In which we meet writer/director/editor Caveh Zahedi and discuss his show THE SHOW ABOUT THE SHOW, his practice of radical honesty, and details from our lives. (Warning: contains spoilers and some content may be triggering.)

In which we meet writer/director/editor Caveh Zahedi and discuss his show THE SHOW ABOUT THE SHOW, his practice of radical honesty, and details from our lives. (Warning: contains spoilers and some content may be triggering.)

In which we discuss MANLIFE (2017) with filmmaker Ryan Sarnowski, who talks to us about both making the documentary and its star, Merle Hayden, the last advocate for the nearly-lost philosophy Lawsonomy. (Warning: contains spoilers and some content may be triggering.)

In which we discuss MANLIFE (2017) with filmmaker Ryan Sarnowski, who talks to us about both making the documentary and its star, Merle Hayden, the last advocate for the nearly-lost philosophy Lawsonomy. (Warning: contains spoilers and some content may be triggering.)

In which we learn that XANADU (1980) is the most Elizabeth movie ever made, find out that Dan left the cake out in the rain, and hear that Ron can't get ELO out of his head. (Warning: contains spoilers and some content may be triggering.)

In which we learn that XANADU (1980) is the most Elizabeth movie ever made, find out that Dan left the cake out in the rain, and hear that Ron can't get ELO out of his head. (Warning: contains spoilers and some content may be triggering.)

In which we learn from SUPER MARIO BROS (1993) that the games are better than the movie, find out that there's a human-dinosaur movie that's better than THEODORE REX, and can't figure out who is the intended audience. (Warning: absolutely contains spoilers and some content may be triggering.)

In which we learn from SUPER MARIO BROS (1993) that the games are better than the movie, find out that there's a human-dinosaur movie that's better than THEODORE REX, and can't figure out who is the intended audience. (Warning: absolutely contains spoilers and some content may be triggering.)

In which we learn from Alan Clarke's STARS OF THE ROLLER STATE DISCO (1984) that roller rinks are miserable places when you live there, find out that roller skating isn't fun when you're forced to do it, and view roller disco as a metaphor for the Thatcher regime. (Warning: contains spoilers and some content may be triggering.)

In which we learn from Alan Clarke's STARS OF THE ROLLER STATE DISCO (1984) that roller rinks are miserable places when you live there, find out that roller skating isn't fun when you're forced to do it, and view roller disco as a metaphor for the Thatcher regime. (Warning: contains spoilers and some content may be triggering.)