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Nat Puff, known by the stage name Left At London has released her first full length album. This comes three years after her self-titled EP and the Transgender Street Legend Volume 1 and Volume 2 EPs. This new full-length album is an exploration of Left at London’s mental health. The music weaves between acoustic indie folk to pop, punk, rock, hip hop and electronica, sometimes all within one song—the switches seem to indicate different moods or mental states.
“There are some days when you are angry in a way that you can’t describe and there are some days when you’re absolutely defeated in a way you can’t describe. Then there’s manic episodes, there’s dissociative episodes, all these sorts of things I feel are unintentionally represented in the genre switches,” Puff says. “Each track represents a different part of my mental state—from suicidal ideations, to hope and healing."
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
Sound & Vision’s mini-series, Apparently, explores the stories of musicians and performers who are juggling parenthood with their art.
On this episode, Kate Stables of This Is The Kit talks with KEXP’s Rachel Stevens about what it was like taking her baby on tour and how she released an album with her now teenage daughter during the pandemic.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
Sound & Vision’s mini-series, Apparently, explores the stories of musicians and performers who are juggling parenthood with their art.
On this episode, Kristin Hersh of Throwing Muses and 50 Foot Wave discusses her new book, ‘Seeing Sideways: A Memoir of Music and Motherhood.' She talks with KEXP's Rachel Stevens about touring with four boys and navigating an industry she hates in order to do what she loves.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
Sound & Vision’s mini-series, Apparently, explores the stories of musicians and performers who are juggling parenthood with their art.
On this episode, Seattle musician JusMoni elaborates on the letter she wrote to her son, called A Recollection of our Becoming, which she performed as a spoken word piece for Wing Luke Museum. The piece reflects on motherhood at 16, historical trauma, and freedom of the spirit.
“Writing this letter to my son, felt really on time,” JusMoni says, “Especially digging into myself and recognizing my own traumas and realizing all the ways that that's affecting my parenting. I wanted to touch on themes without being super explicit around what the experience has been like for me to be Black and Asian. I wanted to lay out what ‘continuum' really looks like and what that looks like in our lives.”
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
New Zealand has been relatively free of COVID-19 since June 2020. It’s a rare spot in the world where live music thrived this past year. Ayisha Jaffer reports on how New Zealand focused on it’s local music scene in a way they never have before, and sees music as a key pillar to recovery once the global pandemic is over.
We also hear from Amanda Palmer who’s been living in New Zealand since the last stop of an international tour that landed her in the country in mid-March of 2020. She shares her journey and take on the country’s music scene from an outside perspective.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
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