I pulled this one from the box the other day—a postcard that’s more than just a snapshot. It’s a whole afternoon, frozen in place. I’ve looked at it a dozen times now, and I keep finding new things. The light on the red brick, the ivy climbing the walls, the quiet blur of someone mid-stride. It’s not a staged photo. It feels lived in, like if I stood still long enough, I might hear the hum of a saxophone or catch the smell of espresso drifting out from a corner café.

This is Greenwich Village, New York City. The card’s from the 1960s, and it captures something that’s hard to explain unless you’ve felt it yourself—this neighborhood’s rhythm. The front shows a row of artists set up along the sidewalk, their work leaned up against the building as if it naturally belongs there. People wander past with curiosity, maybe looking for something to hang in a tiny walk-up apartment or just pausing to admire.

And there’s a red station wagon parked at the curb. Maybe the artist who drove it there hauled every one of those paintings in its back seat. Maybe someone was moving in—or out. That’s how the Village was. A place of transitions. A place for the almost-famous, the nearly-there, the deeply passionate.

Podcast Notes: https://ancestralfindings.com/a-day-on-the-sidewalks-of-greenwich-village-postcards-from-the-past/

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