Back in America

In this provocative episode of Back in America, we sit down with Dr. Patti Fletcher, author of “Disruptors: Success Strategies for Women Who Break the Mold.” Dr. Fletcher challenges traditional notions of empowerment and exposes the systemic barriers holding women back in 2024 America. Drawing from her personal journey—including her family’s legacy of overcoming adversity during the Armenian genocide—she reveals why true disruption requires efficiency, effectiveness, and equity. Listen as Dr. Fletcher explains why she can’t stand the word “empower,” how women can harness their own inherent power, and what it takes to break free from antiquated status quo. If you’re ready to rethink leadership, gender dynamics, and the very language we use around women’s advancement, this episode is a must-listen.

Find Dr. Patti Fletcher's book - Disruptors: Success Strategies for Women Who Break the Mold, on Amazon
Read Back in America's exclusive interview with Dr. Patti Fletcher on Sustack. 

In this episode, we sit down with Alvaro de Cozar, an award-winning journalist and podcast producer, to explore the power of storytelling in a time of political upheaval and misinformation. I talk with Alvaro about his story and podcast episode on Aquilino Gonell, a Dominican immigrant, former U.S. Army soldier, and U.S. Capitol Police officer who defended the Capitol during the January 6th insurrection. Gonell’s journey from pursuing his American dream to confronting its harsh realities offers a profound reflection on democracy, truth, and what it means to be an immigrant in today’s America.

Alvaro, who has a knack for unraveling amazing stories, discusses his approach to bringing stories like Gonell’s to life through his hit podcast, “True Stories,” which has captivated millions of listeners worldwide. He explains the challenge of making such a deeply American narrative resonate with a global audience and his efforts to combat the rewriting of history in a time where truth is often under siege. Join us as we uncover the emotional depth, universal appeal, and raw power of telling the real story behind the headlines.

Listen to discover how Alvaro crafts stories that challenge perceptions, inspire empathy, and hold power to account in an era when every narrative is contested.

Sources:

Hechos Reales 

Video shows Trump's role in Jan. 6 at 2024 Democratic National Convention

American Shield: The Immigrant Sergeant Who Defended Democracy

In this episode of Back in America, we confront one of life’s most challenging realities—caring for a dying loved one at home. Join us as we talk with Dr. Andrea Sankar, professor of medical anthropology at Wayne State University and author of Dying at Home: A Family Guide for Caregiving. Drawing from her experience and extensive research, Dr. Sankar offers profound insights into the emotional and logistical complexities of turning a home into a sanctuary for end-of-life care. Learn about the cultural perspectives on death, the crucial role of community support, and practical advice for caregivers. This heartfelt conversation is a reminder of the importance of compassion and the deep connections that can be forged in the final stages of life. Listen in to gain valuable understanding and support, whether you’re a caregiver, healthcare professional, or someone looking to learn more about end-of-life care. Don’t miss this enlightening discussion, and be sure to subscribe for more impactful stories.

In this episode of “Back in America,” we sit down with Tamar Huggins, founder and CEO of TechSpark, a platform empowering Black, Indigenous, and people of color through technology education. Tamar shares her journey from building computers with her father to launching Sparkplug, an innovative AI tool that translates classical literature into African American Vernacular English (AAVE). We explore the critical issues of AI bias, the importance of diverse training data, and how education can bridge gaps in tech. Tamar explains why she considers Sparkplug a “human AI” and discusses her mission to make technology accessible and inclusive for all students.

In this episode of Back in America, host Stan Berteloot interviews acclaimed journalist Brendan Koerner about his undercover investigation into the world of OnlyFans, a platform that connects adult performers with subscribers, through his Wired cover story - 'She has 80,000 subscribers but she always has time for you'. Koerner reveals the hidden workings of the platform and the surprising reality of its chat services. From his initial encounters to becoming an undercover chatter himself, Koerner exposes the intricate business operations and psychological dynamics that drive OnlyFans. Tune in to uncover the truth about the creators, their chat specialists, and the emotional connections forged in this digital age.

Read the article on the Back in America's Substack blog

Hey everyone, Stan Berteloot here, your host of the Back in America podcast. After a long two-year break, we’re back with fresh, insightful episodes exploring American culture, values, and identity through the eyes of an expatriate.

I’ve been busy working with amazing companies like NeuTigers, Pontosense, and Nytro Marketing, and staying active with Share My Meals, fighting food waste. The world has changed since COVID-19, and so have I. The Me Too movement, Black Lives Matter, and climate change have profoundly impacted me.

We’re back with new interviews, amazing guests, and fascinating stories. Episodes will be released monthly. Meanwhile, check out previous favorites like “Diving on Shipwrecked Slave Ships” and “John Lam: Boston Ballet Principal Dancer.”

Check out AI in Marketing my personally curated and AI-Generated podcast

Share the news, tell your friends to subscribe, and see you soon!
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This episode was originally published on December 17, 2020

In this episode, I interview three crew members of the EPIX / BBC docuseries Enslaved: The Lost History of the Transatlantic Slave Trade.

While 2020 has been a year of intense examination of racism in response to the Black Lives Matter movement, Enslaved takes a deep dive at the historical realities of the Middle Passage. Starring Samuel L. Jackson, The Guardian’s Afua Hirsh, and investigative journalist Simcha Jacobovici, the series travels across the globe to sites of slave ships to uncover what these sunken graveyards can reveal about life onboard––lives of which there is little historical record or archive. 

Our first guest is the British marine archaeologist Dr. Sean Kingsley who served as a historical advisor to the series’ diving crew.

Then two of the divers will join me: Kinga Philipps and Kramer Wimberley.  An award-winning journalist, writer, TV host, and esteemed member of the Explorer’s Club, Kinga provided a European perspective to the shoot, and also was one of the few non-Black divers for Enslaved. Next, Kramer will introduce himself as the series’ lead diving instructor who also leads “Diving with a Purpose,” a maritime archaeology program that protects the legacy of the Transatlantic slave trade shipwrecks.

Each of the three interviews was broadcasted live and can be watched in full on the Back in America’s YouTube channel.

As I conducted these interviews, I wanted to understand two things. First, what did diving on the wrecks of slave ships us about the history of the slave trade. Then, I wanted the divers to speak about their own experiences as they dived and explored these sunken mass graves, especially in light of recent activism in America.

Dr Sean Kingsley Wreckwatch Mag 

Kramer Wimberly Diving With a Purpose

Kinga Philipps

Back in America is a podcast exploring America’s culture, values, and identity. This conversation was recorded live on September 17. You can watch the unedited version on our Youtube channel. 

Listen to this episode to learn more about the release of the Pentagon report on UFOs to Congress. The importance of cosmos exploration. The chances of finding extraterrestrial life in our lifetime.

After taking a long summer break during which my intern Josh Wagner took over Back in America with his excellent series Poetism I am happy to be back behind the mic.

My guest, Seth Shostak is a Doctor in Astronomy, and an Alien Hunter working with the SETI Institute, a research organization whose mission is to explore, understand, and explain the origin and nature of life in the universe. In fact, SETI stands for the "search for extraterrestrial intelligence". He has published more than 400 articles on science including regular contributions to NBC News MACH, gives many dozens of talks annually, and is the host of the SETI Institute’s weekly science radio show, “Big Picture Science.” 

During our conversation, he said, “The equipment is getting faster and faster. We're looking at more and more of the universe. And on that basis that I've bet everyone a cup of Starbucks coffee, that we will find some evidence that we're not alone by 2035.

The SETI Institute https://www.seti.org/

Dr. Soth Shostak http://sethshostak.com/

The Big Picture Science Podcast https://radio.seti.org/

If the particular cannot be repeated, it remains forever lost; and this is why there can be no final closure to mourning. There can only be, alongside of mourning,​ learning to love new particulars ––Louise Fradenburg

In this week’s installment of “Poetism,” we’d like to ask about how words, poems, songs, and other kinds of art objects help bring life to a world. And by world, we mean a perspective, something experienced and understood in the innermost part of our being. Whether faced by inner solitude or loss, words attempt to communicate a state of affairs. But do they have to? Is there a way of placing listeners and readers directly into an experience without only describing it? Are there more direct ways of touching or “worlding” or elegizing? Or, in the words of this week’s poet, a moment: “Stands, the way a status / does in the mind.​​

Perhaps! And it is in this great abyss of a perhaps that this episode takes off. Our working theory is that the sonic qualities of words, and of language in general, can help transmit moods and sensations without the need for specific meanings. To ask such questions, Josh is joined by his college roommate Scott Stevens, a recent English graduate of Stanford University (and incoming Fulbright Scholar) who also speaks in Japanese and French. And, in the course of their dialogue, Scott they are assisted by the Cocteau Twins’ 1984 track “Amelia” off of Treasure as well as Brigit Pegeen Kelly’s “Field Song” from the collection Song (1995).

Over the course of their conversation, Scott and Josh touch upon the uniqueness of sound as a medium of communication, their difficulties of listening to the lyrics of a song, and poetry’s collective oral tradition.

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For more Poetism, stay tuned for next week’s two-part series finale on Rachel McKibbins, blackface, and FKA twigs.

The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ.

These lines, from the opening pages of Oscar Wilde’s The Picture of Dorian Gray, emphasize unseen background noises as constituting an environment. The bees, working through the grass, create the biological condition of possibility for nature and the world, especially in their unseen state. And, so too, does the roar of London create the background chatter that allows the plot of the novel to take off. In this week’s installment of Poetism, we’d like to ask a similar question about our own age: what is the background noise that has made all this––society, labor, world–– possible?

Michael Leon Thomas, a professor of philosophy at Susquehanna University, joins Josh in the studio to tackle the vicissitudes and interisies of Alfred North Whitehead’s conception of philosophy alongside Pharoah Sanders’ 1973 album Izipho Zam, particularly the 28-minute titular track which closes the album. For Whitehead, a worldview is always in the process of emerging, and our language needs to follow suit. A reformed logician, Whitehead balks against a wholly systematic view of philosophy, suggesting that it is in the gaps, silences, and wetness of philosophy that something happens.

And to figure out what this something might be, we turn to Pharoah Sanders’ enigmatic, if expansive, composition which traverses through various languages, instruments, and cosmologies. The bandleader himself cannot be heard until the last third of the track, creating and leaving space (a society?) in which music creation can happen. In other words, it’s a slow reconditioning process.

Along the way, Michael and I talk about why he’s decided to spend his life with philosophy, how experience feeds into our listening habits, the postcolony of American, and why philosophy might have more in common with poetry than one might assume.

To read more about Michael’s work on music, check out an interview in Aesthetics with Birds.

Here is the 2016 Pharoah Sanders performance mentioned in the episode.

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For Poetism, stay tuned for next week’s episode on Brigit Pegeen Kelly and the Cocteau Twins with Scott Stevens