Many might say that a "showgirl" is a very specific thing, and that you can't just walk around calling any celebrity you feel like a "showgirl..." here on The Lizard Review, I DO EXACTLY THAT!!!!!! In preparation for Taylor's new album The Life of a Showgirl, come with me on this mega episode as I talk about what exactly a showgirl is (or isn't) in my eyes, which albums and artists are the perfect vibe to get you in the mood for the new album, AND the best movies to watch for the showgirl teas.

Playlist on Spotify // Apple Music

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One of the most compelling songs on the Tortured Poets Department happened to be the final song - a tale of women in history who have risen to prominence and fame and have experienced all of the wonderful and terrible things that go along with them. Clara Bow was an interesting enough song as its own, but with the reveal of The Life of a Showgirl being the next album, like Carrie Bradshaw I just simply couldn't help but wonder : was Clara Bow one of the catalysts for the direction of this next album?

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Will this year's MTV Video Music Awards be, as the kids say, a "flop summit"? Following a lukewarm eight months of music for 2024, one could say it wouldn't necessarily be surprising...breakdown all of the nominees for this year's award show with me, including some Taylor Swift ts12 predicting (of course) and some ranting and raving about how excessive lawn mowing is ruining the earth. THANK YOU!

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One of the most important rituals of any stan is the process of "ranking" things. Anything and everything. Outifts, albums, lead singles, cats, romantic partners, and, of course, songs. Judging by the title of the episode you may be thinking you are about to experience yet another one such ranking - from the top at number one, all the way to the bottom. Sadly, this is not the case. Consider this my official retirement from attempting to rank even just my personal favorite Taylor Swift songs.

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A question that haunts every single person about at least one band or artist that they used to love : what happened? In the longest episode of The Lizard Review yet, I go through four different examples of four VERY different artists who all have only one thing in common - they once were considered great artists, and now no longer are. Some of them become cheesy, some of them sell out, some of them grow up, some of them turn evil, and some of them just simply cannot recreate the magic that made them great in the first place. There are some hot takes in this episode, but I'm standing on business...

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The latest in my series about the albums that made me into who I am - this is about an album that made me feel very far away from wherever I didn't want to be when I was a kid. It's an album that made me dream of beaches and oceans and piers and highways along the coast that I had never been to before, an album that made me feel like life was sunnier than it seemed, and most importantly, an album that has the only song I've ever found that I actually like that has MY name in it. It's another one of the albums that means the absolute most to me, and it's one of the few on the list that was written by a man.

Playlist on Spotify // Apple Music

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The 4th of July is many things...the most important is that it's a celebration of the day I got married, but the SECOND most important thing is that it's a celebration of the start of summertime. And what more perfect way to kick off summer than doing a lyrical analysis of Taylor Swift's best summer song - Cruel Summer.

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A lot of people seem to seriously, seriously think so. In this episode, I go into a biigggg discussion on why people feel that way, her newest song and album cover, and whether or not there's ANY credence to this claim whatsoever. PLUS : we get into Pitchfork's MISERABLY negative review of Benson Boone's newest album American Heart, and discuss a little bit of Addison Rae and a little bit of Jensen McRae.

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Is love truly the only thing that can save us in the end? That is the question posed by the four songs we're comparing and contrasting today in this lyrical analysis - Guilty as Sin and Fresh Out The Slammer by Taylor Swift, and Stained Glass Window and Silver Ford by Sunday (1994.) What do these songs have in common? What does Taylor have in common with the band? How does their songwriting differ from one another's? Who the f**k was that guy???? The answers to these questions AND MORE are lying in wait for you in this mega analysis.

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On a fateful autumn day this last September I encountered a brand new band who had only yet released a nine song EP. They were mysterious, different, talented, and had some of the most specific and interesting branding I've seen from any other bands I've discovered so far this decade. That nine song EP quickly jumped up to one of my most played albums of the year, so naturally when they went on tour I simply had to be there no matter what and no matter where....but I never could have imagined just how amazing the experience would be. Here's my story of meeting the greatest band - that you WILL be hearing a lot more of and soon - on their debut headlining tour.

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