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A frequent subject of 19th century paints was the land. There was a movement that came to be known as the Barbison school. Painters went out and painted it right there in the fields and along the forests. One subject that has always appealed to me is the sower who sows his seed. Jean-Francois Millet had a wonderful genre painting of this which he repeated over and over in between 1850 to 1870. It expressed profound personal conviction that he had to be a real sower of peace and of joy.
Thumbnail: Jean-Francois Millet, The Sower (1850). Carnegie Museum of Art, Pittsburgh.
Music: Andrian Guerenger, Fall (2017)
By Eric Nicolai4.9
6060 ratings
A frequent subject of 19th century paints was the land. There was a movement that came to be known as the Barbison school. Painters went out and painted it right there in the fields and along the forests. One subject that has always appealed to me is the sower who sows his seed. Jean-Francois Millet had a wonderful genre painting of this which he repeated over and over in between 1850 to 1870. It expressed profound personal conviction that he had to be a real sower of peace and of joy.
Thumbnail: Jean-Francois Millet, The Sower (1850). Carnegie Museum of Art, Pittsburgh.
Music: Andrian Guerenger, Fall (2017)

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