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Andreas Neubronner is a record producer and engineer who has won 8 Grammy awards. He has recorded great orchestras around the world and is known for his recordings of the Mahler Symphonies with the San Francisco Symphony Orchestra conducted by Michael Tilson Thomas, his work with Baroque and Renaissance ensembles, and piano soloists Murray Perahia and Igor Levit.
Andreas begins Part 1 talking about how he first came to work with Michael Tilson Thomas in London and his recordings of the Mahler cycle with the San Francisco Symphony. Using those sessions, Andreas gives an overview of how recordings are made, from the initial shipping of equipment and set-up, how live concerts are recorded, what a patch session is and how they're run (...and how much money each minute of the session costs!) Andreas also mentions some background of recording tech specifics, including how the human mind perceives stereo sound (and the difficulty of implementing 5.1 surround sound in an orchestral setting.) We end Part 1 with a discussion of Baroque music, and how performance practice has changed over the last 30-40 years.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!
As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:
Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
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Andreas Neubronner is a record producer and engineer who has won 8 Grammy awards. He has recorded great orchestras around the world and is known for his recordings of the Mahler Symphonies with the San Francisco Symphony Orchestra conducted by Michael Tilson Thomas, his work with Baroque and Renaissance ensembles, and piano soloists Murray Perahia and Igor Levit.
Andreas begins Part 1 talking about how he first came to work with Michael Tilson Thomas in London and his recordings of the Mahler cycle with the San Francisco Symphony. Using those sessions, Andreas gives an overview of how recordings are made, from the initial shipping of equipment and set-up, how live concerts are recorded, what a patch session is and how they're run (...and how much money each minute of the session costs!) Andreas also mentions some background of recording tech specifics, including how the human mind perceives stereo sound (and the difficulty of implementing 5.1 surround sound in an orchestral setting.) We end Part 1 with a discussion of Baroque music, and how performance practice has changed over the last 30-40 years.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!
As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:
Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
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