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This week we travel back to the seventeenth century, to the glorious court of the Sun King, Louis XIV, in France, and his astonishing commission for a suite of ninety-three carpets to cover the 1440-foot-long Grande Galerie at the Louvre, then a royal palace. The Metropolitan Museum of Art is now the proud owner of three of these carpets—the creative work of court painter Charles le Brun and court architect Louis Le Vau, and handiwork of the Savonnerie Manufactory—and British decorative arts curator Wolf Burchard is on hand to discuss their convoluted history and the way in which they illustrate the baroque principle of variatas: that all things artistic be constructed along similar lines, while individually being unique and exciting.
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By The Magazine Antiques4.9
177177 ratings
This week we travel back to the seventeenth century, to the glorious court of the Sun King, Louis XIV, in France, and his astonishing commission for a suite of ninety-three carpets to cover the 1440-foot-long Grande Galerie at the Louvre, then a royal palace. The Metropolitan Museum of Art is now the proud owner of three of these carpets—the creative work of court painter Charles le Brun and court architect Louis Le Vau, and handiwork of the Savonnerie Manufactory—and British decorative arts curator Wolf Burchard is on hand to discuss their convoluted history and the way in which they illustrate the baroque principle of variatas: that all things artistic be constructed along similar lines, while individually being unique and exciting.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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