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British violinist Anthony Marwood returns to our shores where he’s playing a series of concerts in duet with accordionist James Crabb for the Australian Chamber Orchestra.
As a soloist, chamber musician, orchestra director, and festival director he’s a man with many strings to his bow, but we’ll try not to let that horrific pun get in the way of a good, in-depth conversation between Anthony and Andrew.
They talk about working with composers like Thomas Adès, Sally Beamish, learning from Emanuel Hurwitz, and collaborating with Sinead O'Connor.
5
44 ratings
British violinist Anthony Marwood returns to our shores where he’s playing a series of concerts in duet with accordionist James Crabb for the Australian Chamber Orchestra.
As a soloist, chamber musician, orchestra director, and festival director he’s a man with many strings to his bow, but we’ll try not to let that horrific pun get in the way of a good, in-depth conversation between Anthony and Andrew.
They talk about working with composers like Thomas Adès, Sally Beamish, learning from Emanuel Hurwitz, and collaborating with Sinead O'Connor.
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