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In recent years composers have become interested in the fact that the performers can do things on stage other than just play their instrument: stomp their feet, clap, play simple percussion, and even sing. We’ll feature a variety of pieces from composers who ask musicians (who are not trained singers) to vocalize and supplement their playing.
Hosted by Seth Boustead
Leonard Bernstein: “Mambo” fr. West Side Story
Frederic Rzewski: De Profundis, section 1 & 2
Valentin Silvestrov: Drama Sonate for Violin and Piano
Tom Johnson: Counting Duets
Joseph Hallman: imagined landscapes: six Lovecraftian elsewheres
Martin Bresnick: Willie’s Way (excerpt)
Huang Ruo: Drama Theater No. 4, To the 4 Corners, Scene II (excerpt)
Steve Reich: Clapping Music (excerpt)
By Access Contemporary Music4.8
2525 ratings
In recent years composers have become interested in the fact that the performers can do things on stage other than just play their instrument: stomp their feet, clap, play simple percussion, and even sing. We’ll feature a variety of pieces from composers who ask musicians (who are not trained singers) to vocalize and supplement their playing.
Hosted by Seth Boustead
Leonard Bernstein: “Mambo” fr. West Side Story
Frederic Rzewski: De Profundis, section 1 & 2
Valentin Silvestrov: Drama Sonate for Violin and Piano
Tom Johnson: Counting Duets
Joseph Hallman: imagined landscapes: six Lovecraftian elsewheres
Martin Bresnick: Willie’s Way (excerpt)
Huang Ruo: Drama Theater No. 4, To the 4 Corners, Scene II (excerpt)
Steve Reich: Clapping Music (excerpt)

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