A listener question prompted this episode about Peter Weir's excellent 2003 period naval-warfare epic 'Master and Commander: The Far Side of the World', and why it's one of my favorite films and a comforting re-watch at any time I encounter or am in the mood for it.

The movie is an interesting demarcation line between a Hollywood that would make a movie like this for 150 million dollars...and a Hollywood that, post TLOTR-trilogy, would increasingly focus its efforts on movies costing two and three times that much designed and engineered to recoup in the billions-with-a-b and not millions.

In almost any other era, 'Master and Commander', coming as it does out of a deep well of pre-existing IP (the 20 novels in the Aubrey/Maturin series by famed novelist Patrick O'Brian), would have easily been a repeatable franchise.  The film itself is top-notch, so it's not a question of a bad film failing to light the spark.  So: what happened?

In this episode we take a look at what makes the film so special, praise the cast and crew for their efforts, talk a lot about the incredible music used throughout the film, and speculate a bit on exactly why this film, so beloved by those who love it, and returning a fully respectable return on the studio's investment...did not turn into the franchise everyone involved hoped it might.

On thing I forgot to mention in the pod: after this experience, Peter Weir made exactly one more film.  He's certainly been at it quite a while, starting his feature career in 1973...and as Tarantino says, directing films is really a young person's game...but one wonders if after putting in ALL the effort, including a necessarily-grueling water shoot, and turning in an excellent film nominated for 10 Oscars....and having that all met with the popular audience version of a damp squib...he just decided that it wasn't worth it anymore, that if Hollywood wasn't going to allow a filmmaker like him to tell the stories he wanted to tell, at his price point...then it might have been time to step off the apple box. A shame, if that's what happened, because Peter Weir is one of the greatest film directors, with a lot to say and offer the medium.