Susan makes sculptural textile work combining mixed-media practices with fabric and embroidery across digital and manual platforms. She exploits the physics of light as it interacts with the structure of the triangular embroidery thread. The light scatters in multiple directions off the sides of the thread, creating different tones and saturations of the base color. She also exploits the science of optics, relying on our brain’s ability to optically mix spots of color in close physical proximity. Further relying on the principles of color as taught by Joseph Albers and Johannes Itten et al, she exploits the vibratory effects of complementary colors and close saturation split complements. All of this creates a changeable optical environment activated by the viewer’s movement from side to side as they view the artwork. The viewer experience is one of puzzling beauty, playfulness and sometimes awe.