In this week's episode of the ArtTactic Podcast, Anders Petterson, founder of ArtTactic, joins us to discuss the art market in 2019 as well as highlight a few recently released ArtTactic reports. First, recaps the art market's performance in the first half of 2019 and shares ArtTactic's outlook for the autumn season. Then, he identifies some of the key findings from ArtTactic's inaugural Auction Guarantee report and explains what role guarantees have been playing in the market so far this year. Finally, Anders updates us on the ArtTactic Forecaster auction prediction platform, which has now recorded over 1.2 million forecasts.

In this week's episode of the ArtTactic Podcast, Freya Simms, CEO of LAPADA, joins us to recap last week's annual LAPADA Art & Antiques Fair in London. First, Freya tells us how the fair went and identifies some highlights that were for sale. Then, she gives her thoughts on the state of the broader antiques market and how the market has shifted over the past decade. Also, Freya discusses an interesting trend that has led eco-conscious shoppers to acquiring antiques over new furniture. Finally, Freya reveals how often people actually find hidden antique gems in their attics!

In this week's episode of the ArtTactic Podcast, Anne Rappa, senior vice president at Huntington T. Block, joins us to answer our questions on art insurance. First, Anne identifies and corrects some of the most common misconceptions about art insurance. Then, she reveals how climate change has impacted art insurance and if there has been a recent uptick in claims as a result of severe weather. Also, Anne explains the difference between blanket and itemized art insurance. Lastly, Anne offers advice to collectors who are trying to make sure they aren't over or under insured, especially considering the frequent changes in values in the contemporary art market.

In this week's edition of the ArtTactic Podcast, Victoria Stapley-Brown, former deputy museums editor at The Art Newspaper, joins us to discuss the state of museums in the US following the controversy surrounding Warren Kanders' resignation from the Whitney Museum board. First, Victoria shares if there is any consensus or even guidance regarding what is deemed acceptable sources of funding in 2019 for museums. Then, she touches on the level of nervousness museums are feeling on if these high-profile incidents may discourage philanthropy moving forward. Also, Victoria tells us if she expects the museum industry to make any drastic changes moving forward because of these controversies.

In this week's edition of the ArtTactic Podcast, Hannah Elliott, staff writer at Bloomberg News covering the luxury sector, joins us to recap the Monterey classic car auctions. First, Hannah breaks down the unfathomable auction blunder at Sotheby's for the Porsche Type 64. Then, she recaps the overall performance of the classic car market during the week and explains why some referred to it as a bloodbath. Hannah also reveals which carmaker is frequently dominating the market and explains why Asian car collectors haven't had an impact on the market yet.

In this week's episode, we're joined by professor Jerry Wind, the Lauder Professor Emeritus and Professor of Marketing at The Wharton School of the University of Pennsylvania and co-author of Can Art Aid in Resolving Conflicts. First, we discuss the recent news of Sotheby's being purchased and transforming from a publicly traded auction house to a privately owned business. Jerry explains some of the ways being a public company may have been prohibitive for Sotheby's. Also, he shares how he envisions their business evolving. Further, Jerry tells us how Sotheby's and its rival Christie's may compete against each other now that both are private firms. Then, we discuss Jerry's new book, Can Art Aid in Resolving Conflicts and he identifies some of the most notable examples of when art played a role in resolving conflicts or building bridges among opposing groups.

In this week's episode of the ArtTactic Podcast we speak with Nanne Dekking, founder and CEO of Artory, whose mission is to create a vast artwork registry. First, we ask Nanne about their partnership with Christie's and if they plan to partner with more auction houses moving forward. Then, he breaks down the competitive landscape in the artwork registry space and identifies the keys to being the surviving registry that the art world utilizes. Also, Nanne explains how much demand there is for this type of product at this moment and why that it will continue to grow moving forward.

In this week's edition of the ArtTactic Podcast we're joined by Meg Corcoran, a researcher at ArtTactic, focused on the Old Masters market, and a gallery manager at Stephen Ongpin Fine Art, a gallery specializing in Old Masters, 19th Century and Modern drawings and works on paper. First, Meg reveals the extent to which the Old Masters market is trending upwards the past few years. Then, she reveals how two recent blockbuster Old Masters sales, the da Vinci's Salvator Mundi and Caravaggio's Judith and Holofernes, has impacted the entire market. Also, Meg touches on what the industry is doing to try to attract young collectors and what opportunities uniquely exist in the Old Masters market.

In this week's episode of the ArtTactic Podcast, we chat with Gareth Harris, chief contributing editor at The Art Newspaper and contributor to the Financial Times, to help us recap the Venice Biennale and Art Basel. First, Gareth shares his thoughts on this year's the Venice Biennale and he identifies some of the most talked about artists included in this edition. Then, he discusses how Art Basel is different when it coincides with the Venice Biennale and specifically to what extent the Biennale influenced what galleries brought to Art Basel. Gareth tells us how strong sales were at this Art Basel and he even identifies some key sales from the fair. Lastly, Gareth reveals to us what other topics were being discussed by art market insiders at the fair.

In this week's edition of the ArtTactic Podcast we chat with Philippe Gellman, founder and CEO of Arteia, a technology platform that functions as collection management, provenance tracking and a marketplace for buyers and sellers. First, Philippe shares his vision for Arteia and what its role can be in the art market. Then, he explains what differentiates his platform from others that already exist in the art market. Also, Philippe reveals how they plan on building a marketplace where buyers and sellers can transact directly. Lastly, Philippe clarifies why they are using an initial coin offering to raise funds for the company.