It sounds like summer, but the lyrics address serious issues in a way that made it a timeless classic. “Everybody Wants To Rule The World” by Tears For Fears became a worldwide smash hit when it was released in 1985, during the Cold War between the US and Russia, but over time it has proven itself to be evergreen on a range of concerns, from the environment to dictatorship. It has been covered by over 140 artists, including Don Henley, who inspired the shimmery sound of the song with his hit, "The Boys Of Summer." And, incredibly, it was written at the last minute, the very last song to make it to the band’s second album. Let’s get into why this song has had such a lasting impact in this episode of the Behind The Song podcast.

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It’s a song that finds a center in growing older, by an artist who wrote many of his best songs from a nostalgic viewpoint. In fact, the very title of “Against The Wind” by Bob Seger came from his highschool days, running track and cross country, a runner’s phrase that stuck with Seger and perfectly described how he saw his own life as a road-worn musician, maturing out on the road. The title track of his eleventh studio album - his only album to go to #1 on the album chart - it is one of the best examples of how Seger used his own life’s journey to get to certain personal truths that everyone can sing along to. Let’s look back into “Against The Wind” in this episode of the Behind The Song podcast.

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It’s the song that put the word “pompatus” into our collective consciousness, a made-up word that was actually a mishearing of ANOTHER made up word. But it sounds great in “The Joker,” proving once again that in rock and roll, if it sounds good no one will bat an eyelash to question it. In fact, “The Joker” was the Steve Miller Band’s first number one hit on the Billboard singles chart, and we’ve been singing along to it since 1973. Let’s get into the story of this ever-popular song in this episode of the Behind The Song podcast. 

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It took original thinking to make one of the best-selling albums of an entire decade, and that’s just what ZZ Top did, although they had some help with coming up with the sound. Completely bypassing the notion that nothing new could be done with rock ‘n roll, the trio released Eliminator in 1983, an album that blended their brand of Texas boogie woogie blues rock with synth sounds and drum machines, unleashing danceble rockers that topped the charts. But there is an unsung hero in the ZZ Top story. Dig into it - and how “Sharp Dressed Man” perfectly sums up the 80’s mindset - in this episode of the Behind The Song podcast. 

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It’s been said “Closer To The Heart” by Rush is Canada’s “Stairway To Heaven,” in ways that go beyond the technical, and it struck a chord worldwide to audiences in a way that Rush’s songs hadn’t before. There’s a folk vibe to this song, a message about finding personal balance and how doing that puts the world at large in a better kind of order. It was the first Rush song to have lyrics penned by an outside co-writer, and it became a hit. Geddy Lee said it was “as close as they ever got to a pop song.” But who was that outside writer? Let’s get into “Closer To The Heart” in this episode of the Behind The Song podcast. 

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It was a song that Jon Bon Jovi had to admit that he was wrong about. It took serious convincing for him to agree to put what became Bon Jovi’s signature song on their third album, a make or break album for the band. And the song does what only a very big, monster hit song can do: get in your head and stay there, probably forever. It also tells a story about a couple of kids, Tommy and Gina…the first in a series of songs in which the couple would appear. Get into the story of “Livin’ On A Prayer” in this episode of the Behind The Song podcast with your host, Janda Lane.

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It may be the most delicate song in the entire Rolling Stones catalog, with Mick Jagger delivering every single line of “Wild Horses” with an impassioned weight. And there’s good reason for that. By the time this song was written and recorded for 1971’s Sticky Fingers album, the Stones had more than enough personal drama to sing about. Get into it in this episode of the Behind The Song podcast with Janda Lane. 

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Workplace romances can be challenging…especially when your job is being part of a rock band. That was certainly the case with the band Heart. In fact, their first Top 10 hit in the US was written about the beginnings of what became an intra-band relationship. Get into the story of “Magic Man” in this episode of the Behind The Song podcast.

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By 1983, John Mellencamp had finally gotten the upper hand on his career. After the success of his breakthrough album, 1982’s American Fool, he had all the cards in his deck to change the game when it came to his relationship with the music business executives who had tried to control him from the start, over six years earlier. 

For his seventh studio album, Uh Huh, he did just that. Released in the fall of '83, t is the first album that bears his last name, an important step toward freeing himself of artistic shackles. Uh Huh was another success for Mellencamp on the charts, and one of its charting singles could be viewed as his mission statement: a song that encapsulates not only his battle with the folks in the corner offices who tried to dictate his career but the very spirit of the man himself. Let’s get into the story of “Authority Song” in this episode of the Behind The Song podcast. 

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The Dark Side Of The Moon by Pink Floyd stands alone in many ways. By dealing with the uncomfortable concepts of life, death, greed, and mental illness, this body of work chimes with the human experience on a real level, which is remarkable considering that Roger Waters wrote the lyrics when he was just in his late 20’s. The content resonates so completely that The Dark Side Of The Moon holds the record on the Billboard 200 chart for being the longest-charting album in the chart’s history - over a thousand weeks and counting. It is one of the best-selling albums in the world, one of the most important in the entire rock genre. And when it comes to “Time,” track four on side one, we have a song that confronts us with our very path of existence. It traces the whole pattern of life, from youth to death and the great beyond, in six minutes and 53 seconds of pure poetry and amazingly creative audio imagery - ticking clocks and all. Get into it in this episode of the Behind The Song podcast. 

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