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Tom service explores the extraordinarily original music of Bela Bartok. This Hungarian composer, who was a contemporary of Schoenberg and Stravinsky, managed to avoid the direct influence of these two giants of modern music and created his own musical style, partly inspired by the folk music that he discovered (and recorded onto wax cylinders) in the Hungarian countryside before the First World War. His six string quartets are unmatched for their intensity and invention, and as a concert pianist himself, he wrote much groundbreaking piano music, including three concertos. Bartok's pedagogical series of pieces called Mikrokosmos is still much used by students of the piano, and Tom discusses the composer's piano music with another virtuoso pianist, Cédric Tiberghien.
By BBC Radio 34.1
5555 ratings
Tom service explores the extraordinarily original music of Bela Bartok. This Hungarian composer, who was a contemporary of Schoenberg and Stravinsky, managed to avoid the direct influence of these two giants of modern music and created his own musical style, partly inspired by the folk music that he discovered (and recorded onto wax cylinders) in the Hungarian countryside before the First World War. His six string quartets are unmatched for their intensity and invention, and as a concert pianist himself, he wrote much groundbreaking piano music, including three concertos. Bartok's pedagogical series of pieces called Mikrokosmos is still much used by students of the piano, and Tom discusses the composer's piano music with another virtuoso pianist, Cédric Tiberghien.

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