Los orígenes del sintetizador musical—instrumento electrónico que funciona mediante la manipulación de corrientes eléctricas, que modula las ondas produciendo diferentes timbres—nos llevan a finales del siglo XIX, momento en que se descubre la generación de sonido a través de la vibración de un circuito electromagnético.
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Has escuchado

Blues Mix (1966) / Joel Chadabe. Realizado con un Moog modular. Waveshaper Media (2019)

Chaotic Synthesis Recording #3 / Jason R. Burcher. Realizado con un Buchla 200. Autoedición (2010)

Figueroa Terrace / Thomas Ankersmit. Realizado con un Serge Modular. Touch (2014)

This Causes Consciousness to Fracture (en Patterns of Consciousness) / Caterina Barbieri. Realizado con un Eurorack modular. Important Records (2017)

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Selección bibliográfica

BERNSTEIN, David W., The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde. University of California Press, 2008*

DE WILDE, Laurent, Les fous du son: d’Edison à nos jours. Bernard Grasset, 2016*

DIDUCK, Ryan Alexander, Mad Skills: MIDI and Music Technology in the Twentieth Century. Repeater Books, 2018*

FREKE, Oli, Synthesizer Evolution: From Analogue to Digital (and Back). Velocity Press, 2020

GLINSKY, Albert, Switched On: Bob Moog and the Synthesizer Revolution. Oxford University Press, 2022*

HENNION, Antoine y Christophe Levaux, Rethinking Music through Science and Technology Studies. Routledge, 2021*

JENKINS, Mark, Analog Synthesizers: Understanding Performing Buying from the Legacy of Moog to Software Synthesis. Routledge, 2020

O’CONNOR, Neil, Dark Waves: The Synthesizer and the Dystopian Sound of Britain (1977-80). Rowman & Littlefield, 2023

PATTESON, Thomas, Instruments for New Music: Sound, Technology and Modernism. University of California Press, 2015*

PEJROLO, Andrea y Scott B Metcalfe, Creating Sounds from Scratch: A Practical Guide to Music Synthesis for Producers and Composers. Oxford University Press, 2017

STRANGE, Allen, Electronic Music: Systems, Techniques and Controls. McGraw-Hill, 1983

TARA, Rodgers, Pink Noises: Women on Electronic Music and Sound. Duke University Press, 2010*

VAIL, Mark, The Synthesizer: a Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument. Oxford University Press, 2014

WILSON, Nick, Interpreting the Synthesizer: Meaning through Sonics. Cambridge Scholars Publishing, 2020

*Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March