Band BFFs

In this episode of Band BFFs, we explore Storming the Castle by new composer Connor Dunford — a high-energy, programmatic grade 1.5 piece inspired by medieval battles. With accessible ranges, strong dynamic shaping, and great teaching opportunities in style and articulation, this exciting work is a standout for young bands.

In this episode of Band BFFs, we dive into Contempo by Michael Story — an energetic grade 2 piece full of style shifts, tuning considerations, and teaching potential. From exposed trumpet lines to lyrical woodwind moments and snare drum nuance, we break down why this “oldie but goodie” deserves thoughtful preparation and confident players.

On this episode of Band BFFs, we explore Groovee by Richard Saucedo—an energetic, percussion-driven Grade 2 piece recently added to the Texas PML. We break down articulation traps, rehearsal strategies, and standout teaching moments that make it a perfect fit for everything from fall concerts to UIL. With catchy melodies and a rock-out finish, this piece is sure to be a student favorite.

On this episode of Band BFFs, we dive into Serengeti Dreams by Robert W. Smith, a beloved staple for young and developing bands celebrating its 25th anniversary. We break down everything from percussion setup and melodic features to tricky transitions and tuning challenges, all while sharing practical teaching tips and performance insights. If you've got strong flutes, solid horns, and a great percussion section, this one's for you!

In this episode of Band BFFs, the hosts dive into The Oncoming Storm by Mekel Rogers, a high-energy grade 1 piece on the Texas PML. They break down the pedagogical benefits of teaching 3/4 time, ensemble balance, and articulation, all while highlighting the piece’s storm-inspired character and powerful percussion writing. With its steady tempo, accessible key, and dynamic musical storytelling, it’s a versatile choice for concert or contest settings.

We open Season 3 with a great Texas PML grade 2! In this episode of Band BFFs, the hosts explore Byzantine Dances by Carol Brittin Chambers—a vibrant, high-energy piece full of stylistic variety, engaging percussion, and even some snaps and claps! They break down its structure, discuss rehearsal strategies for articulation, breathing, and highlight its versatility for concerts, UIL, or region band.

In this episode of Band BFFs, the hosts spotlight Sunchaser by Carol Brittin Chambers, a vibrant and fast-paced piece that radiates optimism and sunshine. With driving rhythms,key changes, style changes, and exciting parts for every section, it’s a perfect opener or closer to energize your concert program.

In this episode of Band BFFs, the hosts explore Darklands March by Randall Standridge, a brisk, dramatic piece that blends traditional march structure with a darker tone. They highlight its strong teaching potential, varied instrumentation, and engaging parts for all sections—especially percussion and low voices. With its versatility for both concert and contest settings, this march offers both musical depth and student appeal.

In this episode of Band BFFs, the hosts dive into Hypnotic Fireflies by Brian Balmages, describing it as cinematic and rhythmically mesmerizing. They break down the piece’s layered textures, percussion demands—including a creative amplified slinky effect—and highlight the importance of piano and mallet instruments throughout. Special guest Nathan Lewis shares how to build a DIY slinky amplifier, adding practical insight to performing this unique and colorful composition.

Looking for a beautiful Grade 1 piece that introduces your students to expressive playing, color chords, and dynamic nuance? In this episode of Band BFFs, we explore Atlantis by Anne McGinty—a Texas PML staple full of rich harmonies, independent lines, and sneaky challenges that demand mature tone and balance. Learn how to elevate your ensemble’s sound with this rite-of-passage piece.