My trip abroad and beyond was filled with many happenstances including roaches, pizza, and a Polaroid to heal old wounds...but now that I'm finally back from a long workation, it's finally time to get myself back into the official mindset of SHOWGIRL. Shift with me back into Showgirl and Swiftie mode as we talk about the most recent developments in the world of the new record including the theatrical release and the Target exclusive edition of the record, and then finish it off with a deep dive on Halsey's interview with Zane Lowe.

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In honor of there being a very huge pop record coming out in the next couple of weeks (I wonder to what I refer...) I decided to reflect on some of my favorite pop records of all time and also attempted to "rank" them, even though ranking is an evil word here on The Lizard Review.

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When a song is just soooo good you have to LIB OUT!!!!!!! Hayley Williams surprise released a 17-song confection with no official title on her website - it was completely contextless, and we all dove into the tracks not knowing quite what to expect : one of the absolute best ways to engage with new projects. The songs are full of twists and turns, different spheres of influence, multiple complexities, and they contain some of Hayley's best solo work that she's ever done. Out of all the 17 songs, I do have a personal favorite, and it happens to be the one that has the most to say....here's a lyrical analysis of Hayley Williams' TRUE BELIEVER.

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Many might say that a "showgirl" is a very specific thing, and that you can't just walk around calling any celebrity you feel like a "showgirl..." here on The Lizard Review, I DO EXACTLY THAT!!!!!! In preparation for Taylor's new album The Life of a Showgirl, come with me on this mega episode as I talk about what exactly a showgirl is (or isn't) in my eyes, which albums and artists are the perfect vibe to get you in the mood for the new album, AND the best movies to watch for the showgirl teas.

Playlist on Spotify // Apple Music

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One of the most compelling songs on the Tortured Poets Department happened to be the final song - a tale of women in history who have risen to prominence and fame and have experienced all of the wonderful and terrible things that go along with them. Clara Bow was an interesting enough song as its own, but with the reveal of The Life of a Showgirl being the next album, like Carrie Bradshaw I just simply couldn't help but wonder : was Clara Bow one of the catalysts for the direction of this next album?

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Will this year's MTV Video Music Awards be, as the kids say, a "flop summit"? Following a lukewarm eight months of music for 2024, one could say it wouldn't necessarily be surprising...breakdown all of the nominees for this year's award show with me, including some Taylor Swift ts12 predicting (of course) and some ranting and raving about how excessive lawn mowing is ruining the earth. THANK YOU!

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One of the most important rituals of any stan is the process of "ranking" things. Anything and everything. Outifts, albums, lead singles, cats, romantic partners, and, of course, songs. Judging by the title of the episode you may be thinking you are about to experience yet another one such ranking - from the top at number one, all the way to the bottom. Sadly, this is not the case. Consider this my official retirement from attempting to rank even just my personal favorite Taylor Swift songs.

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A question that haunts every single person about at least one band or artist that they used to love : what happened? In the longest episode of The Lizard Review yet, I go through four different examples of four VERY different artists who all have only one thing in common - they once were considered great artists, and now no longer are. Some of them become cheesy, some of them sell out, some of them grow up, some of them turn evil, and some of them just simply cannot recreate the magic that made them great in the first place. There are some hot takes in this episode, but I'm standing on business...

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The latest in my series about the albums that made me into who I am - this is about an album that made me feel very far away from wherever I didn't want to be when I was a kid. It's an album that made me dream of beaches and oceans and piers and highways along the coast that I had never been to before, an album that made me feel like life was sunnier than it seemed, and most importantly, an album that has the only song I've ever found that I actually like that has MY name in it. It's another one of the albums that means the absolute most to me, and it's one of the few on the list that was written by a man.

Playlist on Spotify // Apple Music

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The 4th of July is many things...the most important is that it's a celebration of the day I got married, but the SECOND most important thing is that it's a celebration of the start of summertime. And what more perfect way to kick off summer than doing a lyrical analysis of Taylor Swift's best summer song - Cruel Summer.

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