This year marked some significant milestones in my life personally and with ASIP. It was our ten-year anniversary and with it came our Full Circle vinyl project. I didn’t think I would get around to doing this year-end mix given everything going on, but it’s always funny how and when inspiration strikes to pull something together. Sleepless, stressful nights, this mix provided me with just the right amount of reflection, and distraction for my insomnia. As with all of my ‘Reflection’ year-end mixes, I start with a long list of tracks and albums I have enjoyed over the year. By the process of putting together a mix that I feel flows well as per any other mix I put together, the songs are whittled down and selected. This means many of my faves are often omitted in the process. But as I say every year, this isn’t a definitive ‘best-of’ list, but an organic selection of some of my favorite music from 2018 in an enjoyable format, as a piece in itself. I subsequently put together a second 1.5 hours following this mix, but when I got into that territory, I started to wonder where I would actually stop... I found new releases I loved just this week, and wanted to revisit it all again. But, I was hard on myself to keep it to just this one mix - a 2hr journey through some of 2018’s finest. The mix spans many styles I love, touching on modern-classical, experimental, ambient, drone and electronica but the biggest omission (that is often included in previous years mixes) is much of the techno and dub-techno I’ve listened to. The mix didn’t go that way naturally, and then I ran out of time after giving myself a 2-hr limit. Here’s the quick rundown: Rhian Sheehan opens the mix as he does Full Circle, returning after several years away with a stunning new compositional album. Johnny Greenwood pricked my ears whilst watching You Were Never Really Here. Steve Good made it into the year-end mix once again with another solid ambient album. Poemme provided the light and tranquil vibes whilst Warmth added the density with another superb full-length. Mount Shrine lulled me to sleep on many occasions and Hotel Neon offered some of their best work to date. Abul Mogard never disappoints and r beny should be held to a similar superlative given his great work this year. Acronym & Korridor brought their rare tape to the digital realm. Laura Luna Castillo was a lovely new find for me with a varied experimental album. Indulging in the Field Works boxset this year, I struggled to only offer one track out of the bunch. Grand River finally put out her album opus after several strong EPs. Richard Devine blew our minds with a crazy piece of IDM - as expected. Diamondstein tag-teamed with Sangam for a future-facing journey and 36’s Patreon subscription continued to provide some of his best work yet. Vril hit us with one of the years bets ambient techno albums on Delsin. One of this years biggest surprises probably goes to Skee Mask dropping his genre-traversing rave inspired album. Wanderwelle created one of the years most unique sounding storied albums. Helios, came back to the ambient fray with his debut on Ghostly and a more nostalgic melancholic album. DJ Healer was likely one of my most-listened to albums of the year for the lo-fi reflective nature of his sound and a definitive soundtrack to my trip to Tokyo. Ocoeur continued to innovate his varied production approach for n5MD and Rival Consoles perfected his upfront electronic sound on Erased Tapes. A dream duo in Synkro and Arovane lived up to the hype of both, and The Black Dog’s two albums reminded us all of their mastery and depth. Inner River lead Atomnation’s 2018 output and Jon Hopkins will be topping many lists no doubt. Lastly, Mysteries of The Deep launched their label with an amazing roster, and presented us with Lori Scacco, who rounds out the mix on an uplifting note. To see all the music I’ve enjoyed this year and many great pieces I didn’t manage to fit into this mix, just head ov