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Throughout history, composers who have been known for championing a particular musical style have shocked their fans by radically and suddenly changing their aesthetic. Why does this happen, and who’s changing their style in the modern era?
Hosted by Seth Boustead
George Rochberg: String Quartet No. 3 (excerpt)
George Rochberg: Bagatelle No. 3, con brio
Krzysztof Penderecki: Threnody for the Victims of Hiroshima (excerpt)
Krzysztof Penderecki: Symphony No. 8 (excerpt)
David del Tredeci: I Hear an Army (excerpt)
David del Tredeci: Final Alice (excerpt)
Arvo Pärt: Nekrolog (excerpt)
Arvo Pärt: Cantus in Memory of Benjamin Britten
John Adams: Short Ride in a Fast Machine
John Adams: Harmonielehre, Part II (excerpt)
Lois V. Vierk: Timberline (excerpt)
By Access Contemporary Music4.8
2525 ratings
Throughout history, composers who have been known for championing a particular musical style have shocked their fans by radically and suddenly changing their aesthetic. Why does this happen, and who’s changing their style in the modern era?
Hosted by Seth Boustead
George Rochberg: String Quartet No. 3 (excerpt)
George Rochberg: Bagatelle No. 3, con brio
Krzysztof Penderecki: Threnody for the Victims of Hiroshima (excerpt)
Krzysztof Penderecki: Symphony No. 8 (excerpt)
David del Tredeci: I Hear an Army (excerpt)
David del Tredeci: Final Alice (excerpt)
Arvo Pärt: Nekrolog (excerpt)
Arvo Pärt: Cantus in Memory of Benjamin Britten
John Adams: Short Ride in a Fast Machine
John Adams: Harmonielehre, Part II (excerpt)
Lois V. Vierk: Timberline (excerpt)

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