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Marie Davidson’s popular 2018 song, “Work It,” was a club hit, but also pointed to workaholism, in both her own life and society at large. Her latest album, 'Renegade Breakdown,' is a conscious departure from the club sound. It explores her process of detachment from commercial ideals and “industry in general."
In this episode, Davidson discusses working through her various addictions that were fueled by the pressures of capitalism, her connection to the life and music of Karen Carpenter, and how she’s embodied the punk rock spirit of “enough is enough” by being unapologetically herself.
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On November 1st, Germany announced that they would be in partial lockdown for the month of November. That meant bars, clubs and cinemas could not host any guests. This came one day after a study was published that found that if indoor music and sporting venues followed good ventilation and social distancing measures, chances of virus transmission would be low.
Dr. Michael Gekle is part of the team at Martin Luther University Halle Wittenberg who conducted the study. He discusses the findings of the research and what venues will have to keep in mind in the future to prevent the spread of the virus.
Further reading:
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SassyBlack is an independent musician and educator, and a staple in the Seattle arts scene. After signing to Sub Pop at age 23 with her former duo THEESatisfation, she continues to evolve as a solo artist and this year was featured on Michelle Obama’s official Spotify playlist.
She’s out with a new EP, ’STUCK,’ which addresses mental health, working for free in the music industry, and the “Karen”s of the world.
Further reading:
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Marshall Law Band has been the de-facto house band for the ongoing Seattle protests that began following the death of George Floyd. The band is out with a new album, '12th and Pine,' representing their experience at the heart of the protests and the resounding messages they carry.
KEXP’s Larry Mizell Jr. talks with frontman Marshall Hugh about the role of music in protest, the events and activists they highlighted in the new record, and how we all must sustain the movement through dedicated work.
“We really believe that 12th and Pine is something that all sides need to hear, no matter where you sit on this fence,” Hugh says. “It’s really important that you use music for education and understanding other people’s perspectives and we believe that 12th and Pine represents our perspective from a frontlines lens.”
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Sa-Roc’s latest release, ‘The Sharecropper’s Daughter,’ is KEXP DJ Gabriel Teodros’ favorite hip-hop album of 2020. Teodros spoke with Sa-Roc about her song, “Forever." She says her goal for the song was to champion “the individual, particularly individuals that didn’t see themselves reflected within media imagery, or if they saw themselves reflected, it was in a negative light.”
“Forever" is a song about self-love, but it also explicitly points out that the scars on her wrists are from self-harm. Sa-Roc says it’s an issue that’s not discussed in all communities and her fans responded. “As a Black woman who experienced self-harm, that’s rare or not talked about. So a lot of Black women were coming up to me and saying, ‘Thank you for sharing this, I thought I was the only one.’ Or, ‘My daughter had been experiencing this and I didn’t know how to deal with it because I thought it was something that happened outside of our community.'”
Read about another song from the album, "The Black Renaissance (feat. Black Thought)," on KEXP's Song of the Day feature.
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