Bodies, money, voice, authenticity, musical inspiration, the actor’s job, and a Free Season of Theatre. All of that and more in 60 minutes with Dana Marks!
Dana Marks has generously agreed to be the first participant (or guinea pig!) in the Artist Soapbox ASK ME ANYTHING series. She covers a variety of questions in this episode both personal and professional, related to the past, present and future of Dana’s work and the work of her company Little Green Pig Theatrical Concern. (See the time break down below for the list of questions.) ASK ME ANYTHINGs pop up periodically featuring Triangle-area artists who are willing to answer questions submitted by listeners anonymously ahead of time.
Dana Marks is an actor, singer, director, and teaching artist, as well as the Managing Director of Little Green Pig. She studied Acting at The American Repertory Theatre/Moscow Art Theatre Institute and has performed across the U.S., and in Mexico, Russia, Italy, and Germany. Dana teaches acting at Duke University and has taught performance composition, voice, and Viewpoints at NC STATE, UNC-Chapel Hill, NCTC, and Open Mind Improv. She records and tours with the band, Curtis Eller’s American Circus, and is a guest singer with The Wiley Fosters, Berlin Brothers, and The Durham Street Piano Player. She is active as a director and actor with LGP, Honest Pint, Manbites Dog, Theatre Raleigh and other companies in the Triangle. Support Little Green Pig via their Patreon page: https://www.patreon.com/littlegreenpig
Artist Soapbox is a listener supported podcast. This episode is brought to you by the Soapboxers, the official patrons of the Artist Soapbox. If you would like to support this podcast, please get on the Soapbox. The podcast was recorded at the ASBX home studio.
Time Break down:
[0:00] Intro to episode, Dana’s bio
[2:24] Question 1: What is the best role that included nudity you’ve ever played and why?
[7:12] Question 2: Historically/Currently, there are fewer roles available to women actors as we age — how are you thinking about this as you plan the trajectory of your career? Does this mean that you’ll diversify your work or focus more on directing or teaching?
[10:41] Quick answer questions 3-11:
What are your theatre pet peeves?
Are you religious?
What’s it like to be married to another artist (Jaybird O’Berski)
How do you balance a partnership in life and a partnership in business?
What’s something you wish everyone did in rehearsal, backstage, and onstage?
Which play do you wish more people had seen?
Which play would you most like to remount?
Which show did you have the most fun in rehearsal/backstage?
What’s something every artist should learn or practice regularly?
[16:05] Question 12: What project or role are you most proud of and why?
[20:14] Question 13+: When did you start to find your artistic voice? Did it coincide with finding your personal voice? Is that the same voice? Is it a work in progress?
[23:29] Question 14: There was a play you guys did a couple of seasons ago in which you opened a letter, took in its meaning (as if you had never seen it before), and you crumpled into a weeping heap on the floor night after night. Plus you did it really well. How did you do that?