Acoustic Conversations

Acoustic Conversations

By TruStory FMArtsMusicPerforming Arts
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Acoustic Conversations episodes

  • Acoustic Conversations with outPost

    These guys have been playing as a together as a band for eight months and already have the tone and grist of seasoned pros. We caught up with them early the same evening they were due to pick up the gold master of their first album, Crack the Pavement.

    They did their best to mask their nerves about the whole ordeal,unconvincingly as the night wore on, yet they still managed to turn out six tight living room tracks for A/C. These are jam tunes, rhythm and flow, that smack of Sublime, Blues Traveller, a hint of Jamiroquai, and more than healthy dash of Marley and Judge Roughneck.

    It's summertime, and there's no better way to kick it than with the rocking festival sound. Enjoy Portland's own outPost.

    36 min
  • Acoustic Conversations with The Bart Ferguson Band
    From the days of Nine Days Wonder to The Strangers to Kerosene Dream to The Bart Ferguson Band, our guests this week have been making music. Over two decades, and a roller coaster of tours and dances with commercial success, the band is evolving once again. Success means something different than it did in those early days, but the band is still moving audiences. We recorded five tracks on the couch this week, which we'll post shortly. In the mean time, please enjoy our chat with our friends, The Bart Ferguson Band.
    1 hr 2 min
  • Acoustic Conversations with Dolorean
    In our first episode, we sit down with Al James from Dolorean to talk about the recent release of their first album, "You Can't Win." Al plays four tracks off the new album for us. Individual downloads will be available soon from acousticconversations.com.
    1 hr 4 min

About Acoustic Conversations

From the publisher's feed

Through 2008-2010, Pete Wright (http://trustory.fm/) and Curt Siffert (http://curtsiffert.com/) introduced a new singer/songwriter from in and around Portland, Oregon in each episode. All recordings were staged in Curt's living room in North Portland, all sitting performed on his red couch.

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