At First Listen

U.K.-based rockers Dinosaur Pile-Up returned this year after a lengthy absence to remind us that contemporary rock music can deal with serious topics and be fun at the same time.

DPU singer-guitarist Matt Bigland re-evaluated much of his life and his choices during a hospital stay in 2021. Once healthy again, Matt recommitted himself to his music and his band. This past August, Dinosaur Pile-Up returned with its first new album in six years, I've Felt Better.

On this episode, we dive into the album's first single and lead track, "'Bout to Lose It."

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April Kae returns to the show to join the conversation around Cardi B's AM I THE DRAMA? album.

We discuss the high and low points of Cardi's highly-anticipated, 24-track (!) divorce album, her unending charm and how she constantly finds ways to push boundaries of pop music. 

April explains the debt she owes to Cardi B's "Up," as well as the challenges she’s faced while developing her own music and how a breakup clarified her vision for her music career. She also makes an "official" announcement about what's next for her solo music. 

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(Episode 41.)

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We check out the recent single "Hiding in Plain Sight" by the L.A.-based metalcore band Holywatr.

Andrew has highly conflicting feelings about the band, but it's right up Dominique's alley. 

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We add some context to Hayley Williams' landmark third solo album, Ego Death at a Bachelorette Party, discuss why it's a step into uncharted territory for her and what it means for the future of Paramore.

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(Episode 40.)

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We're talking about a single from Blood Orange's new album, Essex Honey.

We marvel at the mulit-instrumental talent of songwriter/producer Dev Hynes and we discuss the pitfalls and freedoms that comes with being a true solo artist.

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Spotify is using weird rules to fine and de-platform independent artists from its service — are these honest mistakes or is something more nefarious going on?
 
Last week, Andrew’s band, One Hundred Thousand, got a notice from its distributor that one song from its 2021 album was flagged for “bot activity” and that the entire album was therefore being removed from Spotify, and all other digital streaming services as a penalty.
 
No one at Spotify appears to be concerned enough to respond to our requests for help and there is no apparent appeals process for artists who say they had nothing to do with the alleged bots.
 
OHT is not alone.
 
A number of independent artists are complaining that the world’s largest digital streaming music platform is throttling them for “bot activity” on their catalogs, removing their music and charging them bogus penalties.
 
Reddit is filling up with threads on the subject, and Spotify’s silence is only fueling belief that this is part of the company’s strategy to gradually replace independent music with A.I.-generated slop to reduce royalty payouts and bolster its profits.
 
Please share your thoughts with us via Instagram @AtFirstListenPodcast.
 
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(Episode 39.)

On the eve of the release of the new Deftones album, private music, we’re breaking down the band's “milk of the madonna" single.
 
Andrew and Dominique ask where the line is when it comes to an artist rehashing their ‘classic’ sound, and how private music is bound to be the quintessential Deftones album for the new generation of fans who just recently discovered the band and elevated the Deftones to arena-level.

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We highlight progressive metal band Kallias' latest single, "The Final Cleansing," the day their new album, Digital Plague, arrives on all streaming platforms.

Andrew and Dominique dive into the many layers of "The Final Cleansing," how the song ebbs between cinematic intricacy and straightforward slam.

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We honor the work of Ozzy Osbourne, who passed away this week at age 76.
 
Andrew and Dominique give Ozzy his flowers for being a much greater singer, performer and ambassador for rock and heavy metal music than people realize. 
 
We talk about the grim circumstances that led to Ozzy co-founding Black Sabbath with Geezer Butler, Tony Iommi and Bill Ward, and we consider how Satanic panic unwittingly fueled the band’s rise in the ‘70s.
 
We stop down on some highlights from Ozzy’s incredible solo career and consider how music history would have been different had his widow and longtime manager Sharon Osbourne not entered the picture.

Also, we consider how perfectly Ozzy exited, from his revelatory final performance in Birmingham, raising $200 million for charity, and seeing all of his friends one last time.

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(Episode 38.)

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We surf with The Beach Boys in memory of the band’s late mastermind Brian Wilson, who passed away in June at age 82.
 
Andrew discusses his longstanding curiosity about The Beach Boys, while Dominique explains how one of the squarest bands of the ‘60s was an element of her teenage rebellion in the ‘00s.
 
We discuss why coolness has always eluded the Beach Boys and where the band's legacy stands today.
 
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(Episode 37.)

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