Adrian talks "Fog Line," Lethal Weapon & the music of The Weeknd with comic book writer Mario Candelaria.

Adrian embarks on a musical journey of self-discovery and identity with musician Ro Panuganti.

On this week’s episode Adrian welcome back Cody Carpenter to the podcast. Cody is a third generation musician and has lent his unique talents to a plethora of projects including the 2018 film Halloween and The Lost Themes trilogy, which he co-wrote, co-produced, and performed with his father John Carpenter and Daniel Davies. In addition […]

Adrian & Eileen explore the complicated nature of family with Erica Schultz, the writer/letterer of the comic book “The Deadliest Bouquet.”

Adrian talks videogame music and post-pandemic concerts with musician/YouTuber Lacey Johnson.

Adrian and cartoonist Alex Schumacher talk endings and new beginnings within the field of creativity.

Adrian chats with musician Mikey Erg about his new self-titled LP, concert regrets and creating music during a pandemic.

Adrian discusses the importance of inclusivity in videogames with “Steven Universe” and “Ikenfell” composers Aivi & Surasshu.

Adrian teams up with Talking Like A Teen co-host Ashley Burgy for a chat about voice acting, Mass Effect reunions and sociopolitical activism with voice actress Jennifer Hale.

This week Ringo Award nominated writer Frank Gogol returns to Adrian Has Issues! Frank is the writer and creator of comics such as the anthology Grief, No Heroine (which Frank and I discussed on Episode 154) and the critically acclaimed coming of age miniseries Dead End Kids through Source Point Press. In this episode, Frank talks about dealing with the whirlwind success of the original series and approaching writing the follow-up Dead End Kids: The Suburban Job. Adrian and Frank talk about the significance post-9/11 society plays in the comic and how we as a society are still experiencing the ripples of the tragic events. Plus, Frank gives his perspective on the importance of pre-ordering comics from both a retailer and reader point of view.