The Pulitzer Prize and MacArthur-winning photojournalist and New York Times bestselling author Lynsey Addario has captured audiences with her highly compelling and beautifully harrowing photographs from war zones across the globe. With her uncanny ability to emotionally connect with her subjects and to personalize even the most remote corners and unimaginable circumstances, Addario offers a stunning new selection of work from the Middle East, South Asia, and Africa that documents life in Afghanistan under the Taliban, the stark truth of sub-Saharan Africa, and the daily reality of women in the Middle East. Of Love and War weaves Addario’s dramatic photographs with revelatory essays from fellow journalists such as Dexter Filkins, Suzy Hansen, and Lydia Polgreen, as well as her own letters, emails, and journal entries to illuminate the conflict facing people around the world today. Discussing this new book with an interlocutor, Addario will share images that capture a profound sense of humanity on the battlefield—and her own quest as a photojournalist to document injustice.

Who do you think you are? What do you think you are? These questions of gender, religion, race, nationality, class, culture, and all our polarizing, contradictory natures permeate Kwame Anthony Appiah’s newest book. In The Lies That Bind, Appiah, the author of the Ethicist column for the New York Times, challenges our assumptions of identities—or rather mistaken identities. Njideka Akunyili Crosby, a MacArthur Award-winning Nigerian born visual artist who lives in Los Angeles, meshes painting, printmaking, photography, and collage to create large-scale mixed media works bursting with multinational perspectives. Speaking with the Hammer Museum’s Erin Christovale about 21st century identity politics and the appropriation of culture, Appiah and Crosby will share from their own work to consider how our collective identities shape—and can bring together—our divisive world.

The Emmy and Golden Globe Award-winning creator of Transparent and I Love Dick takes us behind-the-scenes of a revelatory emotional and professional journey to challenge the status quo. In the rousingly passionate and provocative new memoir, She Wants It, Jill Soloway reflects on shifting family dynamics—from a parent coming out as transgender to Soloway’s evolution from straight, married mother of two to identifying as queer and nonbinary—and how these experiences fueled a creative vision to transform the male-dominated landscape of Hollywood. As a director, show creator, and activist working to explode mainstream ideas about gender, Soloway has helped to give rise to a new cultural consciousness. Discussing this poignant new book with an interlocutor, Soloway joins us for a timely conversation about identity, love, sexuality, and the reshaping of our collective worldview in the aftermath of the #metoo movement. 

Join us for a special program on the 25th anniversary of the reopening of the Los Angeles Central Library that brings home the inspiring story of how Central Library rose from the ashes after the catastrophic fire of April 29, 1986. In a new book by New Yorker staff writer and author of seven books, including Rin Tin Tin and The Orchid Thief, Susan Orlean offers a profoundly moving cultural history of the Los Angeles Public Library and its critical civic role since its inception in 1872. Reexamining the unsolved mystery of the biggest library fire in American history that destroyed or damaged more than one million books, Orlean investigates if someone purposefully set fire to the Library—and if so, who? Through this behind-the-scenes look at the Los Angeles Public Library system, Orlean weaves her life-long love of books and reading with the fascinating legacy of libraries across the world. In a conversation with author and Library Foundation Board Member Attica Locke and a surprise librarian guest, Orleans shares from The Library Book—a testament to the importance of all libraries and an homage to a beloved institution that remains a vital part of the heart, mind, and soul of our community today.

Technology has made possible new forms of transnational investigative journalism and fueled the rise of new digital media organizations in the US and around the world. Yet more journalists are imprisoned around the world than at any time in recent history; censorship is on the rise; and government-run disinformation campaigns are undermining public understanding and fueling distrust in the media. Two leading figures in global journalism help make sense of this confusing and contradictory environment, and discuss how their organizations find unique opportunities to make an impact within this challenging and ever-changing landscape. Gerard Ryle is the director of the International Consortium of Investigative Journalists, which collaborates teams of journalists to pursue groundbreaking investigations, like the Panama Papers. Joel Simon is the executive director of the Committee to Protect Journalists, which fights for press freedom and the rights of journalists in the United States and around the world.

Co-presented with the Hollywood Foreign Press Association.

"Édouard Louis uses literature as a weapon," says a recent New York Times profile of the internationally bestselling French author. Louis, whose highly acclaimed first autobiographical novel, The End of Eddy, confronts both the institution of discrimination as he experienced it first-hand, growing up in a small town in Northern France where he was bullied and forced to conceal his homosexuality and as well, the violence perpetrated on his hardscrabble community by an indifferent state. Now in his second book, the writer delivers another unsparing examination of survival—this time, the story of his own rape and near murder by a stranger on Christmas Eve in 2012. In History of Violence, Louis copes with his post-traumatic stress disorder as he moves seamlessly and hypnotically between past and present, between his own voice and the voice of an imagined narrator, to understand how such violence could occur. In a conversation with poet Steve Reigns, the City of West Hollywood’s first Poet Laureate, Louis examines his own complicated search for justice in a political system that marginalizes its citizens through class inequities and leaves entire communities vulnerable, powerless and feeling neglected.

Zadie Smith calls his work crack. Jeffrey Eugenides says it broke the sound barrier of the autobiographical novel. Readers around the world have flocked to Karl Ove Knausgaard’s nearly 3,500-page epic hypnotic journey through life as an artist as he’s lived it. Highly confessional and irresistibly beautiful, Knausgaard mines the large and small moments of his own narrative from grappling with death, love, art, and fear to going all-in on the mundane, intimate details of everyday existence. With its fierce honesty and ambitious vision, the six-part My Struggle series transcends all genres of first-person writing and forever changes the relationship between author and reader. On the occasion of the publication of the long awaited final installment in the series—Book Six, which confronts the impact of blurring the line between private and public—the Norwegian writer makes a rare West Coast appearance to share his most recent work on the ALOUD stage. Join us for a conversation between Los Angeles Review of Books Editor-in-Chief Tom Lutz and Knausgaard on this monumental work and the radical act of total transparency. Co-presented with The Japanese American Cultural and Community Center, Center for the Art of Translation, and the Los Angeles Review of Books 

Tommy Orange’s There There is an extraordinary portrait of America like we’ve never seen before. Orange, an enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma who grew up in Oakland, brings an exhilaratingly fresh, urgent, and poetic voice to the disorienting experiences of urban Indians who struggle with the paradoxes of inhabiting traditions in the absence of a homeland, living both inside and outside of history. In his debut bestselling novel, a cast of 12 Native American characters each contending with their own demons converge and collide on the occasion of the Big Oakland Powwow. Orange visits the ALOUD stage following recent Indigenous authors Layli Long Soldier, Natalie Diaz, and Terese Marie Mailhot who are collectively redefining not only contemporary Native American writing, but the entire canon of American literature as we know it.

Miriam Pawel, the Pulitzer Prize–winning journalist and author of the definitive biography, The Crusades of Cesar Chavez, continues to chronicle the fascinating history of California and the exceptional people who have shaped our state. In Pawel’s newest work, she demystifies transformative moments of California history—from the Gold Rush to Silicon Valley—as she considers the significant impact of one family dynasty. Beginning with Pat Brown, the beloved father who presided over California during an era of unmatched expansion, to Jerry Brown, the cerebral son who became the youngest governor in modern times—and then returned three decades later as the oldest, Pawel traces four generations of this influential family and will be joined on the ALOUD stage by Kathleen Brown, Pat’s youngest child and former California State Treasurer. Before Californians take to the polls for a very important November election, join us for an inside look at the past and present of state politics.

What might Marilyn Monroe, Cesar Chavez, Susan Sontag, Albert Einstein have to say about Los Angeles?  Their diary entries, along with those of other actors, musicians, activists, cartographers, students, geologists, cooks, merchants, journalists, politicians, composers, and many more—provide a kaleidoscopic view of Los Angeles over the past four centuries, from the Spanish missionary expeditions of the 16th century to the present day. Book editor, critic and Los Angeles native David Kipen has scoured the archives of libraries, historical societies, and private estates to assemble a remarkably eclectic story of life in his beloved Los Angeles. Join us for a special staged reading of these first person accounts—representing a range of experiences and voices as diverse as Los Angeles itself.