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Benedikt's voice on this episode has been recorded with the Antelope Axino Synergy Core

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November 2021 - Q&A - Part 3!

These are some of the questions and struggles from our community members that we've covered on the show:

"I think the problem is trying to do a reasonable job on less than ideal equipment and in an untreated space. I’m sure a lot of people are in the same situation… you find a spare corner of the house to put your desk and your gear and your small monitors for recording, but trying to master on small speakers in a weird shaped room is a bit of a nightmare. I always use references and try not to get sidetracked by loudness, but hearing the low end properly on tiny speakers sucks. I mostly use headphones for recording and mixing (rightly or wrongly it’s what works best for me and the rest of my household) but obviously mastering on headphones isn’t really ideal." 
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"Not a 100% recording related issue, but maybe still OK to be discussed: How do I place and set up an internal kick drum mic for a live (recording) session with sending the mic to the p.a. and preventing it from low frequency feedback? We have this issue in our rehearsal space, that the kick is always close to annoying feedbacks. We record the sessions live while rehearsing. And yes, we are loud and yes, the kick needs balls. But maybe you have some "hacks" (TM) what we can try to reduce that? Mic is a Sennheiser 602. No compressor / gate but semi parametric eq on the mixing desk available, that I already tried noodling around with a lot. And we had the same issues with a D112."
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"Whats a good way to achieve humbucker style guitar tones with a single coil guitar? (Without buying a humbucker guitar) Ha ha"
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For full show notes go to: theselfrecordingband.com/93

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

Send a text

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]