Carolyn Sampson is an English soprano who began her career in early music (Bach and before), working with some of the world's best-known specialists in historically informed performance. These days, she is just as likely to be heard singing Mahler. She talks about her developing career in a conversation recorded at this year's Australian Festival of Chamber Music. 

Also from the Festival, the fearless Australian-born, London-based pianist Joseph Havlat. He enjoys the challenge of new music and the more virtuosic the better. But he is also a composer, his music defying categorisation, veering between the deeply serious and hilariously funny - sometimes in the same piece. He talks to Andrew Ford about his playing and composing, and how they intersect.

Was your music teacher anything like the ones in the movies? Three academics - Hugh Gundlach and Rhiannon Simpson from Melbourne University and Katrina Rivera from ANU - join Andy to interrogate cinematic depictions of music teachers. From the dictators (Whiplash) to the heroes (Mr Holland's Opus) and the chaos engines in between (School of Rock), what do our fictional music teachers tell us about music education in the real world? 

And Freya Berkhout is an Australian film composer who made a leap of faith by moving to Hollywood two years ago, and she hasn’t looked back. Freya joins Andrew Ford to talk about surviving in the film industry 'machine', her approach to scoring comedy and horror, and the prevalent use of her voice in her soundtracks. Freya scored the documentary Surviving Malka Leifer, which just premiered at Melbourne International Film Festival.

Surviving Malka Leifer is screening in the Jewish International Film Festival on September 18th (Sydney), and September 21st (Melbourne), and will be available to stream on Stan from October 5th.

Four pieces of music written in the years after World War II – Strauss’s Metamorphosen, Schoenberg’s A Survivor from Warsaw, Britten’s War Requiem, and Shostakovich’s 13th Symphony, ‘Babi Yar’  – paint a complicated picture of how European composers memorialised war in Jeremy Eichler’s new book Time’s Echo. Jeremy joins Andy on the show to trace the connections and conflicts in the ways that a German, a Jewish Austrian in exile, an Englishman, and a Russian looked back at the war(s) and the Holocaust.

This program was first broadcast in April 2024.

As a child prodigy, pianist Ana-Maria Vera made her concerto debut when she was nine, going on to record and perform with some of the world’s great orchestras (Philadelphia, Cleveland, London Philharmonic, Baltimore Symphony). In a conversation recorded at the Australian Festival of Chamber Music, Ana-Maria tells Andrew Ford about spending her formative years on the stage, her significant musical relationships with violinist Ivry Gitlis and teacher Leon Fleisher, and how her organisation Bolivia Clásica brings concerts, festivals and workshops to places like the mountains of La Paz and the Uyuni salt desert. 

Guinea-Bissau is a small country with rich musical traditions. New documentary film Nteregu surveys the music of the country from pre-colonial and colonial times to present. Instruments like the kora, balafon (gourd resonated xylophone) and Tina (floating gourd percussion played by women) are featured, as well as the griots and musicians who pass on this music to the next generations. The film also looks to a hopeful future where the music is recognised for its cultural heritage and reaches far beyond West Africa. Andrew speaks to Manuel Loureiro, one of the film’s directors.

On the 25th of August, 1975, Bruce Springsteen released Born to Run, the "dividing line" of his career. Starting with the title track, written on the edge of his bed in a rented cottage in New Jersey, Born to Run signalled the arrival of Springsteen, and the E Street Band. 

A child of the Kennedy, King, and Malcolm X assassinations, Springsteen transformed classic rock and roll images - the road, the car, the girl - into something potent and virile that reflected the sense of dread in the air. 

Musician and academic Toby Martin and writer and critic Kerryn Goldsworthy join Andy to trace the arc of Born to Run's story through one violent night in the city, and the root system of its influences, from Roy Orbison, to the Bible, and West Side Story. 

The harpist Marshall McGuire is Chair of the Australian Music Centre. He made his name playing impossibly virtuosic music by modern composers, often pieces written specifically for him. He has worked with the ELISION Ensemble for 38 of the ensemble’s 39 years, and for most of the last decade was Director of Programming at the Melbourne Recital Centre. Marshall joins Andy in the studio to talk about the harp, working with composers and the future of artistic leadership.

For a long time, Molly Tuttle’s name has been synonymous with bluegrass music in the US. She was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year, and she’s taken home two Best Bluegrass Album awards at the GRAMMYs (in 2023 and 2024). But she has more to prove. Her brand new album So Long Little Miss Sunshine covers varied musical ground, and sees her bringing those bluegrass traditions into pop. She chats to Andrew Ford about her approach to guitar (flatpicking, clawhammer, fingerstyle), writing a murder ballad, and what it was like growing up in a family band.

Liz Pelly's book Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist has been received as an evisceration of the streaming platform and the way it has fundamentally changed the business model of music (to its own advantage) over the past fifteen years. Liz joins Andy to talk through her investigation and look at the future of music listening. 

And we remember American jazz singer Sheila Jordan who died this week at 96, and Australian jazz pianist and composer Judy Bailey who died last week at 89. We'll hear delightful snippets from their interview appearances on The Music Show about discovering jazz as children, choosing repertoire, and teaching the next generations.

It's Poetry Month and our Middle of the Air competition (run in collaboration with Red Room Poetry) is in full swing. Two of our listeners who submit the winning poems will have their words turned into songs and recorded by rapper/composer DOBBY and singer songwriter Leah Senior. Both musicians are on The Music Show to talk about their different approaches to word setting, their favourite lyricists, and how poetry has influenced their songwriting.

And The Melbourne Symphony Orchestra's Jaime Martín returns to The Music Show off the back of some guest conducting the Sydney Symphony. Andy and Jaime pick up where they left off, talking about Spanish music, French Spanish music, and orchestral leadership. 

Details of the Melbourne Symphony Orchestra's 2026 Season are available now.

Leah Senior plays The Tote in Collingwood on Saturday 23 August.

DOBBY's Warrangu: River Story is touring throughout August:

Wellington - 18 AugustBrewarrina - 19 AugustDubbo - 20 AugustLithgow - 21 AugustWarilla - 22 August

He also appears at the National Poetry Month Gala in Sydney on Thursday 28 August

Gregory Porter is becoming a harder and harder singer to pigeonhole. His voice is at home in gospel, blues, soul, and R&B, but the foundation of it all, he tells Andrew Ford, is jazz. Gregory and his band are returning to Australia soon and he joins The Music Show (from vacation in Mexico!) to talk about bringing strings and a choir into his music, maintaining optimism, and his tribute album to musical hero Nat King Cole.

Andy finds a moment at the Australian Festival of Chamber Music to speak with British clarinettist Michael Collins. After reaching the finals of the inaugural BBC Young Musician at the age of 16 he's had a formidable career on the concert platform. He's staying in Australia a little longer as he prepares to premiere Graeme Koehne's double clarinet concerto with Omega Ensemble in Melbourne. 

Jerrah Patston is a singer and songwriter who’s part of Club Weld—a Parramatta-based studio for neurodiverse musicians run by the Arts & Cultural Exchange. Jerrah’s music contains observations about his everyday life - from local construction sites, events being cancelled due to weather, and the time he went to a Paul McCartney concert and didn't hear Mull of Kintyre. Jerrah’s just released his third full-length album Abandoned Cricket Games and we’ll meet him, as well as one of his Club Weld mentors and songwriting collaborators, Sam Worrad.

Jon Rose and Hollis Taylor have been named as recipients of this year's Richard Gill Award for Distinguished Services to Australian Music, which will be conferred at the APRA AMCOS Art Music Awards in a couple of weeks. They join Andy to talk about their life together, bringing their violin skills to duets with pied butcherbirds and playing the fences of remote Australia like string instruments.