By 1983, John Mellencamp had finally gotten the upper hand on his career. After the success of his breakthrough album, 1982’s American Fool, he had all the cards in his deck to change the game when it came to his relationship with the music business executives who had tried to control him from the start, over six years earlier. 

For his seventh studio album, Uh Huh, he did just that. Released in the fall of '83, t is the first album that bears his last name, an important step toward freeing himself of artistic shackles. Uh Huh was another success for Mellencamp on the charts, and one of its charting singles could be viewed as his mission statement: a song that encapsulates not only his battle with the folks in the corner offices who tried to dictate his career but the very spirit of the man himself. Let’s get into the story of “Authority Song” in this episode of the Behind The Song podcast. 

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The Dark Side Of The Moon by Pink Floyd stands alone in many ways. By dealing with the uncomfortable concepts of life, death, greed, and mental illness, this body of work chimes with the human experience on a real level, which is remarkable considering that Roger Waters wrote the lyrics when he was just in his late 20’s. The content resonates so completely that The Dark Side Of The Moon holds the record on the Billboard 200 chart for being the longest-charting album in the chart’s history - over a thousand weeks and counting. It is one of the best-selling albums in the world, one of the most important in the entire rock genre. And when it comes to “Time,” track four on side one, we have a song that confronts us with our very path of existence. It traces the whole pattern of life, from youth to death and the great beyond, in six minutes and 53 seconds of pure poetry and amazingly creative audio imagery - ticking clocks and all. Get into it in this episode of the Behind The Song podcast. 

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ELO’s “Mr. Blue Sky” is one of the best examples of Jeff Lynne’s particularly bouncy brand of symphonic rock, a song that holds several surprises and reveals itself more and more with each repeated listen...including the very last line of the song, which is actually an often-misheard request! It has been proven to fit a “Feel Good Song Formula” by a scientist who tested it to find the world’s happiest tune. And for such a bright, happy song, would you be surprised to know that it all came about after Lynne had been suffering from a weather-induced writer’s block, a mental funk, while holed up in Switzerland? A funk that literally ended when the sun came out. Let’s dig in to the awesome story of “Mr. Blue Sky” in this episode of the Behind The Song podcast. 

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The song is the biggest hit of Pete Townshend’s solo career, an infectious tune that the songwriter behind The Who has called “just a little ditty.” It’s a Hollywood favorite, used in charming romantic scenes in movies and TV shows. But like most things about this artist’s work, “Let My Love Open The Door” has a more complex and deeper meaning than what it sounds like at first. Let’s get into it in this episode of the Behind The Song podcast.

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When Pat Benatar’s Tropico album was released in 1984, she was on top of the world: an established superstar talent with a string of chart-toppers, and she and her husband and musical partner Neil Giraldo were about to become first-time parents. The biggest hit from the album, “We Belong,” would become a worldwide smash, extending her golden streak on the charts. It’s a love song that was actually written by two Los Angeles musicians who were struggling to make it at the time, and its success became a windfall for them that they didn’t see coming. Get into the story in this episode of the Behind The Song podcast.

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By 1981, Mick Jagger and Keith Richards were barely talking, having differing opinions on the direction of The Rolling Stones. Making new music together seemed out of the question, but they were booked on a world tour, and needed an album to tour behind. That’s when engineer Chris Kimsey stepped in to save the day, poring over forgotten outtakes from the band’s previous sessions to cobble together what would become the Tattoo You album. The lead track, “Start Me Up,” was the biggest surprise to Keith Richards, who had written it as a reggae song but never liked what he heard when it was recorded. But, Kimsey found a diamond in the rough: when Richards and Charlie Watts briefly went into the rockin’ version we fans have come to know in one of those forgotten sessions. That outtake, after a little polishing, became one of the biggest hits of the Stones’ career, and it’s a miracle it was ever found to begin with. Get into the story in this episode of the Behind The Song podcast.

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He was the first former Beatle to release a Christmas single after the band broke up, and he found a way to make a Christmas song carry a message of peace and unity without being overly saccharine. But then again, he was John Lennon. Get into the story of how his and Yoko Ono’s 1971 single “Happy XMas (War Is Over)” arrived just in time for Christmas in this episode of the Behind The Song podcast.

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Neil Young’s second solo album, 1969’s Everybody Knows This Is Nowhere, marked the first time he made an album with Crazy Horse as his backing band. Created in a rush of musical output from Young, concurrent with his work with Crosby, Stills, and Nash, it set the stage for the type of sound Young wanted to make as a solo artist: stripped back, without any fancy studio-created bells and whistles. Three of the songs on that album were written while Young had a fever from the flu, and one of them, “Cinnamon Girl,” led to Young earning the nickname “The Godfather of Grunge” decades later when bands like Nirvana embraced the the innovative way he downtuned his guitar. But who is the subject of this gritty, hypnotic tune? Find out in this episode of Behind The Song.

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By the time INXS released their sixth album, 1987’s Kick, the band were perched on the edge of international superstardom, a gig that the late Michael Hutchence seemed born for. Kick turned out to be their biggest success, but it was rejected at first by their US label. It may not have come out at all if it weren’t for a devilishly clever plan put into place by their wily manager. Dig in to the story of how this album overcame a major hurdle and made this band of brothers and friends into one of the biggest acts of the late 1980’s, in this episode of Behind The Song.

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By the time Bachman Turner Overdrive were ready to record their third album, Not Fragile, Randy Bachman had sent demo tapes to almost two dozen record labels, all met with rejection letters. Finally, a twist of fate led to inking a contract with Mercury Records…but they were told they were one song short of “that magic element” the label thought they needed for the album. In this episode of the Behind The Song podcast, find out how “You Ain’t Seen Nothing Yet” was begrudgingly added to the track listing and became a number one smash for B.T.O. even though Randy Bachman had intended for the song to be nothing more than a brotherly inside joke!

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