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Jeremy Ayers' recent pottery is about elemental relationships between form and surface. Jeremy has simplified his color scheme and is rejecting a colorful glaze palate. This allows textural and visual contrasts between the glaze, raw clay and form to be highlighted. Contrasts between sharp lines of glaze and the repetitive forms puts a sharp focus on both elements. The exposed clay is presented on equal footing with the glazed surface. The white glaze flashes the exposed clay body, warming the raw clay surface. Jeremy's focus with this recent work is to make pottery that is about pottery. He loves the raw clay of an atmospheric firing, but his work is fired in oxidation.
By Paul Blais4.9
527527 ratings
Jeremy Ayers' recent pottery is about elemental relationships between form and surface. Jeremy has simplified his color scheme and is rejecting a colorful glaze palate. This allows textural and visual contrasts between the glaze, raw clay and form to be highlighted. Contrasts between sharp lines of glaze and the repetitive forms puts a sharp focus on both elements. The exposed clay is presented on equal footing with the glazed surface. The white glaze flashes the exposed clay body, warming the raw clay surface. Jeremy's focus with this recent work is to make pottery that is about pottery. He loves the raw clay of an atmospheric firing, but his work is fired in oxidation.

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