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Anthony Horowitz may be best-known for his Alex Rider hit novels. But as a writer of adult crime fiction he has a unique and distinguished career.

He was the first author entrusted by the estate of Arthur Conan Doyle to reimagine Sherlock Holmes for a new book. And then he wrote three official James Bond novels.

But his own inventions as an author and a screenwriter have now become parts of our cultural life: Foyle’s War, the Susan Ryeland books and TV shows and the Hawthorne and Horowitz series.

Anthony also wrote on Midsomer Murders and Agatha Christie’s Poirot.

He started working in advertising while writing books into the early hours. And his big break came in the mid-1980s when, after publishing a children’s book about Robin Hood, he was asked to write for the biggest TV show in Britain at that time.

In this episode, Anthony breaks down what parts of crime writing he enjoys - and tries to avoid. And he describes the honour and pressure which came from being entrusted with two of crime writing’s most important literary estates.

His latest book, A Deadly Episode, will be released tomorrow. You can discover more about Anthony here: anthonyhorowitz.com or @anthonyhorowitz

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David Baldacci was born in Richmond, Virginia, in 1960. What was it like growing up amidst the legacy of the Jim Crow laws? How did becoming a Washington lawyer finesse his storytelling skills? And how did he write his breakout debut Absolute Power while working 90-hour weeks as a litigator?

David has written more than 60 books in the last three decades and has become one of the world’s best-selling crime-writers.

His latest novel, Hope Rises, is the second part of David’s Walter Nash series. It tells how an everyday businessman seeks revenge after being plunged into the dark world of organised crime and security agencies.

In this conversation we speak about David’s inspiration from true crime, his literary heroes… and about his hometown hotel which had alligators in the reception.

You can learn more about David here: https://www.davidbaldacci.com/

You can grab a copy of Hope Rises here in the UK.

And here in the USA.

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Subscribe for FREE: robertmurphy.substack.comRichard Laxton discusses how he directed the ITV drama Gone.Why did he want to tackle the subjects of male repression and coercive control?What strengths did the lead actors Eve Myles and David Morrissey bring to the show?

And how did his experience as a young gay man who didn’t come out until he was 21 inform this drama about an institution which has a public and private face?Richard also discusses his previous crime series including, Joan, Honour and The Thief, His Wife and the Canoe?

If you enjoyed this episode, we have much more about the hit ITV drama in the last two episodes:

The writer:

In this episode series creator George Kay describes which true crimes influenced his writing - and his career more widely, including the hit shows Hijack, The Long Shadow and Lupin.

The inspiration:

Former detective Julie Mackay led the team which solved the 30-year-old murder of the teenager Melanie Road.

In this episode, she describes what it was like starting her policing career in the 1980s and 1990s, juggling being a detective with being a mother and solving a high-profile cold case.

If you want to learn more about the award-winning book, To Hunt a Killer, which Julie and I wrote - about that inquiry - you can grab a copy here.

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How - and why - did celebrated screenwriter George Kay take a true crime story and create a tense, claustrophobic thriller set in an English private school?

‘Gone’ stars Eve Myles as overlooked detective sergeant Annie Cassidy brought in to investigate the disappearance of the wife of domineering headmaster Michael Polly (David Morrissey.)

In this interview, George describes how he was inspired by the detective Julie Mackay (last week’s episode) and her book To Hunt a Killer.

But the series was influenced by two other real-life investigations.

George speaks about how he moved from writing episodic scripts for Killing Eve and other series to becoming one of the UK’s most bankable and acclaimed drama showrunners.

And he touches on some of the big themes raised in Gone: masculinity and how some institutions fail to nurture generations of boys.

George has featured in two previous episodes of Behind the Crimes. He talked about how he created The Long Shadow, about the crimes of Peter Sutcliffe:

And of his previously unknown connection to the Lord Lucan nanny who evaded the murderous earl:

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Julie Mackay is the former detective superintendent who led the inquiry into the cold case of Melanie Road.

For more than three decades, the killer of the 17-year-old schoolgirl evaded justice.

For the final seven years, this inquiry was led by Julie Mackay at Avon & Somerset Police.

Julie and I wrote To Hunt a Killer - an award-winning book about her tireless hunt for the murderer.

The book was optioned by New Pictures, the creators of Gone. Screenwriter George Kay created a fictional world, using the book as inspiration, rather than making a straight adaptation.

Gone centres on the domineering headmaster Michael Polly (David Morrissey) whose wife Sarah vanishes from his prestigious West Country school. Det Sgt Annie Cassidy (Eve Myles) is brought in to find her. Instead of being allowed to lead the hunt, she’s sidelined as the Family Liaison Officer. But her new position gives her unique access to the Polly family home. And the more she sees of this dogmatic, repressed and powerful man, the more she questions whether he was responsible for his wife’s vanishing.

In this podcast episode, Julie describes starting as the sole woman on her police team, what it was like to work undercover, to have a loaded sawn-off shotgun pointed at her head, reflects on the challenges of the Melanie Road inquiry, and what it was like to run a team of nearly 200 detectives when she finally got the top job leading a regional Murder Squad.

Gone is aired on ITV in the UK on Sundays and Mondays throughout March with all episodes appearing on ITVX on March 8th for the binge-watchers among you.

Gone is written by George Kay and directed by Richard Laxton. It stars Eve Myles and David Morrissey and co-stars Jennifer Macbeth, Arthur Hughes, Nicholas Nunn, Elliot Cowan, Billy Barrett, Rupert Evans, Jodie McNee, Oscar Batterham, and Clare Higgins.

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Doctor Who, Spooks, Luther: some of Britain’s best-loved TV crime dramas have scripts written by Neil Cross.

The Bristolian who now lives in New Zealand created Idris Elba’s beloved London detective on a spur-of-the-moment during a meeting with BBC managers.

And, more recently, he devised the fast-paced, twisty, laugh-out-loud thriller The Iris Affair, featuring Niamh Algar and Tom Hollander.

In this interview, Neil describes how his life changed in a chance-moment at a careers advice meeting at university.

He describes the difference between writing for an established show with an engaged following - like Doctor Who - compared with creating his own series.

And, in this open, confessional interview, he talks about his tough upbringing in Bristol and Scotland, being expelled from school, spending years unemployed, before getting into university and embarking on his writing career.

You can find out more about Neil here: http://www.neil-cross.com/

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Imagine you are a woman in 1659 Papal Rome. You can’t choose your husband, your job, your home. If your family had no money, you’d most likely end up in a convent or on the streets.

And what if your life was ruled by a brutal husband, father or brother?

Divorce? No chance.

Anna Mazzola discovered the true case of Gironima Spana who supplied women with a potion known as Aqua Tofana to sort the problem: to kill the men.

But the corpses didn’t decay as they should, and the authorities were alerted.

‘The Book of Secrets’ reimagines this story from three perspectives: the poisoner, a survivor of domestic abuse and the prosecutor entrusted with catching the killers.

The Book of Secrets won the 2025 Crime Writers Association Gold Dagger Award - one of the biggest accolades in crime writing.

In this interview, Anna Mazzola describes the inspiration and research for the novel, how her work as a human rights lawyer informs her work, and her new venture writing crime/political thrillers set in the modern day under her pen-name Anna Sharp.

You can find out more about Anna Mazzola here:

https://annamazzola.com/

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Journalist and crime author Andrew Wilson spent half a decade researching and writing Beautiful Shadow: A Life of Patricia Highsmith.

When she died, aged 74 in 1995, Highsmith left one of the world’s largest literary estates.

Inside her notebooks, or cahiers, Andrew found never-before-seen reminiscences of her many (and I mean many) love affairs, notes about the dark crimes which prompted her stories and people she had watched which inspired her characters.

Highsmith rarely sold more than 8,000 copies a year in the USA. She was far more celebrated in Europe, to where she moved in the 1970s.

But now, following the superb Netflix series ‘Ripley’ as well as the 1999 film ‘The Talented Mr Ripley,’ interest in Highsmith has never been higher.

Who was Patricia Highsmith?

A lesbian writer who wrote a queer classic yet was deeply misogynistic. A political liberal who held profoundly racist views. A writer of psychological thrillers who hated people.

And how did she manage to persuade quite so many married women into bed?

And what her fascination with snails? Why did she keep them in her bra?

Andrew Wilson describes all of this and about why he spent five years writing ‘Beautiful Shadow.’

You can find more about Andrew Wilson here: https://www.andrewwilsonauthor.co.uk/

Andrew’s Agatha Christie mysteries are available here: https://www.andrewwilsonauthor.co.uk/the-agatha-christie-mysteries

His new biography of Marilyn Monroe I Wanna Be Loved By You is here: https://www.amazon.co.uk/Wanna-Be-Loved-You-Marilyn-ebook/dp/B0FB496Q27/ref=tmm_kin_swatch_0

In this episode we refer to Truman Capote. You can hear more about In Cold Blood here:

And Andrew talks about Highsmith’s interest in the Lord Lucan case. You can hear more about that here:

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The creator of The Snowdonia Killings talks true crime, pivoting from screenplays to novels (via teaching) and how his own publishing company has proved far more lucrative than being traditionally published.

When, in 2020, Simon couldn’t get an agent or a publisher, he decided to self-publish his first novel, expecting just a few friends to buy it.

But soon it was soaring up the Amazon charts.

The Snowdonia Killings, with its lead character of Det Insp Ruth Hunter, seemed to touch a nerve with fans of crime fiction.

Since then, Simon has written more than THIRTY books and has sold millions of copies.

Simon’s books are fantastic reads, with great characters, evocative settings and terrific twists.

You can find out more (and claim a free book) here:

https://www.simonmccleave.com

To WATCH this interview - click here: https://open.substack.com/pub/robertmurphy/p/simon-mccleave-the-screenwriter-turned?r=1lsdh7&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

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Mark Gatiss’s new crime drama is set in 1946 London: a city recovering from the Blitz, when gangs ran wild and gun crime was rife.

Bookish is inspired by both true crimes and the Golden Age of Detective Fiction which preceded the Second World War.

But what were the true crimes of this period?

And how does Mark, who works across so many genres (comedy, horror, sci-fi, action, period-drama) and platforms (TV, books, theatre, film) create a show which resonates? Bookish is already posting big audience numbers on U&Alibi in the UK.

You may know Mark from The League of Gentlemen, Sherlock, Doctor Who, Game of Thrones, Dracula - and MANY other shows.

But what is it that brings him back to crime?

To watch this interview, click here:

https://open.substack.com/pub/robertmurphy/p/sherlocks-mark-gatiss-true-crime?r=1lsdh7&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

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