next time, we’ll watch

Support this show and other shows like it on The Incomparable network by becoming a member. Members get early access to podcasts, bonus episodes, and more.