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Jim Sullivan was a struggling LA singer/songwriter in the 60s and 70s. In 1975 he left for Nashville to see if he could catch a break there. But on the way, he disappeared in the New Mexico desert and was never seen again. Matt Sullivan of Light in the Attic records talks about the mysterious disappearance and how he discovered Jim Sullivan’s music and rereleased it decades later. Seattle’s Rudy Willingham talks about how he uses collage in both art and music, and discusses how he finds the samples he uses in his songs. This week’s “Day Job” segment features Lindsey Kaghan of the band Salt Lick speaking about her job at a barbershop.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
Vagabon will talk about her latest album and the meaning behind her song, “Every Woman.” Sonic Youth’s Kim Gordon will fill us in on how materialism, LA culture and her “trashy aesthetic” influenced her first solo record, ‘No Home Record.’ Jónsi & Alex talk about touring on their 10-year-old album, ‘Riceboy Sleeps,’ after their recent romantic breakup. Jónsi (also of Sigur Rós) discusses moving to LA to make pop music. In this installment of our series, “Day Job,” we speak with a musician who works at a call center for their 9 to 5. We hear about how the Austin-based organization Black Fret is coming to Seattle to help financially support musicians.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
In honor of Indigenous Peoples’ Day, Indigenous musicians will talk about joining traditional cultures with hip hop, jazz, funk and dance music. Calina Lawrence of the Suquamish Tribe will talk about using the Lushootseed language in a hip hop song of hers. A Tribe Called Red describes their song honoring John T. Williams, a Native American woodcarver who was shot and killed by a police officer in 2010. Musician and glassblower Preston Singletary talks about fusing his native Tlingit culture into contemporary works. And on this week’s edition of “Day Job,” Hozoji Roseanne Mathison-Margolis. By day she’s a shellfish diver for the Puyallup Tribe, by night she plays drums in the nautical inspired rock band, Helms Alee.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
The second installment of our “Day Job” series explores how a musician’s encounters while bartending end up being inspirations for songs. Electronic DJ and producer Octo Octa explains how nature inspires her music and discusses her gender transition. Jeff Tweedy talks about Wilco’s new album. Kurt Cobain’s biographer shares his idea on what should be done with Cobain’s Seattle home that’s now for sale. Seattle’s Parisalexa talks about breaking into the national music scene before graduating high school. We’ll also hear a new perspective on why it’s so hard for international bands to tour in the US.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
We kick off a new series called “Day Job.” The first story in this series explores how Chong The Nomad finds musical inspiration during her day job as a line cook. Carl Newman of The New Pornographers talks about how the state of America influenced the band’s latest album. We explore music of wrongful imprisonment, including a conversation about a new Broadway musical on the subject, the story of how Pearl Jam and Metallica helped get one man out of wrongful imprisonment, and a band made up entirely of exonerees. We also hear how 47SOUL fuses traditional Arabic music with electronic beats.
Support the show: https://www.kexp.org/sound/
See omnystudio.com/listener for privacy information.
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