We’ve given a recap of our label releases this year and now it’s time to reflect on some of the music I’ve enjoyed listening to in 2019. “What an amazing year for music”. I feel like I could say that every year, but really, every year has great music if you dig deep enough. But this year especially, music seems to have taken on a new lease of life and ramped up a notch in terms of output and velocity - in my world at least. If I had to guess as to why, it might be because Bandcamp is becoming more and more ubiquitous for independent artists and subsequently a daily visit for listeners like me. This ubiquity has meant a) more people getting their music out into the world, b) easier ways for people like me (who want to) to support the music we enjoy and c) new labels capitalizing on a distribution process that until a few years ago, was very hard to stand up. 2019 even played host to the mighty Radiohead embracing the Bandcamp platform with ~18,000 (last time I counted before it was removed) purchasers of their unreleased OK Computer Outtakes album at a minimum of ~$23-a-pop. That’s a crazy sum for purchased music. There’s also Buy Music Club, launched by Avalon Emerson, which (technically launched at the end of 2018 but was fully embraced this year) seems to have been used by many notable DJs using it to link to music played in their sets (you can find this Reflection on 2019 mix in a list below). And lastly, Bandcamp themselves, through their Bandcamp Daily platform, have done an almighty job of stepping up their editorial game spotlighting music on the platform through a constant stream of style/genre specific breakdowns. The clichéd music industry in-depth ‘album review’ seems to have been flipped to keep up with this increased output too, turning into an equivalent wade through micro-genres, bringing people a choice of obscure styled albums in the same vein. It’s hard to find the extended narratives on one album nowadays it seems… All this to say that it’s encouraging to see a model that goes some way to working for independent artists, labels and listeners, getting more out into the world.Now, to wade through some (some) of it. As with all of my ‘Reflection’ year-end mixes, I start with a long list of albums I have enjoyed over the year. Often hundreds. Through the process of putting a mix together that flows well, the songs are whittled down and selected from each album. This means many of my favorite tracks are often omitted in the process (even favorite tracks from a favorite album). But as I say every year, this isn’t a definitive ‘best-of’ list, but an organic selection of some of my favorite music from the year in a listenable format - it’s the most enjoyable way for me to boil down music I’ve loved from the year using these self-imposed restrictions. Use the mix to jump off and explore more from each artist and album.This year’s mix ended up being primarily ambient, but with an unexpected ending. The last few yearly Reflection mixes have tended to switch-up gears throughout the mix and cover some of my other musical loves like; electronica, IDM, techno etc. But this time around, I found myself with a (roughly) two-hour ambient-leaning mix before I even came up for air. I debated stopping there (and have provided an MP3 version below to download just the ambient portion should you prefer your music more horizontal), but the full mix went on…The initial two-hour ambient chapter of the mix is followed by a series of tracks that you could say are a nod to the early years of rave and the chill-out rooms; an alternative ‘retro-feeling suite’. This 90’s sound seems to have made a big impact on 2019 across many genres, from rave-inspired breaks in House and Techno, to Jungle and Balearic back in the game- the 90’s sound seems to be having its moment (or does it every year?!). I wanted to capture a snapshot of it here as I noticed a trend in what I was listening to. On hindsight, the mix ended up like a backwards 90’s