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By Eric Nicolai
4.9
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The podcast currently has 533 episodes available.
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A meditation preached by Fr. Eric Nicolai at Kintore College, Toronto, on September 16, 2026. The Gospel tells us about the different reactions of the people to John the Baptist and to Jesus. He comments on the lack of coherence present in these responses. The impossibility of getting coherent responses in light of the lives of John and of Jesus. “To what then shall I compare the people of this generation? … They are like children sitting in the marketplace and calling to one another, ‘We played the flute for you, and you did not dance; we wailed, and you did not weep.’” (Lk 7:31–32) Thumbnail: Eduard Manet, Young Flautist, or The Fifer, 1866, Musee D'Orsay, Paris. Music: enrique27naveda-cancion-triste-by Luis Enrique Guerra Naveda Pixabay

A meditation preached by Fr. Eric Nicolai at Ellerton Centre in Toronto on September 14, 2026, the feast of the Exaltation of the Holy Cross. Yesterday we decorated with flowers the simple black cross in our oratories so that we could see it bloom today. The hymn of Philippians 2, 6-11: "...he emptied himself, taking the form of a slave, coming in human likeness; and found human in appearance, he humbled himself, becoming obedient to death, even death on a cross. Because of this, God greatly exalted him and bestowed on him the name that is above every name, that at the name of Jesus every knee should bend, of those in heaven and on earth and under the earth, and every tongue confess that Jesus Christ is Lord, to the glory of God the Father." Thumbnail: Cross with garlands of roses from Ernescliff oratory Music: Audiio MULVEY_Awakening_Awakening_Instrumental

This meditation was preached by Fr. Eric Nicolai on September 5th, 2026, at Ellerton Centre in Toronto. ‘He withdrew to the wilderness and prayed’ (Lk 5:16) What did it look like to see the Lord withdraw into the wilderness? It was described as wilderness, a wild place because it was hostile to man’s control; there were no houses or comforts there. But it was a time of silent unity with God the Father. How can we pray like that in silence? It is hard for our generation to sit there without the comfort of devices. But we know inherently that if we sit there, alone with God, away from our notifications or the reels that make us laugh, we will still deepen in something we deeply need. We will come out of our prayer refreshed, rewired for the mission. Music: Audiio MULVEY Awakening Awakening Instrumental Sound effects: 11325622-police-siren-sound-effect-240674 on Pixabay. Nature sounds: Meditation forest sounds of birds singing relaxation - 4 minutes - Tim Irving. Tweeting-bird-sounds orangefreesounds Thumbnail: Ivan Kramskoy, Christ in the Wilderness, 1872 Tretyakov Gallery, Moscow

Fr. Eric Nicolai preached this meditation on August 17, 2026 at Parkhill Centre in Ottawa. Prayer in our life is an essential part of our existence of sons of God. It gives our resilience, and our purpose going. It is like the engine room of our interior life. In the Gospel, we have the Pharisees complaining about the company that Jesus kept. This prompted Jesus to reaffirm the truth of God’s mercy through the most iconic parables of the Gospel: The conversion of the prodigal son. Music: 'Undertow' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com Thumbnail: Rembrandt, The Conversion of the Prodigal Son, 1661.

A meditation preached by Fr. Eric Nicolai at Camp Caribou near Barry's Bay, Ontario, on August 25th, 2026. Today, the Gospel speaks about the distaste that Jesus had for those who relied on appearances, on image, on looking good to others. Those who spent time cultivating a public image. It is a rather blistering accusation. Matt 23, 24-26: Alas for you, scribes and Pharisees, you hypocrites! You who clean the outside of cup and dish and leave the inside full of extortion and intemperance. Blind Pharisee! Clean the inside of cup and dish first so that the outside may become clean as well.’ Music: Regi Stone, All Heavens Declare. Thumbnail: Rembrandt, Jesus preaching. Etching, Boston Museum of Fine Arts.
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