In which we learn from John Cassavetes's SHADOWS (1959) that Cassavetes doesn't know how to hold a camera, find out that Ron has never seen anything by him, and get into a heated debate over cinematography. (Warning: contains spoilers and some content may be triggering.)

In which we learn from John Cassavetes's SHADOWS (1959) that Cassavetes doesn't know how to hold a camera, find out that Ron has never seen anything by him, and get into a heated debate over cinematography. (Warning: contains spoilers and some content may be triggering.)

The season one finale in which Matt Cornell, founder and co-programmer of Amsterdam's CINEMA OF THE DAM'D, stops by to discuss two Nicholas Ray films, BIGGER THAN LIFE (1956) and PARTY GIRL (1958). (Warning: contains spoilers and some content may be triggering.)

The season one finale in which Matt Cornell, founder and co-programmer of Amsterdam's CINEMA OF THE DAM'D, stops by to discuss two Nicholas Ray films, BIGGER THAN LIFE (1956) and PARTY GIRL (1958). (Warning: contains spoilers and some content may be triggering.)

In which we interview filmmakers Jon Jost and Blake Eckard, and discuss their film, THEY HAD IT COMING (2015). (Warning: contains spoilers and some content may be triggering.)

In which we interview filmmakers Jon Jost and Blake Eckard, and discuss their film, THEY HAD IT COMING (2015). (Warning: contains spoilers and some content may be triggering.)

In which we learn from Rusty Cundieff's FEAR OF A BLACK HAT (1993) that no self-respecting rap group would go onstage without their hats, find out that Ron isn't sure why he's never seen this movie before, and evaluate the importance of headwear in parodies. (Warning: contains spoilers and some content may be triggering.)

In which we learn from Rusty Cundieff's FEAR OF A BLACK HAT (1993) that no self-respecting rap group would go onstage without their hats, find out that Ron isn't sure why he's never seen this movie before, and evaluate the importance of headwear in parodies. (Warning: contains spoilers and some content may be triggering.)

In which we learn from PEE-WEE'S BIG ADVENTURE (1985) that red bikes are a prized commodity, find out that bowties are excellent fashion accessories, and visit the basement of the Alamo as we watch Tim Burton's feature length debut. (Warning: contains spoilers and some content may be triggering.)

In which we learn from PEE-WEE'S BIG ADVENTURE (1985) that red bikes are a prized commodity, find out that bowties are excellent fashion accessories, and visit the basement of the Alamo as we watch Tim Burton's feature length debut. (Warning: contains spoilers and some content may be triggering.)