Access Utah

Explorer, lawyer, art collector, publisher, and author, Erling Kagge is the first person to have completed the Three Poles Challenge on foot—the North Pole, the South Pole, and the summit of Mount Everest. He has written six previous books on exploration, philosophy, and art collecting, and runs Kagge Forlag, a publishing company based in Oslo, where he lives.

A recent article in the online magazine Yale Environment 360 is headlined “The West’s Great River Hits Its Limits: Will the Colorado Run Dry?” And the sub-headline: “As the Southwest faces rapid growth and unrelenting drought, the Colorado River is in crisis, with too many demands on its diminishing flow. Now those who depend on the river must confront the hard reality that their supply of Colorado water may be cut off.”

Tyehimba Jess is winner of the 2017 Pulitzer Prize for Poetry for his book “Olio.” With ambitious manipulations of poetic forms, Jess presents the sweat and story behind America’s blues, worksongs and church hymns. Part fact, part fiction, his much anticipated second book weaves sonnet, song, and narrative to examine the lives of mostly unrecorded African American performers directly before and after the Civil War up to World War I. “Olio” is an effort to understand how they met, resisted, complicated, co-opted, and sometimes defeated attempts to minstrelize them.

Reimagining a Place for the Wild contains a diverse collection of personal stories that describe encounters with the remaining wild creatures of the American West and critical essays that reveal wildlife’s essential place in western landscapes. Gleaned from historians, journalists, biologists, ranchers, artists, philosophers, teachers, and conservationists, these narratives expose the complex challenges faced by wild animals and those devoted to understanding them. Whether discussing keystone species like grizzly bears and gray wolves or microfauna swimming the thermal depths of geysers, these accounts reflect the authors’ expertise as well as their wonder and respect for wild nature. The writers do more than inform our sensibilities; their narratives examine both humanity’s conduct and its capacity for empathy toward other life. A selection of photos and paintings punctuates the volume.

Over 70% of Americans—and two-thirds of Utahns—think that climate change is happening. Research led by Dr. Peter Howe reveals this statistic, along with much more detailed data about how Americans think about climate change from the national to the local level. Drawing from large surveys of the American public, Dr. Howe’s research has developed statistical methods to map public opinion, risk perceptions, and responses in every state, county, and even neighborhood across the country. Although climate change has become a politically polarized issue, the data show that Americans agree about many of the solutions. This presentation will highlight how these newly available tools can help decisionmakers, researchers, and educators understand how local communities are thinking about and responding to climate change and associated risks.

Bill Lipe is professor emeritus of anthropology at Washington State University. He has spent much of his more than 50 year career in Utah archaeology beginning with the archaeological salvage of Glen Canyon before the dam construction and on into Cedar Mesa where he became a leading scholar in the early Basketmaker agricultural societies of southeastern Utah. Dr. Lipe began his work at a time when there was little federal legislation protecting archaeology or guiding preservation efforts. He became a leader in the development of what we now know of as Cultural Resource Management archaeology. Because of his involvement in CRM and his work in Cedar Mesa, he remains one of archaeology's main voices in the Bears Ears controversy.

Julia Gossard, assistant professor of history at Utah State University, says that since thousands of witch trials took place across Europe and North America, one stereotypical image of an early modern woman is that of a witch. Gossard teaches a class called “Witches, Workers, & Wives,” which examines attitudes, ideas, and stereotypes about gender, sexuality, and power - including how the witch became a quintessential early modern trope.

From Anne Lamott, the New York Times-bestselling author of Help, Thanks, Wow, comes the book we need from her now: How to bring hope back into our lives.

Legend Tripping: A Contemporary Legend Casebook explores the practice of legend tripping, wherein individuals or groups travel to a site where a legend is thought to have taken place. Legend tripping is a common informal practice depicted in epics, stories, novels, and film throughout both contemporary and historical vernacular culture. In this collection, contributors show how legend trips can express humanity’s interest in the frontier between life and death and the fascination with the possibility of personal contact with the supernatural or spiritual. The volume presents both insightful research and useful pedagogy, making this an invaluable resource in the classroom. Selected major articles on legend tripping, with introductory sections written by the editors, are followed by discussion questions and projects designed to inspire readers to engage critically with legend traditions and customs of legend tripping and to explore possible meanings and symbolics at work. Suggested projects incorporate digital technology as it appears both in legends and in modes of legend tripping. Legend Tripping is appropriate for students, general readers, and folklorists alike. It is the first volume in the International Society for Contemporary Legend Research series, a set of casebooks providing thorough and up-to-date studies that showcase a variety of scholarly approaches to contemporary legends, along with variants of legend texts, discussion questions, and projects for students.…

In his memoir, “The Weight of Shadows,” José Orduña chronicles the process of becoming a North American citizen in a post-9/11 United States. Intractable realities—rooted in the continuity of US imperialism to globalism—form the landscape of Orduña’s daily experience, where the geopolitical meets the quotidian. In one anecdote, he recalls how the only apartment his parents could rent was one that didn’t require signing a lease or running a credit check, where the floors were so crooked he once dropped an orange and watched it roll in six directions before settling in a corner. Orduña describes the absurd feeling of being handed a piece of paper—his naturalization certificate—that guarantees something he has always known: he has every right to be here. An exploration of race, class, and identity, “The Weight of Shadows” is a meditation on the nature of political, linguistic, and cultural borders, and the meaning of “America.”