In this week's episode of the ArtTactic Podcast, we're joined by four guests, Pierre Valentin, partner at Constantine Cannon, Tim Maxwell, partner at Boodle Hatfield, Craig Davies, partner at Rawlinson & Hunter and Fionnuala Rogers, art law consultant at Constantine Cannon, to discuss Brexit's impact on the UK art market. Specifically, we look at its potential effect on copyright, artist's resale right, VAT and the trade of endangered species. Each are contributors to a Brexit memoranda published by PAIAM, Professional Advisors to the International Art Market, a networking platform for professionals in the art market.

In this week's episode of the ArtTactic Podcast, Helena Real, head of the London office at the .ART Registry, joins us to discuss the new top-level domain created for the art world. First, Helena explains how they got access to the .art domain. Then, she argues why galleries, artists, auction houses, dealers and others in the art industry should switch from using a website ending in .com to .art. Also, Helena shares some metrics regarding how many and which influencers have adopted the .art domain.

In this week's episode of the ArtTactic Podcast, Nate Freeman, senior staff writer at ARTnews, joins us to recap last week's Frieze Art Fair as well as the major October contemporary auctions. First, Nate explains why this year's edition of the fair was particularly successful for exhibiting galleries. Then, he discusses the shift in power from galleries to blue-chip artists, who are more frequently calling the shots when it comes to including their artworks in galleries' booths. Also, for those who weren't able to attend Frieze, Nate identifies some of the most talked about artworks from this year's fair. Additionally, Nate shares some of the major takeaways from last week's contemporary auctions in London and speculates where the art market stands at the end of a busy week in London.

In this week's episode of the ArtTactic Podcast, Daniel Lever, co-founder and CEO of ArtRunners, an online startup focusing on art logistics services, joins us. First, Daniel discusses why the current process of finding art logistics is antiquated and in need of innovation. Then, he tells us about the services ArtRunners provides. Also, Daniel explains why ArtRunners will bring much needed competition between art logistics services.

In this week's edition of the ArtTactic Podcast, Vivienne Chow, award-winning journalist and culture critic at Variety, QZ and the South China Morning Post, joins us to discuss her recent article profiling a new generation of Chinese collectors. First, Vivienne shares some of the common qualities among the young Chinese collectors she profiled and explains what is motivating them to travel outside of China to expand their art exposure and education. Then, she explains why auction houses have served as the primary arts educational tool for Chinese collectors and to what extent this is now changing. Lastly, Vivienne considers how the Chinese art scene will be impacted by collectors expanding their collecting habits to beyond Chinese artists.

In this week's edition of the ArtTactic Podcast, Rob Sass, editor in chief of Porsche Panorama and contributor to The New York Times, joins us to recap last week's classic car auctions in Monterey. First, Rob explains the importance of the Monterey auctions as a barometer for the health of the classic car market. Then, he recaps some of the major takeaways from the sales and where the classic car market stands at this moment. Also, Rob talks about the expansion of the collector base over the past few years and he touches on if insiders are concerned that autonomous vehicles may negatively impact the future of the classic car market.

In this week's episode of the ArtTactic Podcast, we speak with Francesco Gibbi, founder of Lot-Art, an online portal that aggregates artworks upcoming for auction as well as after-sale opportunities. First, Francesco explains Lot-Art works and how it solves for the dilemma collectors and dealers face when trying to ensure they don't miss anything they desire upcoming at auction. Then, he shares some interesting art market trends based on aggregated data he has from his users. Also, Francesco shares with us why he doesn't charge his customers to use his site, but instead is content not profiting off of his platform.

In this week's episode of the ArtTactic Podcast we're joined by Dr Tim Hunter, vice president of Falcon Fine Art, an art financing firm. First, Tim walks us through how their clients obtain loans against their artworks. Then, he tells us about the type of collectors they target and the common reasons why they need capital from their artworks. Also, Tim explains how Falcon differentiates itself from competing art lenders and speculates on the future of the art financing space.

In this week's episode of the ArtTactic Podcast, we're joined by Francesco Bellanca, CEO of Feral Horses, a London-based platform that enables the buying and selling of shares of contemporary art. First, Francesco walks us through how the platform works and explains why he believes there is demand for the ability to transact shares of artworks. Then, he explains how they select the artists and artworks to include on the platform. Also, Francesco discusses what kind of returns investors should expect to earn on the platform.

In this week's episode of the ArtTactic Podcast, we're joined by Lisanne Skyler, writer and director of Brillo Box (3¢ OFF), a documentary film following an Andy Warhol Brillo Box sculpture as it makes its way from her family's living room to the auction block at Christie's. The film debuts on HBO on August 7th at 10 PM ET. First, Lisanne shares with us what kind of collectors her parents were to purchase the artwork in 1969 for $1,000 at a time when nearly the entire art world was critical of Warhol's new sculptures. Then, she tells us how many people foresaw Warhol's importance and eventual legacy in the 1970's when her parents sold the artwork. Also, Lisanne reveals why she believes the Brillo Box sculpture is such an important work in not only Warhol's oeuvre but also in American pop art. Lastly, she recounts her parents' emotions when they saw the Brillo Box sell at Christie's for $3 million.