Alice Is Everywhere

Alice runs into a bevy of disagreeable flora in Chapter 2 of Through The Looking-Glass, The Garden Of Live Flowers. She also learns just what game she is playing from The Red Queen, and how to advance. In addition, Heather shares her theory on Alice in Wonderland dates, explaining what exact days of the year Alice visited Wonderland and Looking Glass Land. What in the world could U2, Bruce Springsteen and Paul Simon have to do with The Garden Of Live Flowers? You’ll have to listen to find out!

bough – noun – a larger branch on a tree – “When the bough breaks the cradle will fall,” is a rather alarming lullaby lyric.

bevy – noun – a large group of similar people or things- If you go to a Lewis Carroll convention, you are sure to run into a bevy of Carrollians.

“Now, here, you see, it takes all the running you can do, to keep in the same place.” – The Red Queen

Finally, the talking flowers show up!

“Curtsey while you’re thinking what to say. It saves time.”

This country totally reminds me of something…

“Now, here, it takes all the running you can do, to keep in the same place.”

‘I should see the garden far better,’ said Alice to herself, ‘if I could get to the top of that hill: and here’s a path that leads straight to it—at least, no, it doesn’t do that—’ (after going a few yards along the path, and turning several sharp corners), ‘but I suppose it will at last. But how curiously it twists! It’s more like a corkscrew than a path! Well, this turn goes to the hill, I suppose—no, it doesn’t! This goes straight back to the house! Well then, I’ll try it the other way.’

And so she did: wandering up and down, and trying turn after turn, but always coming back to the house, do what she would. Indeed, once, when she turned a corner rather more quickly than usual, she ran against it before she could stop herself.

‘It’s no use talking about it,’ Alice said, looking up at the house and pretending it was arguing with her. ‘I’m not going in again yet. I know I should have to get through the Looking-glass again—back into the old room—and there’d be an end of all my adventures!’

So, resolutely turning her back upon the house, she set out once more down the path, determined to keep straight on till she got to the hill. For a few minutes all went on well, and she was just saying, ‘I reallyshall do it this time—’ when the path gave a sudden twist and shook itself (as she described it afterwards), and the next moment she found herself actually walking in at the door.

‘Oh, it’s too bad!’ she cried. ‘I never saw such a house for getting in the way! Never!’

However, there was the hill full in sight, so there was nothing to be done but start again. This time she came upon a large flower-bed, with a border of daisies, and a willow-tree growing in the middle.

‘O Tiger-lily,’ said Alice, addressing herself to one that was waving gracefully about in the wind, ‘I wish you could talk!’

‘We can talk,’ said the Tiger-lily: ‘when there’s anybody worth talking to.’

Alice was so astonished that she could not speak for a minute: it quite seemed to take her breath away. At length, as the Tiger-lily only went on waving about, she spoke again, in a timid voice—almost in a whisper. ‘And can all the flowers talk?’

‘As well as you can,’ said the Tiger-lily. ‘And a great deal louder.’

‘It isn’t manners for us to begin, you know,’ said the Rose, ‘and I really was wondering when you’d speak! Said I to myself, “Her face has got some sense in it, though it’s not a clever one!” Still, you’re the right colour, and that goes a long way.’

‘I don’t care about the colour,’ the Tiger-lily remarked. ‘If only her petals curled up a little more, she’d be all right.’

Alice didn’t like being criticised, so she began asking questions. ‘Aren’t you sometimes frightened at being planted out here, with nobody to take care of you?’

‘There’s the tree in the middle,’ said the Rose: ‘what else is it good for?’

‘But what could it do, if any danger came?’ Alice asked.

‘It says “Bough-wough!”‘ cried a Daisy: ‘that’s why its branches are called boughs!’

‘Didn’t you know that?’ cried another Daisy, and here they all began shouting together, till the air seemed quite full of little shrill voices. ‘Silence, every one of you!’ cried the Tiger-lily, waving itself passionately from side to side, and trembling with excitement. ‘They know I can’t get at them!’ it panted, bending its quivering head towards Alice, ‘or they wouldn’t dare to do it!’

‘Never mind!’ Alice said in a soothing tone, and stooping down to the daisies, who were just beginning again, she whispered, ‘If you don’t hold your tongues, I’ll pick you!’

There was silence in a moment, and several of the pink daisies turned white.

‘That’s right!’ said the Tiger-lily. ‘The daisies are worst of all. When one speaks, they all begin together, and it’s enough to make one wither to hear the way they go on!’

‘How is it you can all talk so nicely?’ Alice said, hoping to get it into a better temper by a compliment. ‘I’ve been in many gardens before, but none of the flowers could talk.’

‘Put your hand down, and feel the ground,’ said the Tiger-lily. ‘Then you’ll know why.’

Alice did so. ‘It’s very hard,’ she said, ‘but I don’t see what that has to do with it.’

‘In most gardens,’ the Tiger-lily said, ‘they make the beds too soft—so that the flowers are always asleep.’

This sounded a very good reason, and Alice was quite pleased to know it. ‘I never thought of that before!’ she said.

‘It’s my opinion that you never think at all,’ the Rose said in a rather severe tone.

‘I never saw anybody that looked stupider,’ a Violet said, so suddenly, that Alice quite jumped; for it hadn’t spoken before.

‘Hold your tongue!’ cried the Tiger-lily. ‘As if you ever saw anybody! You keep your head under the leaves, and snore away there, till you know no more what’s going on in the world, than if you were a bud!’

‘Are there any more people in the garden besides me?’ Alice said, not choosing to notice the Rose’s last remark.

‘There’s one other flower in the garden that can move about like you,’ said the Rose. ‘I wonder how you do it—’ (‘You’re always wondering,’ said the Tiger-lily), ‘but she’s more bushy than you are.’

‘Is she like me?’ Alice asked eagerly, for the thought crossed her mind, ‘There’s another little girl in the garden, somewhere!’

‘Well, she has the same awkward shape as you,’ the Rose said, ‘but she’s redder—and her petals are shorter, I think.’

‘Her petals are done up close, almost like a dahlia,’ the Tiger-lily interrupted: ‘not tumbled about anyhow, like yours.’

‘But that’s not your fault,’ the Rose added kindly: ‘you’re beginning to fade, you know—and then one can’t help one’s petals getting a little untidy.’

Alice didn’t like this idea at all: so, to change the subject, she asked ‘Does she ever come out here?’

‘I daresay you’ll see her soon,’ said the Rose. ‘She’s one of the thorny kind.’

‘Where does she wear the thorns?’ Alice asked with some curiosity.

‘Why all round her head, of course,’ the Rose replied. ‘I was wondering you hadn’t got some too. I thought it was the regular rule.’

‘She’s coming!’ cried the Larkspur. ‘I hear her footstep, thump, thump, thump, along the gravel-walk!’

Alice looked round eagerly, and found that it was the Red Queen. ‘She’s grown a good deal!’ was her first remark. She had indeed: when Alice first found her in the ashes, she had been only three inches high—and here she was, half a head taller than Alice herself!

‘It’s the fresh air that does it,’ said the Rose: ‘wonderfully fine air it is, out here.’

‘I think I’ll go and meet her,’ said Alice, for, though the flowers were interesting enough, she felt that it would be far grander to have a talk with a real Queen.

‘You can’t possibly do that,’ said the Rose: ‘I should advise you to walk the other way.’

This sounded nonsense to Alice, so she said nothing, but set off at once towards the Red Queen. To her surprise, she lost sight of her in a moment, and found herself walking in at the front-door again.

A little provoked, she drew back, and after looking everywhere for the queen (whom she spied out at last, a long way off), she thought she would try the plan, this time, of walking in the opposite direction.

It succeeded beautifully. She had not been walking a minute before she found herself face to face with the Red Queen, and full in sight of the hill she had been so long aiming at.

‘Where do you come from?’ said the Red Queen. ‘And where are you going? Look up, speak nicely, and don’t twiddle your fingers all the time.’

Alice attended to all these directions, and explained, as well as she could, that she had lost her way.

‘I don’t know what you mean by your way,’ said the Queen: ‘all the ways about here belong to me—but why did you come out here at all?’ she added in a kinder tone. ‘Curtsey while you’re thinking what to say, it saves time.’

Alice wondered a little at this, but she was too much in awe of the Queen to disbelieve it. ‘I’ll try it when I go home,’ she thought to herself, ‘the next time I’m a little late for dinner.’

‘It’s time for you to answer now,’ the Queen said, looking at her watch: ‘open your mouth a little wider when you speak, and always say “your Majesty.”‘

‘I only wanted to see what the garden was like, your Majesty—’

‘That’s right,’ said the Queen, patting her on the head, which Alice didn’t like at all, ‘though, when you say “garden,”—I’ve seen gardens, compared with which this would be a wilderness.’

Alice didn’t dare to argue the point, but went on: ‘—and I thought I’d try and find my way to the top of that hill—’

‘When you say “hill,”‘ the Queen interrupted, ‘I could show you hills, in comparison with which you’d call that a valley.’

‘No, I shouldn’t,’ said Alice, surprised into contradicting her at last: ‘a hill can’t be a valley, you know. That would be nonsense—’

The Red Queen shook her head, ‘You may call it “nonsense” if you like,’ she said, ‘but I’ve heard nonsense, compared with which that would be as sensible as a dictionary!’

Alice curtseyed again, as she was afraid from the Queen’s tone that she was a little offended: and they walked on in silence till they got to the top of the little hill.

For some minutes Alice stood without speaking, looking out in all directions over the country—and a most curious country it was. There were a number of tiny little brooks running straight across it from side to side, and the ground between was divided up into squares by a number of little green hedges, that reached from brook to brook.

‘I declare it’s marked out just like a large chessboard!’ Alice said at last. ‘There ought to be some men moving about somewhere—and so there are!’ She added in a tone of delight, and her heart began to beat quick with excitement as she went on. ‘It’s a great huge game of chess that’s being played—all over the world—if this is the world at all, you know. Oh, what fun it is! How I wish I was one of them! I wouldn’t mind being a Pawn, if only I might join—though of course I should like to be a Queen, best.’

She glanced rather shyly at the real Queen as she said this, but her companion only smiled pleasantly, and said, ‘That’s easily managed. You can be the White Queen’s Pawn, if you like, as Lily’s too young to play; and you’re in the Second Square to begin with: when you get to the Eighth Square you’ll be a Queen—’ Just at this moment, somehow or other, they began to run.

Alice never could quite make out, in thinking it over afterwards, how it was that they began: all she remembers is, that they were running hand in hand, and the Queen went so fast that it was all she could do to keep up with her: and still the Queen kept crying ‘Faster! Faster!’ but Alice felt she could not go faster, though she had not breath left to say so.

The most curious part of the thing was, that the trees and the other things round them never changed their places at all: however fast they went, they never seemed to pass anything. ‘I wonder if all the things move along with us?’ thought poor puzzled Alice. And the Queen seemed to guess her thoughts, for she cried, ‘Faster! Don’t try to talk!’

Not that Alice had any idea of doing that. She felt as if she would never be able to talk again, she was getting so much out of breath: and still the Queen cried ‘Faster! Faster!’ and dragged her along. ‘Are we nearly there?’ Alice managed to pant out at last.

‘Nearly there!’ the Queen repeated. ‘Why, we passed it ten minutes ago! Faster!’ And they ran on for a time in silence, with the wind whistling in Alice’s ears, and almost blowing her hair off her head, she fancied.

‘Now! Now!’ cried the Queen. ‘Faster! Faster!’ And they went so fast that at last they seemed to skim through the air, hardly touching the ground with their feet, till suddenly, just as Alice was getting quite exhausted, they stopped, and she found herself sitting on the ground, breathless and giddy.

The Queen propped her up against a tree, and said kindly, ‘You may rest a little now.’

Alice looked round her in great surprise. ‘Why, I do believe we’ve been under this tree the whole time! Everything’s just as it was!’

‘Of course it is,’ said the Queen, ‘what would you have it?’

‘Well, in our country,’ said Alice, still panting a little, ‘you’d generally get to somewhere else—if you ran very fast for a long time, as we’ve been doing.’

‘A slow sort of country!’ said the Queen. ‘Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!’

‘I’d rather not try, please!’ said Alice. ‘I’m quite content to stay here—only I am so hot and thirsty!’

‘I know what you’d like!’ the Queen said good-naturedly, taking a little box out of her pocket. ‘Have a biscuit?’

Alice thought it would not be civil to say ‘No,’ though it wasn’t at all what she wanted. So she took it, and ate it as well as she could: and it was very dry; and she thought she had never been so nearly choked in all her life.

‘While you’re refreshing yourself,’ said the Queen, ‘I’ll just take the measurements.’ And she took a ribbon out of her pocket, marked in inches, and began measuring the ground, and sticking little pegs in here and there.

‘At the end of two yards,’ she said, putting in a peg to mark the distance, ‘I shall give you your directions—have another biscuit?’

‘No, thank you,’ said Alice: ‘one’s quite enough!’

‘Thirst quenched, I hope?’ said the Queen.

Alice did not know what to say to this, but luckily the Queen did not wait for an answer, but went on. ‘At the end of three yards I shall repeat them—for fear of your forgetting them. At the end of four, I shall say good-bye. And at the end of five, I shall go!’

She had got all the pegs put in by this time, and Alice looked on with great interest as she returned to the tree, and then began slowly walking down the row.

At the two-yard peg she faced round, and said, ‘A pawn goes two squares in its first move, you know. So you’ll go very quickly through the Third Square—by railway, I should think—and you’ll find yourself in the Fourth Square in no time. Well, that square belongs to Tweedledum and Tweedledee—the Fifth is mostly water—the Sixth belongs to Humpty Dumpty—But you make no remark?’

‘I—I didn’t know I had to make one—just then,’ Alice faltered out.

‘You should have said, “It’s extremely kind of you to tell me all this”—however, we’ll suppose it said—the Seventh Square is all forest—however, one of the Knights will show you the way—and in the Eighth Square we shall be Queens together, and it’s all feasting and fun!’ Alice got up and curtseyed, and sat down again.

At the next peg the Queen turned again, and this time she said, ‘Speak in French when you can’t think of the English for a thing—turn out your toes as you walk—and remember who you are!’ She did not wait for Alice to curtsey this time, but walked on quickly to the next peg, where she turned for a moment to say ‘good-bye,’ and then hurried on to the last.

How it happened, Alice never knew, but exactly as she came to the last peg, she was gone. Whether she vanished into the air, or whether she ran quickly into the wood (‘and she can run very fast!’ thought Alice), there was no way of guessing, but she was gone, and Alice began to remember that she was a Pawn, and that it would soon be time for her to move.

The post Through The Looking-Glass Podcast Chapter 2 appeared first on Alice Is Everywhere.

In our very first Through The Looking Glass podcast, learn about the origins of the sequel to Alice’s Adventures in Wonderland. Hear all about ANOTHER real-life Alice who may have helped inspire the tale. Meet Kitty, Snowdrop, Dinah and a bevy of talking chessmen! And of course, experience Alice going through the Looking Glass in Chapter 1, Looking-Glass House, by Lewis Carroll.

looking-glass – noun – fancy Victorian word for mirror – We probably want to ensure everyone knows what a looking-glass is, before we begin the book Through The Looking-Glass.

worsted – noun – smooth yarn made of wool – Heather is 90% certain she pronounced “worsted” correctly during our Through The Looking Glass podcast.

“Twas brillig, and the slithy toves”

Kitty helps with the yarn.

Settle in, this monologue is gonna take a while.

Break on through…

…to the Other Side.

“The chessmen were walking about, two and two!”

“She said afterwards that she had never seen in all her life such a face as the king made…”

Looks like he’s balancing ok to me…

The pic that launched a thousand nightmares.

One thing was certain, that the white kitten had had nothing to do with it:—it was the black kitten’s fault entirely. For the white kitten had been having its face washed by the old cat for the last quarter of an hour (and bearing it pretty well, considering); so you see that it couldn’t have had any hand in the mischief.

The way Dinah washed her children’s faces was this: first she held the poor thing down by its ear with one paw, and then with the other paw she rubbed its face all over, the wrong way, beginning at the nose: and just now, as I said, she was hard at work on the white kitten, which was lying quite still and trying to purr—no doubt feeling that it was all meant for its good.

But the black kitten had been finished with earlier in the afternoon, and so, while Alice was sitting curled up in a corner of the great arm-chair, half talking to herself and half asleep, the kitten had been having a grand game of romps with the ball of worsted Alice had been trying to wind up, and had been rolling it up and down till it had all come undone again; and there it was, spread over the hearth-rug, all knots and tangles, with the kitten running after its own tail in the middle.

‘Oh, you wicked little thing!’ cried Alice, catching up the kitten, and giving it a little kiss to make it understand that it was in disgrace. ‘Really, Dinah ought to have taught you better manners! You ought, Dinah, you know you ought!’ she added, looking reproachfully at the old cat, and speaking in as cross a voice as she could manage—and then she scrambled back into the arm-chair, taking the kitten and the worsted with her, and began winding up the ball again. But she didn’t get on very fast, as she was talking all the time, sometimes to the kitten, and sometimes to herself. Kitty sat very demurely on her knee, pretending to watch the progress of the winding, and now and then putting out one paw and gently touching the ball, as if it would be glad to help, if it might.

‘Do you know what to-morrow is, Kitty?’ Alice began. ‘You’d have guessed if you’d been up in the window with me—only Dinah was making you tidy, so you couldn’t. I was watching the boys getting in sticks for the bonfire—and it wants plenty of sticks, Kitty! Only it got so cold, and it snowed so, they had to leave off. Never mind, Kitty, we’ll go and see the bonfire to-morrow.’ Here Alice wound two or three turns of the worsted round the kitten’s neck, just to see how it would look: this led to a scramble, in which the ball rolled down upon the floor, and yards and yards of it got unwound again.

‘Do you know, I was so angry, Kitty,’ Alice went on as soon as they were comfortably settled again, ‘when I saw all the mischief you had been doing, I was very nearly opening the window, and putting you out into the snow! And you’d have deserved it, you little mischievous darling! What have you got to say for yourself? Now don’t interrupt me!’ she went on, holding up one finger. ‘I’m going to tell you all your faults. Number one: you squeaked twice while Dinah was washing your face this morning. Now you can’t deny it, Kitty: I heard you! What’s that you say?’ (pretending that the kitten was speaking.) ‘Her paw went into your eye? Well, that’s your fault, for keeping your eyes open—if you’d shut them tight up, it wouldn’t have happened. Now don’t make any more excuses, but listen! Number two: you pulled Snowdrop away by the tail just as I had put down the saucer of milk before her! What, you were thirsty, were you? How do you know she wasn’t thirsty too? Now for number three: you unwound every bit of the worsted while I wasn’t looking!

‘That’s three faults, Kitty, and you’ve not been punished for any of them yet. You know I’m saving up all your punishments for Wednesday week—Suppose they had saved up all my punishments!’ she went on, talking more to herself than the kitten. ‘What would they do at the end of a year? I should be sent to prison, I suppose, when the day came. Or—let me see—suppose each punishment was to be going without a dinner: then, when the miserable day came, I should have to go without fifty dinners at once! Well, I shouldn’t mind that much! I’d far rather go without them than eat them!

‘Do you hear the snow against the window-panes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, “Go to sleep, darlings, till the summer comes again.” And when they wake up in the summer, Kitty, they dress themselves all in green, and dance about—whenever the wind blows—oh, that’s very pretty!’ cried Alice, dropping the ball of worsted to clap her hands. ‘And I do so wish it was true! I’m sure the woods look sleepy in the autumn, when the leaves are getting brown.

‘Kitty, can you play chess? Now, don’t smile, my dear, I’m asking it seriously. Because, when we were playing just now, you watched just as if you understood it: and when I said “Check!” you purred! Well, itwas a nice check, Kitty, and really I might have won, if it hadn’t been for that nasty Knight, that came wiggling down among my pieces. Kitty, dear, let’s pretend—’ And here I wish I could tell you half the things Alice used to say, beginning with her favourite phrase ‘Let’s pretend.’ She had had quite a long argument with her sister only the day before—all because Alice had begun with ‘Let’s pretend we’re kings and queens;’ and her sister, who liked being very exact, had argued that they couldn’t, because there were only two of them, and Alice had been reduced at last to say, ‘Well, you can be one of them then, and I’ll be all the rest.’ And once she had really frightened her old nurse by shouting suddenly in her ear, ‘Nurse! Do let’s pretend that I’m a hungry hyaena, and you’re a bone.’

But this is taking us away from Alice’s speech to the kitten. ‘Let’s pretend that you’re the Red Queen, Kitty! Do you know, I think if you sat up and folded your arms, you’d look exactly like her. Now do try, there’s a dear!’ And Alice got the Red Queen off the table, and set it up before the kitten as a model for it to imitate: however, the thing didn’t succeed, principally, Alice said, because the kitten wouldn’t fold its arms properly. So, to punish it, she held it up to the Looking-glass, that it might see how sulky it was—’and if you’re not good directly,’ she added, ‘I’ll put you through into Looking-glass House. How would you like that?’

‘Now, if you’ll only attend, Kitty, and not talk so much, I’ll tell you all my ideas about Looking-glass House. First, there’s the room you can see through the glass—that’s just the same as our drawing room, only the things go the other way. I can see all of it when I get upon a chair—all but the bit behind the fireplace. Oh! I do so wish I could see that bit! I want so much to know whether they’ve a fire in the winter: you never can tell, you know, unless our fire smokes, and then smoke comes up in that room too—but that may be only pretence, just to make it look as if they had a fire. Well then, the books are something like our books, only the words go the wrong way; I know that, because I’ve held up one of our books to the glass, and then they hold up one in the other room.

‘How would you like to live in Looking-glass House, Kitty? I wonder if they’d give you milk in there? Perhaps Looking-glass milk isn’t good to drink—But oh, Kitty! now we come to the passage. You can just see a little peep of the passage in Looking-glass House, if you leave the door of our drawing-room wide open: and it’s very like our passage as far as you can see, only you know it may be quite different on beyond. Oh, Kitty! how nice it would be if we could only get through into Looking-glass House! I’m sure it’s got, oh! such beautiful things in it! Let’s pretend there’s a way of getting through into it, somehow, Kitty. Let’s pretend the glass has got all soft like gauze, so that we can get through. Why, it’s turning into a sort of mist now, I declare! It’ll be easy enough to get through—’ She was up on the chimney-piece while she said this, though she hardly knew how she had got there. And certainly the glass was beginning to melt away, just like a bright silvery mist.

In another moment Alice was through the glass, and had jumped lightly down into the Looking-glass room. The very first thing she did was to look whether there was a fire in the fireplace, and she was quite pleased to find that there was a real one, blazing away as brightly as the one she had left behind. ‘So I shall be as warm here as I was in the old room,’ thought Alice: ‘warmer, in fact, because there’ll be no one here to scold me away from the fire. Oh, what fun it’ll be, when they see me through the glass in here, and can’t get at me!’

Then she began looking about, and noticed that what could be seen from the old room was quite common and uninteresting, but that all the rest was as different as possible. For instance, the pictures on the wall next the fire seemed to be all alive, and the very clock on the chimney-piece (you know you can only see the back of it in the Looking-glass) had got the face of a little old man, and grinned at her.

‘They don’t keep this room so tidy as the other,’ Alice thought to herself, as she noticed several of the chessmen down in the hearth among the cinders: but in another moment, with a little ‘Oh!’ of surprise, she was down on her hands and knees watching them. The chessmen were walking about, two and two!

‘Here are the Red King and the Red Queen,’ Alice said (in a whisper, for fear of frightening them), ‘and there are the White King and the White Queen sitting on the edge of the shovel—and here are two castles walking arm in arm—I don’t think they can hear me,’ she went on, as she put her head closer down, ‘and I’m nearly sure they can’t see me. I feel somehow as if I were invisible—’

Here something began squeaking on the table behind Alice, and made her turn her head just in time to see one of the White Pawns roll over and begin kicking: she watched it with great curiosity to see what would happen next.

‘It is the voice of my child!’ the White Queen cried out as she rushed past the King, so violently that she knocked him over among the cinders. ‘My precious Lily! My imperial kitten!’ and she began scrambling wildly up the side of the fender.

‘Imperial fiddlestick!’ said the King, rubbing his nose, which had been hurt by the fall. He had a right to be a little annoyed with the Queen, for he was covered with ashes from head to foot.

Alice was very anxious to be of use, and, as the poor little Lily was nearly screaming herself into a fit, she hastily picked up the Queen and set her on the table by the side of her noisy little daughter.

The Queen gasped, and sat down: the rapid journey through the air had quite taken away her breath and for a minute or two she could do nothing but hug the little Lily in silence. As soon as she had recovered her breath a little, she called out to the White King, who was sitting sulkily among the ashes, ‘Mind the volcano!’

‘What volcano?’ said the King, looking up anxiously into the fire, as if he thought that was the most likely place to find one.

‘Blew—me—up,’ panted the Queen, who was still a little out of breath. ‘Mind you come up—the regular way—don’t get blown up!’

Alice watched the White King as he slowly struggled up from bar to bar, till at last she said, ‘Why, you’ll be hours and hours getting to the table, at that rate. I’d far better help you, hadn’t I?’ But the King took no notice of the question: it was quite clear that he could neither hear her nor see her.

So Alice picked him up very gently, and lifted him across more slowly than she had lifted the Queen, that she mightn’t take his breath away: but, before she put him on the table, she thought she might as well dust him a little, he was so covered with ashes.

She said afterwards that she had never seen in all her life such a face as the King made, when he found himself held in the air by an invisible hand, and being dusted: he was far too much astonished to cry out, but his eyes and his mouth went on getting larger and larger, and rounder and rounder, till her hand shook so with laughing that she nearly let him drop upon the floor.

‘Oh! please don’t make such faces, my dear!’ she cried out, quite forgetting that the King couldn’t hear her. ‘You make me laugh so that I can hardly hold you! And don’t keep your mouth so wide open! All the ashes will get into it—there, now I think you’re tidy enough!’ she added, as she smoothed his hair, and set him upon the table near the Queen.

The King immediately fell flat on his back, and lay perfectly still: and Alice was a little alarmed at what she had done, and went round the room to see if she could find any water to throw over him. However, she could find nothing but a bottle of ink, and when she got back with it she found he had recovered, and he and the Queen were talking together in a frightened whisper—so low, that Alice could hardly hear what they said.

The King was saying, ‘I assure, you my dear, I turned cold to the very ends of my whiskers!’

To which the Queen replied, ‘You haven’t got any whiskers.’

‘The horror of that moment,’ the King went on, ‘I shall never, never forget!’

‘You will, though,’ the Queen said, ‘if you don’t make a memorandum of it.’

Alice looked on with great interest as the King took an enormous memorandum-book out of his pocket, and began writing. A sudden thought struck her, and she took hold of the end of the pencil, which came some way over his shoulder, and began writing for him.

The poor King looked puzzled and unhappy, and struggled with the pencil for some time without saying anything; but Alice was too strong for him, and at last he panted out, ‘My dear! I really must get a thinner pencil. I can’t manage this one a bit; it writes all manner of things that I don’t intend—’

‘What manner of things?’ said the Queen, looking over the book (in which Alice had put ‘The White Knight is sliding down the poker. He balances very badly‘) ‘That’s not a memorandum of your feelings!’

There was a book lying near Alice on the table, and while she sat watching the White King (for she was still a little anxious about him, and had the ink all ready to throw over him, in case he fainted again), she turned over the leaves, to find some part that she could read, ‘—for it’s all in some language I don’t know,’ she said to herself.

It was like this.

She puzzled over this for some time, but at last a bright thought struck her. ‘Why, it’s a Looking-glass book, of course! And if I hold it up to a glass, the words will all go the right way again.’

This was the poem that Alice read.

‘It seems very pretty,’ she said when she had finished it, ‘but it’s rather hard to understand!’ (You see she didn’t like to confess, ever to herself, that she couldn’t make it out at all.) ‘Somehow it seems to fill my head with ideas—only I don’t exactly know what they are! However, somebody killed something: that’s clear, at any rate—’

‘But oh!’ thought Alice, suddenly jumping up, ‘if I don’t make haste I shall have to go back through the Looking-glass, before I’ve seen what the rest of the house is like! Let’s have a look at the garden first!’ She was out of the room in a moment, and ran down stairs—or, at least, it wasn’t exactly running, but a new invention of hers for getting down stairs quickly and easily, as Alice said to herself. She just kept the tips of her fingers on the hand-rail, and floated gently down without even touching the stairs with her feet; then she floated on through the hall, and would have gone straight out at the door in the same way, if she hadn’t caught hold of the door-post. She was getting a little giddy with so much floating in the air, and was rather glad to find herself walking again in the natural way.

The post Through The Looking Glass Podcast Chapter 1 appeared first on Alice Is Everywhere.

Discover more about Lewis Carroll the man, and learn all about The Nursery Alice as we continue our wrap up of Alice’s Adventures in Wonderland. We also attempt to answer the age old question, why is the White Rabbit naked in the last illustration?! Be prepared for much louder audio, as we have been informed by podcast-listening friends that Alice Is Everywhere is too quiet, and marvel as Heather drops the word “leporidae” into casual conversation.

The post Episode 14 – The White Rabbit’s New Clothes appeared first on Alice Is Everywhere.

Heather pulls herself together after the high emotions of last week’s episode and finally discusses the last chapter of Alice’s Adventures in Wonderland. Plus, we revisit the mystery of the Alice in Wonderland puppy, and hear from Lewis Carroll himself through his 1887 article Alice On The Stage.

The post Episode 13 – Sentence First, Verdict Afterwards appeared first on Alice Is Everywhere.

The trial of the Knave of Hearts proceeds during final Chapter 12 of Alice’s Adventures in Wonderland, where Alice’s Evidence is revealed to all. Will the tarts thief be revealed before our hero makes her Wonderland exit? Plus, learn all about Alice’s real life older sister Lorina Liddell.

lilting – adjective – having a rhythmic swing or cadence – The hypnotist’s lilting voice convinced her to squawk like a chicken.

“Begin at the beginning, and go on till you come to the end: then stop.” – The King of Hearts

“Sentence first- verdict afterwards.” – The Queen of Hearts

“You’re nothing but a pack of cards!” – Alice

“Oh, I’ve had such a curious dream!” – Alice

There goes Bill (again)!

Like the frontispiece, but different.

“You’re nothing but a pack of cards!!!”

‘Here!’ cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before.

‘Oh, I beg your pardon!’ she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die.

‘The trial cannot proceed,’ said the King in a very grave voice, ‘until all the jurymen are back in their proper places—all,’ he repeated with great emphasis, looking hard at Alice as he said do.

Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; ‘not that it signifies much,’ she said to herself; ‘I should think it would be quite as much use in the trial one way up as the other.’

As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court.

‘What do you know about this business?’ the King said to Alice.

‘Nothing,’ said Alice.

‘Nothing whatever?’ persisted the King.

‘Nothing whatever,’ said Alice.

‘That’s very important,’ the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: ‘Unimportant, your Majesty means, of course,’ he said in a very respectful tone, but frowning and making faces at him as he spoke.

‘Unimportant, of course, I meant,’ the King hastily said, and went on to himself in an undertone,

‘important—unimportant—unimportant—important—’ as if he were trying which word sounded best.

Some of the jury wrote it down ‘important,’ and some ‘unimportant.’ Alice could see this, as she was near enough to look over their slates; ‘but it doesn’t matter a bit,’ she thought to herself.

At this moment the King, who had been for some time busily writing in his note-book, cackled out ‘Silence!’ and read out from his book, ‘Rule Forty-two. All persons more than a mile high to leave the court.’

Everybody looked at Alice.

‘I’m not a mile high,’ said Alice.

‘You are,’ said the King.

‘Nearly two miles high,’ added the Queen.

‘Well, I shan’t go, at any rate,’ said Alice: ‘besides, that’s not a regular rule: you invented it just now.’

‘It’s the oldest rule in the book,’ said the King.

‘Then it ought to be Number One,’ said Alice.

The King turned pale, and shut his note-book hastily. ‘Consider your verdict,’ he said to the jury, in a low, trembling voice.

‘There’s more evidence to come yet, please your Majesty,’ said the White Rabbit, jumping up in a great hurry; ‘this paper has just been picked up.’

‘What’s in it?’ said the Queen.

‘I haven’t opened it yet,’ said the White Rabbit, ‘but it seems to be a letter, written by the prisoner to—to somebody.’

‘It must have been that,’ said the King, ‘unless it was written to nobody, which isn’t usual, you know.’

‘Who is it directed to?’ said one of the jurymen.

‘It isn’t directed at all,’ said the White Rabbit; ‘in fact, there’s nothing written on the outside.’ He unfolded the paper as he spoke, and added ‘It isn’t a letter, after all: it’s a set of verses.’

‘Are they in the prisoner’s handwriting?’ asked another of the jurymen.

‘No, they’re not,’ said the White Rabbit, ‘and that’s the queerest thing about it.’ (The jury all looked puzzled.)

‘He must have imitated somebody else’s hand,’ said the King. (The jury all brightened up again.)

‘Please your Majesty,’ said the Knave, ‘I didn’t write it, and they can’t prove I did: there’s no name signed at the end.’

‘If you didn’t sign it,’ said the King, ‘that only makes the matter worse. You must have meant some mischief, or else you’d have signed your name like an honest man.’

There was a general clapping of hands at this: it was the first really clever thing the King had said that day.

‘That proves his guilt,’ said the Queen.

‘It proves nothing of the sort!’ said Alice. ‘Why, you don’t even know what they’re about!’

‘Read them,’ said the King.

The White Rabbit put on his spectacles. ‘Where shall I begin, please your Majesty?’ he asked.

‘Begin at the beginning,’ the King said gravely, ‘and go on till you come to the end: then stop.’

These were the verses the White Rabbit read:—

‘That’s the most important piece of evidence we’ve heard yet,’ said the King, rubbing his hands; ‘so now let the jury—’

‘If any one of them can explain it,’ said Alice, (she had grown so large in the last few minutes that she wasn’t a bit afraid of interrupting him,) ‘I’ll give him sixpence. I don’t believe there’s an atom of meaning in it.’

The jury all wrote down on their slates, ‘She doesn’t believe there’s an atom of meaning in it,’ but none of them attempted to explain the paper.

‘If there’s no meaning in it,’ said the King, ‘that saves a world of trouble, you know, as we needn’t try to find any. And yet I don’t know,’ he went on, spreading out the verses on his knee, and looking at them with one eye; ‘I seem to see some meaning in them, after all. “—said I could not swim—” you can’t swim, can you?’ he added, turning to the Knave.

The Knave shook his head sadly. ‘Do I look like it?’ he said. (Which he certainly did not, being made entirely of cardboard.)

‘All right, so far,’ said the King, and he went on muttering over the verses to himself: ‘”We know it to be true—” that’s the jury, of course—”I gave her one, they gave him two—” why, that must be what he did with the tarts, you know—’

‘But, it goes on “they all returned from him to you,”‘ said Alice.

‘Why, there they are!’ said the King triumphantly, pointing to the tarts on the table. ‘Nothing can be clearer than that. Then again—”before she had this fit—” you never had fits, my dear, I think?’ he said to the Queen.

‘Never!’ said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.)

‘Then the words don’t fit you,’ said the King, looking round the court with a smile. There was a dead silence.

‘It’s a pun!’ the King added in an offended tone, and everybody laughed, ‘Let the jury consider their verdict,’ the King said, for about the twentieth time that day.

‘No, no!’ said the Queen. ‘Sentence first—verdict afterwards.’

‘Stuff and nonsense!’ said Alice loudly. ‘The idea of having the sentence first!’

‘Hold your tongue!’ said the Queen, turning purple.

‘I won’t!’ said Alice.

‘Off with her head!’ the Queen shouted at the top of her voice. Nobody moved.

‘Who cares for you?’ said Alice, (she had grown to her full size by this time.) ‘You’re nothing but a pack of cards!’

At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

‘Wake up, Alice dear!’ said her sister; ‘Why, what a long sleep you’ve had!’

‘Oh, I’ve had such a curious dream!’ said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, ‘It was a curious dream, dear, certainly: but now run in to your tea; it’s getting late.’ So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.

But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:—

First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers—she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that would always get into her eyes—and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister’s dream.

The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess’s knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard’s slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle.

So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen’s shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle’s heavy sobs.

Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.

When is the after-time?

The post Chapter 12 Alice’s Evidence appeared first on Alice Is Everywhere.

In Chapter 11 of Alice’s Adventures in Wonderland entitled Who Stole The Tarts?, Alice and Gryphon beat a hasty retreat to the trial of the Knave of Hearts, where some familiar faces serve as witnesses, judge and jury. Plus, learn how the very first published copies of Alice’s Adventures in Wonderland looked and learn about a possible Alice-Seinfeld connection.

jaunty – adjective – lively, self-confident and overall stylin’ – The widow’s jaunty choice of yellow for her funeral dress was a bold choice.

Costume change!

…in his confusion he bit a large piece out of his teacup instead of the bread-and-butter.

…the Hatter hurriedly left the court, without even waiting to put his shoes on.

The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them—all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them—’I wish they’d get the trial done,’ she thought, ‘and hand round the refreshments!’ But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time.

Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. ‘That’s the judge,’ she said to herself, ‘because of his great wig.’

The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming.

‘And that’s the jury-box,’ thought Alice, ‘and those twelve creatures,’ (she was obliged to say ‘creatures,’ you see, because some of them were animals, and some were birds,) ‘I suppose they are the jurors.’ She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, ‘jury-men’ would have done just as well.

The twelve jurors were all writing very busily on slates. ‘What are they doing?’ Alice whispered to the Gryphon. ‘They can’t have anything to put down yet, before the trial’s begun.’

‘They’re putting down their names,’ the Gryphon whispered in reply, ‘for fear they should forget them before the end of the trial.’

‘Stupid things!’ Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, ‘Silence in the court!’ and the King put on his spectacles and looked anxiously round, to make out who was talking.

Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down ‘stupid things!’ on their slates, and she could even make out that one of them didn’t know how to spell ‘stupid,’ and that he had to ask his neighbour to tell him. ‘A nice muddle their slates’ll be in before the trial’s over!’ thought Alice.

One of the jurors had a pencil that squeaked. This of course, Alice could not stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate.

‘Herald, read the accusation!’ said the King.

On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:—

‘Consider your verdict,’ the King said to the jury.

‘Not yet, not yet!’ the Rabbit hastily interrupted. ‘There’s a great deal to come before that!’

‘Call the first witness,’ said the King; and the White Rabbit blew three blasts on the trumpet, and called out, ‘First witness!’

The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. ‘I beg pardon, your Majesty,’ he began, ‘for bringing these in: but I hadn’t quite finished my tea when I was sent for.’

‘You ought to have finished,’ said the King. ‘When did you begin?’

The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. ‘Fourteenth of March, I think it was,’ he said.

‘Fifteenth,’ said the March Hare.

‘Sixteenth,’ added the Dormouse.

‘Write that down,’ the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence.

‘Take off your hat,’ the King said to the Hatter.

‘It isn’t mine,’ said the Hatter.

‘Stolen!’ the King exclaimed, turning to the jury, who instantly made a memorandum of the fact.

‘I keep them to sell,’ the Hatter added as an explanation; ‘I’ve none of my own. I’m a hatter.’

Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted.

‘Give your evidence,’ said the King; ‘and don’t be nervous, or I’ll have you executed on the spot.’

This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter.

Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her.

‘I wish you wouldn’t squeeze so.’ said the Dormouse, who was sitting next to her. ‘I can hardly breathe.’

‘I can’t help it,’ said Alice very meekly: ‘I’m growing.’

‘You’ve no right to grow here,’ said the Dormouse.

‘Don’t talk nonsense,’ said Alice more boldly: ‘you know you’re growing too.’

‘Yes, but I grow at a reasonable pace,’ said the Dormouse: ‘not in that ridiculous fashion.’ And he got up very sulkily and crossed over to the other side of the court.

All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, ‘Bring me the list of the singers in the last concert!’ on which the wretched Hatter trembled so, that he shook both his shoes off.

‘Give your evidence,’ the King repeated angrily, ‘or I’ll have you executed, whether you’re nervous or not.’

‘I’m a poor man, your Majesty,’ the Hatter began, in a trembling voice, ‘—and I hadn’t begun my tea—not above a week or so—and what with the bread-and-butter getting so thin—and the twinkling of the tea—’

‘The twinkling of the what?’ said the King.

‘It began with the tea,’ the Hatter replied.

‘Of course twinkling begins with a T!’ said the King sharply. ‘Do you take me for a dunce? Go on!’

‘I’m a poor man,’ the Hatter went on, ‘and most things twinkled after that—only the March Hare said—’

‘I didn’t!’ the March Hare interrupted in a great hurry.

‘You did!’ said the Hatter.

‘I deny it!’ said the March Hare.

‘He denies it,’ said the King: ‘leave out that part.’

‘Well, at any rate, the Dormouse said—’ the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.

‘After that,’ continued the Hatter, ‘I cut some more bread-and-butter—’

‘But what did the Dormouse say?’ one of the jury asked.

‘That I can’t remember,’ said the Hatter.

‘You must remember,’ remarked the King, ‘or I’ll have you executed.’

The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. ‘I’m a poor man, your Majesty,’ he began.

‘You’re a very poor speaker,’ said the King.

Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.)

‘I’m glad I’ve seen that done,’ thought Alice. ‘I’ve so often read in the newspapers, at the end of trials, “There was some attempts at applause, which was immediately suppressed by the officers of the court,” and I never understood what it meant till now.’

‘If that’s all you know about it, you may stand down,’ continued the King.

‘I can’t go no lower,’ said the Hatter: ‘I’m on the floor, as it is.’

‘Then you may sit down,’ the King replied.

Here the other guinea-pig cheered, and was suppressed.

‘Come, that finished the guinea-pigs!’ thought Alice. ‘Now we shall get on better.’

‘I’d rather finish my tea,’ said the Hatter, with an anxious look at the Queen, who was reading the list of singers.

‘You may go,’ said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on.

‘—and just take his head off outside,’ the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door.

‘Call the next witness!’ said the King.

The next witness was the Duchess’s cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once.

‘Give your evidence,’ said the King.

‘Shan’t,’ said the cook.

The King looked anxiously at the White Rabbit, who said in a low voice, ‘Your Majesty must cross-examine this witness.’

‘Well, if I must, I must,’ the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, ‘What are tarts made of?’

‘Pepper, mostly,’ said the cook.

‘Treacle,’ said a sleepy voice behind her.

‘Collar that Dormouse,’ the Queen shrieked out. ‘Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!’

For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared.

‘Never mind!’ said the King, with an air of great relief. ‘Call the next witness.’ And he added in an undertone to the Queen, ‘Really, my dear, you must cross-examine the next witness. It quite makes my forehead ache!’

Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, ‘—for they haven’t got much evidence yet,’ she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name ‘Alice!’

But what did the Dormouse say?!

The post Chapter 11 Who Stole The Tarts? appeared first on Alice Is Everywhere.

In Chapter 10 of Alice’s Adventures in Wonderland entitled The Lobster Quadrille, the Gryphon and the Mock Turtle favor us with a dance, while Alice has a little trouble with her recitation. Plus, enjoy a bowl of Beautiful Soup while Heather explains why Lewis Carroll included so many song parodies in his books.

tremulous – adjective – shaking or quivering in a nervous way – Her tremulous voice betrayed how nervous she was at the paper towel commercial audition.

“It’s no use going back to yesterday, because I was a different person then.” – Alice

So they began solemnly dancing round and round Alice…

You have baked me too brown, I must sugar my hair.

The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. ‘Same as if he had a bone in his throat,’ said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:—

‘You may not have lived much under the sea—’ (‘I haven’t,’ said Alice)—’and perhaps you were never even introduced to a lobster—’ (Alice began to say ‘I once tasted—’ but checked herself hastily, and said ‘No, never’) ‘—so you can have no idea what a delightful thing a Lobster Quadrille is!’

‘No, indeed,’ said Alice. ‘What sort of a dance is it?’

‘Why,’ said the Gryphon, ‘you first form into a line along the sea-shore—’

‘Two lines!’ cried the Mock Turtle. ‘Seals, turtles, salmon, and so on; then, when you’ve cleared all the jelly-fish out of the way—’

‘That generally takes some time,’ interrupted the Gryphon.

‘—you advance twice—’

‘Each with a lobster as a partner!’ cried the Gryphon.

‘Of course,’ the Mock Turtle said: ‘advance twice, set to partners—’

‘—change lobsters, and retire in same order,’ continued the Gryphon.

‘Then, you know,’ the Mock Turtle went on, ‘you throw the—’

‘The lobsters!’ shouted the Gryphon, with a bound into the air.

‘—as far out to sea as you can—’

‘Swim after them!’ screamed the Gryphon.

‘Turn a somersault in the sea!’ cried the Mock Turtle, capering wildly about.

‘Change lobsters again!’ yelled the Gryphon at the top of its voice.

‘Back to land again, and that’s all the first figure,’ said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice.

‘It must be a very pretty dance,’ said Alice timidly.

‘Would you like to see a little of it?’ said the Mock Turtle.

‘Very much indeed,’ said Alice.

‘Come, let’s try the first figure!’ said the Mock Turtle to the Gryphon. ‘We can do without lobsters, you know. Which shall sing?’

‘Oh, you sing,’ said the Gryphon. ‘I’ve forgotten the words.’

So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:—

‘Thank you, it’s a very interesting dance to watch,’ said Alice, feeling very glad that it was over at last: ‘and I do so like that curious song about the whiting!’

‘Oh, as to the whiting,’ said the Mock Turtle, ‘they—you’ve seen them, of course?’

‘Yes,’ said Alice, ‘I’ve often seen them at dinn—’ she checked herself hastily.

‘I don’t know where Dinn may be,’ said the Mock Turtle, ‘but if you’ve seen them so often, of course you know what they’re like.’

‘I believe so,’ Alice replied thoughtfully. ‘They have their tails in their mouths—and they’re all over crumbs.’

‘You’re wrong about the crumbs,’ said the Mock Turtle: ‘crumbs would all wash off in the sea. But they have their tails in their mouths; and the reason is—’ here the Mock Turtle yawned and shut his eyes.—’Tell her about the reason and all that,’ he said to the Gryphon.

‘The reason is,’ said the Gryphon, ‘that they would go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn’t get them out again. That’s all.’

‘Thank you,’ said Alice, ‘it’s very interesting. I never knew so much about a whiting before.’

‘I can tell you more than that, if you like,’ said the Gryphon. ‘Do you know why it’s called a whiting?’

‘I never thought about it,’ said Alice. ‘Why?’

‘It does the boots and shoes,’ the Gryphon replied very solemnly.

Alice was thoroughly puzzled. ‘Does the boots and shoes!’ she repeated in a wondering tone.

‘Why, what are your shoes done with?’ said the Gryphon. ‘I mean, what makes them so shiny?’

Alice looked down at them, and considered a little before she gave her answer. ‘They’re done with blacking, I believe.’

‘Boots and shoes under the sea,’ the Gryphon went on in a deep voice, ‘are done with a whiting. Now you know.’

‘And what are they made of?’ Alice asked in a tone of great curiosity.

‘Soles and eels, of course,’ the Gryphon replied rather impatiently: ‘any shrimp could have told you that.’

‘If I’d been the whiting,’ said Alice, whose thoughts were still running on the song, ‘I’d have said to the porpoise, “Keep back, please: we don’t want you with us!”‘

‘They were obliged to have him with them,’ the Mock Turtle said: ‘no wise fish would go anywhere without a porpoise.’

‘Wouldn’t it really?’ said Alice in a tone of great surprise.

‘Of course not,’ said the Mock Turtle: ‘why, if a fish came to me, and told me he was going a journey, I should say “With what porpoise?”‘

‘Don’t you mean “purpose”?’ said Alice.

‘I mean what I say,’ the Mock Turtle replied in an offended tone. And the Gryphon added ‘Come, let’s hear some of your adventures.’

‘I could tell you my adventures—beginning from this morning,’ said Alice a little timidly: ‘but it’s no use going back to yesterday, because I was a different person then.’

‘Explain all that,’ said the Mock Turtle.

‘No, no! The adventures first,’ said the Gryphon in an impatient tone: ‘explanations take such a dreadful time.’

So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so very wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating ‘You are old, Father William,’ to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said ‘That’s very curious.’

‘It’s all about as curious as it can be,’ said the Gryphon.

‘It all came different!’ the Mock Turtle repeated thoughtfully. ‘I should like to hear her try and repeat something now. Tell her to begin.’ He looked at the Gryphon as if he thought it had some kind of authority over Alice.

‘Stand up and repeat “‘Tis the voice of the sluggard,”‘ said the Gryphon.

‘How the creatures order one about, and make one repeat lessons!’ thought Alice; ‘I might as well be at school at once.’ However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:—

‘That’s different from what I used to say when I was a child,’ said the Gryphon.

‘Well, I never heard it before,’ said the Mock Turtle; ‘but it sounds uncommon nonsense.’

Alice said nothing; she had sat down with her face in her hands, wondering if anything would ever happen in a natural way again.

‘I should like to have it explained,’ said the Mock Turtle.

‘She can’t explain it,’ said the Gryphon hastily. ‘Go on with the next verse.’

‘But about his toes?’ the Mock Turtle persisted. ‘How could he turn them out with his nose, you know?’

‘It’s the first position in dancing.’ Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject.

‘Go on with the next verse,’ the Gryphon repeated impatiently: ‘it begins “I passed by his garden.”‘

Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:—

‘What is the use of repeating all that stuff,’ the Mock Turtle interrupted, ‘if you don’t explain it as you go on? It’s by far the most confusing thing I ever heard!’

‘Yes, I think you’d better leave off,’ said the Gryphon: and Alice was only too glad to do so.

‘Shall we try another figure of the Lobster Quadrille?’ the Gryphon went on. ‘Or would you like the Mock Turtle to sing you a song?’

‘Oh, a song, please, if the Mock Turtle would be so kind,’ Alice replied, so eagerly that the Gryphon said, in a rather offended tone, ‘Hm! No accounting for tastes! Sing her “Turtle Soup,” will you, old fellow?’

The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:—

‘Chorus again!’ cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of ‘The trial’s beginning!’ was heard in the distance.

‘Come on!’ cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song.

‘What trial is it?’ Alice panted as she ran; but the Gryphon only answered ‘Come on!’ and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:—

Won’t you join the dance?!

The post Chapter 10 The Lobster Quadrille appeared first on Alice Is Everywhere.

The Duchess returns in Chapter 9 of Alice’s Adventures in Wonderland, but don’t worry, she’s undergone a complete personality change! Meet everyone’s favorite half-eagle, half-lion, The Gryphon! Plus learn all about the origins of The Mock Turtle. Hope you like puns!

moral – noun – a lesson one can learn about right and wrong from a story or experience – The moral of Alice’s Adventures in Wonderland is “Always follow White Rabbits!”

“Everything’s got a moral, if only you can find it.” -The Duchess

Alice did not much like her keeping so close to her…

They very soon came upon a Gryphon, lying fast asleep in the sun.

‘Once,’ said the Mock Turtle at last, with a deep sigh, ‘I was a real Turtle.’

‘You can’t think how glad I am to see you again, you dear old thing!’ said the Duchess, as she tucked her arm affectionately into Alice’s, and they walked off together.

Would learning laundry at day school really be so bad?

The post Chapter 9 The Mock Turtle’s Story appeared first on Alice Is Everywhere.

In Chapter 8 of Alice’s Adventures in Wonderland, Alice finally makes her way into the beautiful garden and engages in a most unusual game of croquet on the Queen’s Croquet-Ground. Say hello once again to White Rabbit and Cheshire Cat, meet the King and Queen of Hearts, and line your flamingo mallet up with your hedgehog ball. It’s time to paint the roses red!

knave – noun – the Jack in cards OR a tricky, dishonest man – The Knave of Hearts doesn’t have much to say in Chapter 8, The Queen’s Croquet-Ground.

“Off with her head!” – The Queen of Hearts

“Off with his head!” – The Queen of Hearts

“Off with their heads!” – The Queen of Hearts

…there were three gardeners at it, busily painting them red.

“What’s your name, child?”

The chief difficulty Alice found at first was in managing her flamingo…

He’s not all there, himself.

A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, ‘Look out now, Five! Don’t go splashing paint over me like that!’

‘I couldn’t help it,’ said Five, in a sulky tone; ‘Seven jogged my elbow.’

On which Seven looked up and said, ‘That’s right, Five! Always lay the blame on others!’

‘You’d better not talk!’ said Five. ‘I heard the Queen say only yesterday you deserved to be beheaded!’

‘What for?’ said the one who had spoken first.

‘That’s none of your business, Two!’ said Seven.

‘Yes, it is his business!’ said Five, ‘and I’ll tell him—it was for bringing the cook tulip-roots instead of onions.’

Seven flung down his brush, and had just begun ‘Well, of all the unjust things—’ when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low.

‘Would you tell me,’ said Alice, a little timidly, ‘why you are painting those roses?’

Five and Seven said nothing, but looked at Two. Two began in a low voice, ‘Why the fact is, you see, Miss, this here ought to have been a red rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we’re doing our best, afore she comes, to—’ At this moment Five, who had been anxiously looking across the garden, called out ‘The Queen! The Queen!’ and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen.

First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King’s crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS.

Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; ‘and besides, what would be the use of a procession,’ thought she, ‘if people had all to lie down upon their faces, so that they couldn’t see it?’ So she stood still where she was, and waited.

When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely ‘Who is this?’ She said it to the Knave of Hearts, who only bowed and smiled in reply.

‘Idiot!’ said the Queen, tossing her head impatiently; and, turning to Alice, she went on, ‘What’s your name, child?’

‘My name is Alice, so please your Majesty,’ said Alice very politely; but she added, to herself, ‘Why, they’re only a pack of cards, after all. I needn’t be afraid of them!’

‘And who are these?’ said the Queen, pointing to the three gardeners who were lying round the rosetree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children.

‘How should I know?’ said Alice, surprised at her own courage. ‘It’s no business of mine.’

The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed ‘Off with her head! Off—’

‘Nonsense!’ said Alice, very loudly and decidedly, and the Queen was silent.

The King laid his hand upon her arm, and timidly said ‘Consider, my dear: she is only a child!’

The Queen turned angrily away from him, and said to the Knave ‘Turn them over!’

The Knave did so, very carefully, with one foot.

‘Get up!’ said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else.

‘Leave off that!’ screamed the Queen. ‘You make me giddy.’ And then, turning to the rose-tree, she went on, ‘What have you been doing here?’

‘May it please your Majesty,’ said Two, in a very humble tone, going down on one knee as he spoke, ‘we were trying—’

‘I see!’ said the Queen, who had meanwhile been examining the roses. ‘Off with their heads!’ and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection.

‘You shan’t be beheaded!’ said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others.

‘Are their heads off?’ shouted the Queen.

‘Their heads are gone, if it please your Majesty!’ the soldiers shouted in reply.

‘That’s right!’ shouted the Queen. ‘Can you play croquet?’

The soldiers were silent, and looked at Alice, as the question was evidently meant for her.

‘Yes!’ shouted Alice.

‘Come on, then!’ roared the Queen, and Alice joined the procession, wondering very much what would happen next.

‘It’s—it’s a very fine day!’ said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face.

‘Very,’ said Alice: ‘—where’s the Duchess?’

‘Hush! Hush!’ said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered ‘She’s under sentence of execution.’

‘What for?’ said Alice.

‘Did you say “What a pity!”?’ the Rabbit asked.

‘No, I didn’t,’ said Alice: ‘I don’t think it’s at all a pity. I said “What for?”‘

‘She boxed the Queen’s ears—’ the Rabbit began. Alice gave a little scream of laughter. ‘Oh, hush!’ the Rabbit whispered in a frightened tone. ‘The Queen will hear you! You see, she came rather late, and the Queen said—’

‘Get to your places!’ shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches.

The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it would twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed.

The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting ‘Off with his head!’ or ‘Off with her head!’ about once in a minute.

Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, ‘and then,’ thought she, ‘what would become of me? They’re dreadfully fond of beheading people here; the great wonder is, that there’s any one left alive!’

She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself ‘It’s the Cheshire Cat: now I shall have somebody to talk to.’

‘How are you getting on?’ said the Cat, as soon as there was mouth enough for it to speak with.

Alice waited till the eyes appeared, and then nodded. ‘It’s no use speaking to it,’ she thought, ’till its ears have come, or at least one of them.’ In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared.

‘I don’t think they play at all fairly,’ Alice began, in rather a complaining tone, ‘and they all quarrel so dreadfully one can’t hear oneself speak—and they don’t seem to have any rules in particular; at least, if there are, nobody attends to them—and you’ve no idea how confusing it is all the things being alive; for instance, there’s the arch I’ve got to go through next walking about at the other end of the ground—and I should have croqueted the Queen’s hedgehog just now, only it ran away when it saw mine coming!’

‘How do you like the Queen?’ said the Cat in a low voice.

‘Not at all,’ said Alice: ‘she’s so extremely—’ Just then she noticed that the Queen was close behind her, listening: so she went on, ‘—likely to win, that it’s hardly worth while finishing the game.’

The Queen smiled and passed on.

‘Who are you talking to?’ said the King, going up to Alice, and looking at the Cat’s head with great curiosity.

‘It’s a friend of mine—a Cheshire Cat,’ said Alice: ‘allow me to introduce it.’

‘I don’t like the look of it at all,’ said the King: ‘however, it may kiss my hand if it likes.’

‘I’d rather not,’ the Cat remarked.

‘Don’t be impertinent,’ said the King, ‘and don’t look at me like that!’ He got behind Alice as he spoke.

‘A cat may look at a king,’ said Alice. ‘I’ve read that in some book, but I don’t remember where.’

‘Well, it must be removed,’ said the King very decidedly, and he called the Queen, who was passing at the moment, ‘My dear! I wish you would have this cat removed!’

The Queen had only one way of settling all difficulties, great or small. ‘Off with his head!’ she said, without even looking round.

‘I’ll fetch the executioner myself,’ said the King eagerly, and he hurried off.

Alice thought she might as well go back, and see how the game was going on, as she heard the Queen’s voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog.

The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree.

By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: ‘but it doesn’t matter much,’ thought Alice, ‘as all the arches are gone from this side of the ground.’ So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend.

When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable.

The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said.

The executioner’s argument was, that you couldn’t cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn’t going to begin at his time of life.

The King’s argument was, that anything that had a head could be beheaded, and that you weren’t to talk nonsense.

The Queen’s argument was, that if something wasn’t done about it in less than no time she’d have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.)

Alice could think of nothing else to say but ‘It belongs to the Duchess: you’d better ask her about it.’

‘She’s in prison,’ the Queen said to the executioner: ‘fetch her here.’ And the executioner went off like an arrow.

The Cat’s head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game.

If only White Rabbit finished his story about the Queen and Duchess!

The post Chapter 8 The Queen’s Croquet-Ground appeared first on Alice Is Everywhere.

Pull up a chair next to the Hatter, Dormouse and March Hare and help yourself to the bread and butter! It’s Chapter 7 of Alice’s Adventures in Wonderland, A Mad Tea-Party, and everyone is invited. Why is a raven like a writing desk, anyway?

treacle – noun – sweet syrup such as molasses OR a medicine used as a treatment for poison – I hope I used the right kind of treacle in this cookie recipe.

“Why is a raven like a writing-desk?” – Hatter

“It was the best butter.” – March Hare

“Twinkle, twinkle, little bat! How I wonder what you’re at!” – Hatter

“It’s always tea-time.” – Hatter

“I don’t think-” – Alice

“Then you shouldn’t talk.” – Hatter

Alice sat down in a large arm-chair at one end of the table.

“Up above the world you fly, Like a tea-tray in the sky.”

The last time she saw them, they were trying to put the Dormouse into the teapot.

There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. ‘Very uncomfortable for the Dormouse,’ thought Alice; ‘only, as it’s asleep, I suppose it doesn’t mind.’

The table was a large one, but the three were all crowded together at one corner of it: ‘No room! No room!’ they cried out when they saw Alice coming. ‘There’s plenty of room!’ said Alice indignantly, and she sat down in a large arm-chair at one end of the table.

‘Have some wine,’ the March Hare said in an encouraging tone.

Alice looked all round the table, but there was nothing on it but tea. ‘I don’t see any wine,’ she remarked.

‘There isn’t any,’ said the March Hare.

‘Then it wasn’t very civil of you to offer it,’ said Alice angrily.

‘It wasn’t very civil of you to sit down without being invited,’ said the March Hare.

‘I didn’t know it was your table,’ said Alice; ‘it’s laid for a great many more than three.’

‘Your hair wants cutting,’ said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech.

‘You should learn not to make personal remarks,’ Alice said with some severity; ‘it’s very rude.’

The Hatter opened his eyes very wide on hearing this; but all he said was, ‘Why is a raven like a writing-desk?’

‘Come, we shall have some fun now!’ thought Alice. ‘I’m glad they’ve begun asking riddles.—I believe I can guess that,’ she added aloud.

‘Do you mean that you think you can find out the answer to it?’ said the March Hare.

‘Exactly so,’ said Alice.

‘Then you should say what you mean,’ the March Hare went on.

‘I do,’ Alice hastily replied; ‘at least—at least I mean what I say—that’s the same thing, you know.’

‘Not the same thing a bit!’ said the Hatter. ‘You might just as well say that “I see what I eat” is the same thing as “I eat what I see”!’

‘You might just as well say,’ added the March Hare, ‘that “I like what I get” is the same thing as “I get what I like”!’

‘You might just as well say,’ added the Dormouse, who seemed to be talking in his sleep, ‘that “I breathe when I sleep” is the same thing as “I sleep when I breathe”!’

‘It is the same thing with you,’ said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn’t much.

The Hatter was the first to break the silence. ‘What day of the month is it?’ he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear.

Alice considered a little, and then said ‘The fourth.’

‘Two days wrong!’ sighed the Hatter. ‘I told you butter wouldn’t suit the works!’ he added looking angrily at the March Hare.

‘It was the best butter,’ the March Hare meekly replied.

‘Yes, but some crumbs must have got in as well,’ the Hatter grumbled: ‘you shouldn’t have put it in with the bread-knife.’

The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, ‘It was the best butter, you know.’

Alice had been looking over his shoulder with some curiosity. ‘What a funny watch!’ she remarked. ‘It tells the day of the month, and doesn’t tell what o’clock it is!’

‘Why should it?’ muttered the Hatter. ‘Does your watch tell you what year it is?’

‘Of course not,’ Alice replied very readily: ‘but that’s because it stays the same year for such a long time together.’

‘Which is just the case with mine,’ said the Hatter.

Alice felt dreadfully puzzled. The Hatter’s remark seemed to have no sort of meaning in it, and yet it was certainly English. ‘I don’t quite understand you,’ she said, as politely as she could.

‘The Dormouse is asleep again,’ said the Hatter, and he poured a little hot tea upon its nose.

The Dormouse shook its head impatiently, and said, without opening its eyes, ‘Of course, of course; just what I was going to remark myself.’

‘Have you guessed the riddle yet?’ the Hatter said, turning to Alice again.

‘No, I give it up,’ Alice replied: ‘what’s the answer?’

‘I haven’t the slightest idea,’ said the Hatter.

‘Nor I,’ said the March Hare.

Alice sighed wearily. ‘I think you might do something better with the time,’ she said, ‘than waste it in asking riddles that have no answers.’

‘If you knew Time as well as I do,’ said the Hatter, ‘you wouldn’t talk about wasting it. It’s him.’

‘I don’t know what you mean,’ said Alice.

‘Of course you don’t!’ the Hatter said, tossing his head contemptuously. ‘I dare say you never even spoke to Time!’

‘Perhaps not,’ Alice cautiously replied: ‘but I know I have to beat time when I learn music.’

‘Ah! that accounts for it,’ said the Hatter. ‘He won’t stand beating. Now, if you only kept on good terms with him, he’d do almost anything you liked with the clock. For instance, suppose it were nine o’clock in the morning, just time to begin lessons: you’d only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!’

(‘I only wish it was,’ the March Hare said to itself in a whisper.)

‘That would be grand, certainly,’ said Alice thoughtfully: ‘but then—I shouldn’t be hungry for it, you know.’

‘Not at first, perhaps,’ said the Hatter: ‘but you could keep it to half-past one as long as you liked.’

‘Is that the way you manage?’ Alice asked.

The Hatter shook his head mournfully. ‘Not I!’ he replied. ‘We quarrelled last March—just before he went mad, you know—’ (pointing with his tea spoon at the March Hare,) ‘—it was at the great concert given by the Queen of Hearts, and I had to sing

You know the song, perhaps?’

‘I’ve heard something like it,’ said Alice.

‘It goes on, you know,’ the Hatter continued, ‘in this way:—

Here the Dormouse shook itself, and began singing in its sleep ‘Twinkle, twinkle, twinkle, twinkle—’ and went on so long that they had to pinch it to make it stop.

‘Well, I’d hardly finished the first verse,’ said the Hatter, ‘when the Queen jumped up and bawled out, “He’s murdering the time! Off with his head!”‘

‘How dreadfully savage!’ exclaimed Alice.

‘And ever since that,’ the Hatter went on in a mournful tone, ‘he won’t do a thing I ask! It’s always six o’clock now.’

A bright idea came into Alice’s head. ‘Is that the reason so many tea-things are put out here?’ she asked.

‘Yes, that’s it,’ said the Hatter with a sigh: ‘it’s always tea-time, and we’ve no time to wash the things between whiles.’

‘Then you keep moving round, I suppose?’ said Alice.

‘Exactly so,’ said the Hatter: ‘as the things get used up.’

‘But what happens when you come to the beginning again?’ Alice ventured to ask.

‘Suppose we change the subject,’ the March Hare interrupted, yawning. ‘I’m getting tired of this. I vote the young lady tells us a story.’

‘I’m afraid I don’t know one,’ said Alice, rather alarmed at the proposal.

‘Then the Dormouse shall!’ they both cried. ‘Wake up, Dormouse!’ And they pinched it on both sides at once.

The Dormouse slowly opened his eyes. ‘I wasn’t asleep,’ he said in a hoarse, feeble voice: ‘I heard every word you fellows were saying.’

‘Tell us a story!’ said the March Hare.

‘Yes, please do!’ pleaded Alice.

‘And be quick about it,’ added the Hatter, ‘or you’ll be asleep again before it’s done.’

‘Once upon a time there were three little sisters,’ the Dormouse began in a great hurry; ‘and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well—’

‘What did they live on?’ said Alice, who always took a great interest in questions of eating and drinking.

‘They lived on treacle,’ said the Dormouse, after thinking a minute or two.

‘They couldn’t have done that, you know,’ Alice gently remarked; ‘they’d have been ill.’

‘So they were,’ said the Dormouse; ‘very ill.’

Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: ‘But why did they live at the bottom of a well?’

‘Take some more tea,’ the March Hare said to Alice, very earnestly.

‘I’ve had nothing yet,’ Alice replied in an offended tone, ‘so I can’t take more.’

‘You mean you can’t take less,’ said the Hatter: ‘it’s very easy to take more than nothing.’

‘Nobody asked your opinion,’ said Alice.

‘Who’s making personal remarks now?’ the Hatter asked triumphantly.

Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. ‘Why did they live at the bottom of a well?’

The Dormouse again took a minute or two to think about it, and then said, ‘It was a treacle-well.’

‘There’s no such thing!’ Alice was beginning very angrily, but the Hatter and the March Hare went ‘Sh! sh!’ and the Dormouse sulkily remarked, ‘If you can’t be civil, you’d better finish the story for yourself.’

‘No, please go on!’ Alice said very humbly; ‘I won’t interrupt again. I dare say there may be one.’

‘One, indeed!’ said the Dormouse indignantly. However, he consented to go on. ‘And so these three little sisters—they were learning to draw, you know—’

‘What did they draw?’ said Alice, quite forgetting her promise.

‘Treacle,’ said the Dormouse, without considering at all this time.

‘I want a clean cup,’ interrupted the Hatter: ‘let’s all move one place on.’

He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse’s place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate.

Alice did not wish to offend the Dormouse again, so she began very cautiously: ‘But I don’t understand. Where did they draw the treacle from?’

‘You can draw water out of a water-well,’ said the Hatter; ‘so I should think you could draw treacle out of a treacle-well—eh, stupid?’

‘But they were in the well,’ Alice said to the Dormouse, not choosing to notice this last remark.

‘Of course they were’, said the Dormouse; ‘—well in.’

This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it.

‘They were learning to draw,’ the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; ‘and they drew all manner of things—everything that begins with an M—’

‘Why with an M?’ said Alice.

‘Why not?’ said the March Hare.

Alice was silent.

The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: ‘—that begins with an M, such as mouse-traps, and the moon, and memory, and muchness—you know you say things are “much of a muchness”—did you ever see such a thing as a drawing of a muchness?’

‘Really, now you ask me,’ said Alice, very much confused, ‘I don’t think—’

‘Then you shouldn’t talk,’ said the Hatter.

This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot.

‘At any rate I’ll never go there again!’ said Alice as she picked her way through the wood. ‘It’s the stupidest tea-party I ever was at in all my life!’

Just as she said this, she noticed that one of the trees had a door leading right into it. ‘That’s very curious!’ she thought. ‘But everything’s curious today. I think I may as well go in at once.’ And in she went.

Once more she found herself in the long hall, and close to the little glass table. ‘Now, I’ll manage better this time,’ she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and then—she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains.

What DOES happen when they make it round the table?

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