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In this second part of my conversation with Wes Dooley of Audio Engineering Associates, I ask Wes about why ribbon microphones sound different from condenser (or dynamic) microphones. Wes also explains more about his recording background and how that led into ribbon mic design and manufacturing.
(Technical info: Wes used an AEA KU5 mic into a D.W. Fearn VT-2 mic preamp and recorded into Pro Tools at the AEA Studio in Pasadena, CA. Doug used an AEA R44CX into a VT-2 and recorded to Pyramix, at the D.W. Fearn Studio in West Chester, PA.)

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