Why don’t people care about the blues anymore?
 
We applaud guitarist Joe Bonamassa’s heroic tribute B.B. King Blues Summit 100, celebrating what would be the King of the Blues’ 100th birthday, but have to ask, ‘Why?’
 
We parse through our conflicted feeling about the state of the blues; is the blues a dead genre and did white people kill it?
 
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We check out a new song called "Thick Neck" by rapper/guitarist Ando San.

We're intrigued by Ando San's whole vibe, his metal vocalist-turned-rapper transition and whether or now he's a cat guy.

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We break down a pair of tracks from a relatively unknown but charismatic Queens, New York-based rapped called Young Cardamom.
 
This Indian-American emcee dropped a flurry of songs with great-looking visuals about a decade ago. Two, in particular, “#1 Spice” and “Nani,” caught our attention this week.
 
But it’s been years since Young Cardamom released any new music. What happened to him?

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Andrew and Dominique know almost nothing about D’Angelo, so if they didn’t do a D’Angelo episode now, they might never learn.
 
We enlist LiteFM midday host and National Black Radio Hall of Famer Helen Little to help fill in the gaps in our knowledge.
 
Helen has worked at heritage R&B radio stations in both New York and Philadelphia since the '90s. She was in on the proverbial ground floor of D'Angelo's pop career, met him numerous times and has a strong connection to his first two studio albums.

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(Episode 42.)

We discuss the anomaly that is the 1993 stop-motion animated film The Nightmare Before Christmas — a gothic Halloween musical comedy for children that hinges of themes of death, depression, belonging and the Christmas spirit.
 
Extraordinarily offbeat and original, Nightmare has inspired generations of people with its music, aesthetic and lesson of embracing what makes each of us unique.
 
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This bonus episode is a loving tribute to the greatest and one true Halloween song.
 
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(NOTE: Andrew is of course referring to “Superstition” by Stevie Wonder when he says “Supernatural.” He is humiliated.)

We dive into John Lennon and Yoko Ono’s powerful 1972 statement on political violence, “Sunday Bloody Sunday,” which has just been re-released in a gigantic (potentially evil capitalist) box set.
 
Dominique rants about commercial art versus performance art, and we discuss Yoko Ono’s immense impact on the latter.
 
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U.K.-based rockers Dinosaur Pile-Up returned this year after a lengthy absence to remind us that contemporary rock music can deal with serious topics and be fun at the same time.

DPU singer-guitarist Matt Bigland re-evaluated much of his life and his choices during a hospital stay in 2021. Once healthy again, Matt recommitted himself to his music and his band. This past August, Dinosaur Pile-Up returned with its first new album in six years, I've Felt Better.

On this episode, we dive into the album's first single and lead track, "'Bout to Lose It."

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April Kae returns to the show to join the conversation around Cardi B's AM I THE DRAMA? album.

We discuss the high and low points of Cardi's highly-anticipated, 24-track (!) divorce album, her unending charm and how she constantly finds ways to push boundaries of pop music. 

April explains the debt she owes to Cardi B's "Up," as well as the challenges she’s faced while developing her own music and how a breakup clarified her vision for her music career. She also makes an "official" announcement about what's next for her solo music. 

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(Episode 41.)

We check out the recent single "Hiding in Plain Sight" by the L.A.-based metalcore band Holywatr.

Andrew has highly conflicting feelings about the band, but it's right up Dominique's alley. 

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