This is a re-release of an earlier episode as it is timely for band directors!

Looking for the perfect spring concert piece for your beginner band? In this episode of Band BFFs, we review two crowd-pleasers—Tambora by William Owens and Alpha Squadron by Greg Hillis—that are fun, accessible, and sound impressive on stage. Tune in to hear why your students will love them and how to make the most of each piece.

In this episode of Band BFFs, the hosts dive into March of the Hobgoblins by Randall Standridge, a fun, march-like Grade 1.5 in 6/8 that they love as an introductory compound-meter piece. They highlight its strong teaching value for 6/8 feel, accents, chromaticism, and form, plus its energetic writing, important timpani part, and mischievous character that makes kids want to play it.

In this episode of Band BFFs, the hosts dive into Skedaddle by Timothy Loest, a fast, high-energy Grade 2 piece in concert E♭ that’s full of ostinatos, sharp dynamic contrasts, and layered textures kids will love. They highlight its fun percussion writing, strong teaching value for rhythm and balance, and how quickly it comes together once students lock in the main ostinato pattern.

In this episode of Band BFFs, the hosts dive into Cumbia by Jorge Vargas, a colorful Grade 1.5 Latin chart in concert B♭ where style and groove matter more than difficulty. They stress percussion depth, clean articulation, and rhythmic independence.

In this episode of Band BFFs, the hosts dive into Above and Beyond by James Swearingen, a short concert E♭ fanfare that sounds impressive without extreme demands. They focus on phrasing, quick dynamic contrasts, and its accessibility for younger or non-varsity bands.

In this episode of Band BFFs, the hosts dive into Squirrel Chase by Carol Brittin Chambers, a playful concert B♭ gallop packed with sound effects, driving percussion, and crisp dotted-eighth/sixteenth style. They highlight storytelling, style, and why it’s a guaranteed crowd-pleaser.

In this episode of Band BFFs, the hosts dive into Triumphs by Joshua Hinkel, a fast concert B♭ fanfare with bold brass, a lyrical middle section, and strong opener/closer potential. They emphasize articulation, balance, and shaping long phrases.

In this episode of Band BFFs, the hosts dive into Whispers in the Wind by Robert Sheldon, a gorgeous Grade 1 lyrical piece in concert B♭ (about 2 minutes) that’s perfect for teaching phrasing, balance, and mature tone. They highlight its simple scoring (no split parts, limited percussion) and share rehearsal tips like shaping “4 leads to 1,” training staggered breathing, and listening for the moving line to keep sustained parts musical.

In this episode of Band BFFs, the hosts dive into Union March by Mekel Rogers, a bite-size (about 1:15) concert E♭ march in 2/4 that’s perfect for teaching classic march roles—melody, countermelody, and motor—without split parts or heavy percussion. They share quick rehearsal wins like keeping notes resonant (not too short), using “tau” for clean accents, and watching tuning/articulation in the brief “dogfight” and a few accidental moments, making it an easy, catchy programming pick for young bands.

This week's episode is a first for the "Band BFFs"! We were honored to record a crossover podcast episode with Kyle Smith of "The Growing Band Director"! We had great conversation about how and why we choose pieces and even literature for our own bands. We spoke about some of our favorite pieces and Kyle gave great insight to us as well! Check out this informative and fun Crossover episode with "The Growing Band Director"!